With the Microtubes B7K v2 you get all the features of the original, with the ability to better sculpture your tone: on the low mids you have the option to change the center frequency from 1KHz to 500Hz, and on the high mids you have the option to change the center frequency from 3kHz to 1.5kHz. This will enable you to tailor your absolute dream distortion tone.
The character and core of the Microtubes B7K remains the same, still retaining the powerful dynamic saturation circuit of the B3K and adds a four-band equalizer and a balanced line driver for even greater versatility. Designed for both studio and live use, it will take your direct sound to a whole new level.
Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.
Sets the volume of the overdriven signal.
Sets the amount of saturation in the overdriven signal.
Sets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage.
Sets the amount of treble content to saturate: The "Boost" setting emphasizes the treble content extra clarity and presence. The "Flat" position leaves this register untouched while the "Cut" position will reduce the amount of high frequencies being saturated.
+-12dB @ 100Hz
This switch change the center frequency of the Low Mids from 1kHz to 500Hz.
+-12dB @ 1kHz
+-12dB @ 3 kHz
This switch change the center frequency of the Hi Mids from 3kHz to 1.5kHz.
+-12dB @ 5kHz
A passthrough for your input signal, useful for parallel processing.
A balanced version of the ¼” output, useful for running into PA’s or studio mixing consoles.
12×10.7 cm (4.72×4.21 in)
The Microtubes B7K v2 has a current draw of 30mA. Only use a regulated 9V DC adapter with a center-negative plug. Due to ecological reasons it does not accept batteries. Unregulated power supplies and/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty.
Building off of the lush, tonal landscapes that the Julia created, Walrus Audio is beyond excited to announce the
Julianna Deluxe Chorus/Vibrato. This release packs an all analog, digital LFO, stereo chorus/vibrato with new expanded
features. Julianna is able to produce everything from mild smooth chorus, to seasick vibrato. The familiar controls like
Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here but Julianna employs some new tricks:
Secondary LFO speed, modulation drift, tap/expression control, momentary features, and external tap tempo will have you
commanding all new kinds of sounds not found in traditional chorus pedals.
In addition to the highly requested tap tempo switch and stereo in/out jacks, players will once again find new life in chorus
with Drift and Secondary LFO speed. With Drift mode, the pedal’s LFO rate gently speeds up and down. It’s like having a
little robot in the pedal moving your Rate knob up and down. With the Secondary LFO speed, you can ramp up or slow
down your LFO rate depending on where the Rate knob is set. When you combine these settings with the added random
wave shape and tap multiplier, there is a near infinite amount of sounds to explore.
The Julianna comes in a deep lavender colored enclosure with surf green ink, featuring original artwork of Julia’s big sister
emerging from the depths that her sister once ruled. Illustration by Adam Forster. The die-cast enclosure’s exact size is 4.77”
x 2.9” x 2.3”.
Power requirements are 9VDC, center negative (100mA minimum).
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Create vast soundscapes with just a few notes from your instrument. Apply mind-bending pitch and harmonic manipulation to your reverb tails, with synth-like filter sweeps. Enter a world of new sounds that blow away the boundaries of what is possible with reverb. With pioneers and adventurous sonic explorers in mind we created a reverb pedal that can go where none have gone before.
NightSky is a reverberant synthesis workstation, and a powerful, hands-on experimental sound design platform. NightSky gives you real-time continuous control of reverb pitch/processing rate/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes, plus a step sequencer with variable glide. You haven’t heard a pedal like this before.