$249.00
$99.00 – Sold Out
The legendary Shure SM58™ vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. Its tailored vocal response for sound is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath "pop" noise. A unidirectional (cardioid) pickup pattern isolates the main sound source while minimizing unwanted background noise.
Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors.
Type: Dynamic (moving coil)
Frequency Response: 50 to 15,000 Hz
Polar Pattern: Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency
Sensitivity (at 1,000 Hz Open Circuit Voltage): -54.5 dBV/Pa (1.85 mV)
1 Pa = 94 dB SPL
Impedance: Rated impedance is 150 ohms (300 ohms actual) for connection to microphone inputs rated low impedance
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Connector: Three-pin professional audio connector (male XLR type)
Case: Dark gray, enamel-painted, die cast metal; matte-finished, silver, spherical steel mesh grille
Net Weight: 298 grams (10.5 oz)
$69.00
$99.95
The e835 is a lead vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or farther from capsule.
Dimensions: d 1.9 X 7.1 in. (48 x 180 mm)
Frequency response: 40 - 16,000 Hz
Min. terminating impedance: 1,000
Sensitivity in free field, no load (1kHz): 2.7 mV/Pa
Weight w/o cable: 11.6 oz. (330 g)
$99.00
The legendary Shure SM57 is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording.
The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds.
Outstanding performance, reliability, and application diversity make this "workhorse" the choice of performers, producers, and sound engineers worldwide.
Type: Dynamic
Frequency Response: 40 to 15,000 Hz
Polar Pattern: Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency.
Sensitivity (at 1,000 Hz) Open Circuit Voltage: -56.0 dBV/Pa* (1.6 mV)
*(1 Pa = 94 dB SPL)
Impedance: Rated impedance is 150 ohms (310 ohms actual) for connection to microphone inputs rated low impedance
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Connector: Three-pin professional audio connector (male XLR type)
Case: Dark gray, enamel-painted, die-cast steel with a polycarbonate grille and a stainless steel screen
Net Weight (without cable): 284 grams (10 oz)
$99.95
$179.00
Designed, machined, assembled and tested by Audix in the USA, the D4 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D4, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.
The D4 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz - 18 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D4 is an excellent choice for miking instruments requiring precise low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, sax and baritone sax, trombone, acoustic bass, bass cabs and small kick drums.
Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip.
Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs.
Type: Dynamic
Polar Pattern: Hypercardioid
Frequency Response: 40Hz - 18kHz
Impedance: 200 Ohms
Sensitivity: 1.4 mV/Pa @1kHz
$999.00 – Sold Out
The MD 441 is acknowledged as the most accurate and versatile dynamic mic available. It has a nearly textbook perfect super-cardioid pattern, a five-position low frequency contour switch, a two-position high frequency switch, a critically damped internal shock suspension, and a hum bucking coil. Perfect for vocals and virtually every instrument.
Dimensions: 10.6 x 1.3 x 1.4 in. (270 x 33 x 36 mm)
Min. terminating impedance: 1,000
Nominal impedance: 200
Pick-up pattern: Super-cardioid
Sensitivity in free field, no load (1kHz): 1,8 mV/Pa +- 2 dB
Weight: Approx. 15.9 oz. (450 g)
$99.95
The e835 is a lead vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or farther from capsule.
Dimensions: d 1.9 X 7.1 in. (48 x 180 mm)
Frequency response: 40 - 16,000 Hz
Min. terminating impedance: 1,000
Sensitivity in free field, no load (1kHz): 2.7 mV/Pa
Weight w/o cable: 11.6 oz. (330 g)
$104.00
$399.00 – Sold Out
The SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications.
$249.00
Inspired by the legendary SM7B, the MV7 is a dynamic microphone with both USB and XLR outputs for use with desktop, mobile and professional interfaces alike. Powered by Shure's Voice Isolation Technology, the MV7 is perfect for capturing clear audio in less-than-ideal acoustic environments. The directional dynamic microphone capsule is optimized for podcasting, gaming, recording, and live streaming applications. The dynamic design performs better than other common condenser designs in challenging environments.
$29.99 – Sold Out
$399.00 – Sold Out
ZVEX Effects proudly announces the release of the TB-2 handmade microphone, designed for special effects through a guitar amplifier and guitar accessories. What makes the TB-2 different from other microphones? Most professional microphones are designed to connect to a mixing console, so they have balanced outputs terminating in an XLR connector. Their outputs are very low level as well as being low-impedance, which makes them incompatible with guitar gear in three ways, with the additional problem of having terrifying feedback problems when placed in front of a raging guitar amplifier.
The TB-2 has the following features that define its specialty nature:
1. Its output is high-impedance like a guitar.
2. Its output connector is 1/4" and is designed to connect directly to effects or an amp.
3. It features extremely high rejection of signals located more than 1 inch away, so it literally cannot hear your amplifier if it's more than a few feet away from it, so it doesn't feed back on stage!
4. It's hand made from an actual tea ball, with a removable magnetic pop screen and filter, with a hand-bent copper hoop and springs that make it look like something from the 20s.
5. IT HAS A WAH-WAH BUILT IN! This lets you set a filtered tone for telephone effects or honking tones to exaggerate instruments like harmonica, or you can actively wah your own voice!
6. The TB-2 is limited to a run of less than 100 pieces, and if you miss out on this one, you'll have to wait until 2019 for our next microphone offering!
View full product details
$429.00
The BLX24/SM58 Handheld Wireless System is part of the BLX wireless systems family.
Shure BLX® Wireless Systems combine professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Precision-built and available in a variety of configurations, it’s the most accessible way to own the stage.
Includes BLX4 single-channel receiver, BLX2/SM58 handheld transmitter, microphone clip, power supply, 2 AA batteries, and user guide.
The ideal entry-level wireless microphone system for small venues, BLX offers professional quality sound with simple setup and an intuitive interface.
$199.00
$119.00
With its signature green and chrome die-cast casing, the 520DX "Green Bullet" holds a spot in history as the definitive blues harp voice.
The 520DX features a volume control knob at the base of the microphone that allows users to make adjustments to suit their needs during live performance. An attached cable with a standard 1/4-inch plug allows the microphone to be connected to a high-impedance device. Contoured to fit perfectly between harmonica and hands, it can also be used for distinct, lo-fi vocals.
Type
Dynamic
Frequency Response
100 to 5,000 Hz
Polar Pattern
Omnidirectional
Impedance
High, unbalanced
Load Impedance Range
Minimum: 100 kilohms
Output Level (at 1,000 Hz)
Open Circuit Voltage -38.0 dBV/Pa (13 mV)*
*1 Pa = 94 dB SPL
Polarity
Positive sound pressure on diaphragm produces positive voltage on tip with respect to sleeve (ground) of microphone output phone plug connector
Cable
6.1 m (20 ft) two conductor shielded with standard 1/4-inch phone plug attached (supplied wired for high-impedance, unbalanced connection)
Case
Green and chrome finished die casting
Dimensions
63 mm (2.5 in) max diameter, 82.6 mm (3 1/4 in) long
Net Weight (with cable)
737 grams (26 oz)
$379.95
The e914 is a smooth, clear, instrument microphone. It features a cardioid condenser element with a very wide frequency response, making it ideal for acoustic instruments. Three sensitivity switches allow it to handle any volume level, while three bass roll-off switches expand its versatility. Excellent for overhead and ambient miking.
Attenuation: 0, -10, -20 dB
Dimensions: 0.9 x 6.2 in. (24 x 157 mm)
Equivalent noise level: 19 dB(A)
Frequency response: 20 - 20,000 Hz
Max. Sound pressure level (active): 137, 147, 157 dB
Min. terminating impedance: 1,000
Nominal impedance: 100
Phantom powering: 48 V/2.2 mA
Pick-up pattern: Cardioid
Sensitivity in free field, no load (1kHz): 7 mV/Pa
Weight: 7 oz. (198 g.)
$99.00
Multi-purpose dynamic microphone with clear accurate sound.
Designed, assembled and tested by Audix in the USA, the i5 is a dynamic instrument microphone used for stage, studio and broadcast applications. The i5 is able to handle sound pressure levels in excess of 140 dB without distortion and can be used to mic a wide variety of musical instruments, guitar and bass cabinets, vocals and speech.
The i5 is characterized with a cardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.
The i5 is sturdy, compact and easy to position. With a wide frequency response of 50 Hz - 16 kHz, the i5 provides clear, accurate, natural sound reproduction without having to rely on EQ. Roadworthy construction includes a precision cast zinc alloy body, steel grill, black e-coat finish, laser etched model and serial number, Switchcraft® XLR connector and includes a heavy duty nylon mic clip.
Type: Dynamic
Polar Pattern: Cardioid
Frequency Response: 50Hz - 16kHz
Impedance: 150 Ohms
Sensitivity: 1.5 mV/Pa @1kHz
$199.00
Provides huge kick drum sound with ground shaking low end while delivering exceptional clarity and attack.
Designed, machined, assembled and tested by Audix in the USA, the D6 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D6, which is characterized with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.
The D6 is lightweight, compact and easy to position. With a wide frequency response of 30 Hz - 15 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drum, large toms, and bass cabinets.
Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip.
Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs.
Type: Dynamic
Polar Pattern: Cardioid
Frequency Response: 30Hz - 15kHz
Impedance: 200 Ohms
Sensitivity: .8 mV/Pa @1kHz
$139.00
Designed, machined, assembled and tested by Audix in the USA, the D2 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.
The D2 is lightweight, compact and easy to position. With a wide frequency response of 80 Hz - 18 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophone, guitar cabinets and brass.
Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip.
Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs.
Type: Dynamic
Polar Pattern: Hypercardioid
Frequency Response: 80Hz - 18kHz
Impedance: 250 Ohms
Sensitivity: 1.2 mV/Pa @1kHz
$249.00
The ADX51 is a professional pre-polarized condenser microphone used for stage, studio and broadcast applications. The ADX51 is known for its clear, accurate response and flexibility to handle close or distance miking for a wide variety of acoustic instruments.
Characterized with a uniformly controlled cardioid polar pattern, the ADX51 is designed to capture the acoustics of the instrument being miked while at the same time isolating it from the rest of the instruments on stage. With a wide frequency range of 40 Hz - 18 kHz, the ADX51 is equipped with an optional -10 dB pad and bass roll-off filter for added contour and control at the sound source.
The ADX51 is very easy to position, durable and manufactured with high standards and tight tolerances. Roadworthy construction includes a precision machined brass body, black e-coat finish, laser etched model and serial number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.
Type: Pre-polarized Condenser
Polar Pattern: Cardioid
Frequency Response: 40Hz - 18kHz
Impedance: 100 Ohms
Sensitivity: 17 mV/Pa @1kHz
View full product details
$169.00
The PRO 37 has established itself as a versatile solution for studio recording and live performance. With a low-mass element for superb transient response and a low-profile design for optimal mic placement, this mic excels in high-SPL applications. It is ideal for acoustic guitar, overheads, piano and group vocals. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source.
ELEMENT: Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN: Cardioid
FREQUENCY RESPONSE: 30-15,000 Hz
OPEN CIRCUIT SENSITIVITY: -42 dB (7.9 mV) re 1V at 1 Pa
IMPEDANCE: 200 ohms
MAXIMUM INPUT SOUND LEVEL: 141 dB SPL, 1 kHz at 1% T.H.D.
DYNAMIC RANGE (typical): 112 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO: 65 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS: 11-52V DC, 2 mA typical
WEIGHT: 1.7 oz (49 g)
DIMENSIONS: 3.9" (99.0 mm) long,
0.83" (21.0 mm) maximum body diameter
OUTPUT CONNECTOR: Integral 3-pin XLRM-type
ACCESSORIES FURNISHED: AT8405a stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; AT8159 windscreen; soft protective pouch
$89.00
$1,219.00
The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.
$159.95
The e 602 II is a cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.
Dimensions: d 60 x 153 mm (2.7 x 6 in)
Frequency response: 20 - 16,000 Hz
Min. terminating impedance: 1,000
Nominal impedance: 350
Pick-up pattern: Cardioid
Sensitivity in free field, no load (1kHz): 0.25 mV/Pa; @ 50 Hz 0.9 mV/Pa
Weight: 11.3 oz. (320 g)
$399.95
The MD 421 II continues the tradition of the MD 421, which has been one of Sennheiser's most popular dynamic mics for over 35 years. The large diaphragm, dynamic element handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421's full-bodied cardioid pattern and five-position bass control make it an excellent choice for most instruments, as well as group vocals or radio broadcast announcers.
Dimensions: 8.5 x 1.8 x 1.9 in. (215 x 46 x 49 mm)
Frequency response (microphone): 30 - 17,000 Hz
Min. terminating impedance: 200
Nominal impedance: 200
Pick-up pattern: Cardioid
Sensitivity in free field, no load (1kHz): 2 mV/Pa +- 3 dB
Weight: approx. 13.6 oz. (385 g)
$199.95
The e 945 is a super-cardioid lead vocal stage microphone specially designed to perform under pressure while exhibiting a naturally smooth response. Made for the working musician. Excellent sound results guaranteed, day to day, 365 days a year. First choice for rental companies.
Dimensions: 1.9 x 7.3 in. (47 x 186 mm.)
Frequency response (microphone): 40 - 18,000Hz
Min. terminating impedance: 1,000
Nominal impedance: 350
Pick-up pattern: Super-cardioid
Sensitivity in free field, no load (1kHz): 2.0mV/Pa at 1 kHz = -54dB (0 dB = 1V/Pa) = -74 dB (0 dB = 1V/ubar)
Weight: 11.6 oz. (330 g.)
$199.95
The e 935 is a cardioid vocal stage microphone specially designed to perform under pressure while cutting through the mix with its high output. Made for the working musician. Excellent sound results guaranteed, day to day, 365 days a year. First choice for rental companies.
Dimensions: 1.9 x 7.1 in. (47 x 181 mm.)
Frequency response (microphone): 40 - 18,000 Hz
Min. terminating impedance: 1,000
Nominal impedance: 350
Pick-up pattern: Cardioid
Sensitivity in free field, no load (1kHz): 2.8mV/Pa at 1 kHz = -51dB (0 dB = 1V/Pa) = -71 dB (0 dB = 1V/ubar)
Weight: 11.6 oz. (330 g)
$199.95
The cardioid e 906 instrument microphone was especially designed for guitar amps and is also excellent for percussion and horns.
Dimensions: 2.2 x 1.3 x 5.3 in. (55 x 34 x 134 mm)
Frequency response: 40 - 18,000 Hz
Min. terminating impedance: 1000
Nominal impedance: 350
Pick-up pattern: Supercardioid
Sensitivity in free field, no load (1kHz): 2.2 mV/Pa
Weight: 4.9 oz. (140 g)
$179.95
The cardioid e 904 is a dynamic instrument microphone specifically designed for drum applications. Featuring a very short body with integrated stand mount and a universal rim clip, the e 904 provides great sound without getting in the way in even the most crowded setups.
Dimensions: 2.5 x 1.6 in. (63 x 41 mm)
Frequency response: 40...18,000 Hz
Min. terminating impedance: 1,000
Nominal impedance: 350
Pick-up pattern: Cardioid
Sensitivity in free field, no load (1kHz): 2 mV/Pa
Weight: 4.4 oz. (125 g)
$199.95
The cardioid e 902 is a dynamic instrument microphone especially designed for deep bass frequency instruments such as kick drums, bass guitar amps and tuba. Faithfully reproducing the lowest frequencies and handling the highest SPLs, the e 902 is your bottom end's best friend.
Dimensions: 5.1 x 2.4 in. (128.5 x 60 mm)
Frequency response: 20 - 18,000 Hz
Min. terminating impedance: 1,000
Nominal impedance: 350
Pick-up pattern: Cardioid
Sensitivity in free field, no load (1kHz): 0.2 mV/Pa; (@ 60 Hz) 0.6 mV/Pa
Weight: 1 lb. (440 g)
$249.95
The e901 is a professional pre-polarized, half-cardioid, boundary layer condenser for bass drum, Leslie and other low frequency instrument applications. Uses standard XLR plug and lays on any towel or pillow, no adaptor or stand needed.
Dimensions: 5 x 4.1 x 1 in. (126.5 x 105 x 26.5 mm)
Frequency response: 20 - 20,000 Hz
Max. sound pressure level (active): 154 dB / SPL
Min. terminating impedance: 1,000
Nominal impedance: < 100
Phantom powering: 48 V / 1.1 mA
Pick-up pattern: Half-cardioid
Sensitivity in free field, no load (1kHz): 0.5 mV/Pa
Weight: 1.2 lbs. (550 g)
$249.95
The e 865 represents the first condenser microphone in the acclaimed evolution series. A live performance, lead vocal microphone, the e 865 easily cuts through high on-stage levels by virtue of its detailed and natural 40 Hz - 20 kHz reproduction and superb transient response.
Dimensions: d 1.9 x 7.6 in. (47 x 193 mm)
Frequency response: 40 - 20,000 Hz
Max. sound pressure level (active): 150 dB
Min. terminating impedance: 1,000
Nominal impedance: 200
Phantom powering: 12 - 48 V
Pick-up pattern: Supercardioid
Sensitivity in free field, no load (1kHz): 3 mV/Pa
Weight w/o cable: 11 oz. (311 g)
$199.95
The e 614 is a super-cardioid condenser microphone, designed for demanding instrument recordings and performances that require extended frequency response, high SPL handling, fast transient response and compact size. While drumset overhead miking was the first design priority, the e614 also works exceptionally well on percussion setups as well, fitting comfortably into tight setups. The e 614 can handle high SPLs and features medium sensitivity, which ensures reduced bleed from other instruments on stage. Because of its excellent acoustic properties, this mic is also ideal for home recording.
$149.95
The frequency response and cardioid pick-up pattern of the e604 are optimized for drum sets and other percussion instrument miking, while also producing exceptional results on all forms of brass and woodwind. An integral stand mount screws directly onto mic stands and included clip attaches mic to rim of drum. Very high sound pressure level handling, in excess of 160 dB, is combined with a balanced, clear, low distortion signal similar to a high-end studio condenser microphone. Lightweight voice coil provides extended high frequency and rapid transient response. A tough reinforced glass fiber body takes the knocks and shocks and suppresses impact noise.
$799.95 – Sold Out
The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102* attracts attention.
The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.
Due to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.
$169.00
The Shure Beta 58A™ is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide.
The Beta 58A maintains a true supercardioid pattern throughout its frequency range. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.
Type
Dynamic (moving coil)
Frequency Response
50 to 16,000 Hz
Polar Pattern
Supercardioid, rotationally symmetrical about microphone axis, uniform with frequency.
Output Level (at 1,000 Hz)
Open Circuit Voltage: -51.5 dBV/Pa* (2.6 mV)
*1 Pa = 94 dB SPL
Impedance
Rated impedance is 150 ohms (290 ohms actual) for connection to microphone inputs rated low Z Phasing.
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3.
Case
Silver blue enamel-painted die cast metal with hardened, matte-finished, spherical steel mesh grille.
Adjustable, Stand Adapter
Slip-in microphone mounting, unbreakable, adjustable through 180 degrees with standard 5/8"-27 thread, black finish.
Net Weight
278 grams (9.92 oz)
$159.00
The Shure Beta 56™ A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.
A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
Type
Dynamic (moving coil)
Frequency Response
50 to 16,000 Hz
Polar Pattern
Supercardioid, rotationally symmetrical about microphone axis, uniform with frequency
Output Level (at 1,000 Hz)
Open Circuit Voltage -51 dBV/Pa (2.8 mV)
(1 Pa = 94 dB SPL)
Impedance
Rated impedance is 150 ohms (290 ohms actual) for connection to microphone inputs rated low Z
Polarity
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Connector
Three-pin professional audio connector (male XLR type)
Case
Silver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille
Adjustable, Locking Stand Adapter
Integral, dynamic locking, adjustable through 180 degrees with standard 5/8"-27 thread
Net Weight
468 grams (16.7 oz)
$139.00
The Shure Beta 57A™ is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off™ axis tone coloration.
Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
Type
Dynamic (moving coil)
Frequency Response
50 to 16,000 Hz
Polar Pattern
Supercardioid, rotationally symmetrical about microphone axis, uniform with frequency.
Output Level (at 1,000 Hz)
Open Circuit Voltage -51 dBV/Pa* (2.8 mV)
*1 Pa = 94 dB SPL
Impedance
Rated impedance is 150 ohms (290 ohms actual) for connection to microphone inputs rated low Z.
Phasing
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3.
Connector
Three-pin professional audio connector (male XLR type).
Case
Silver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille.
Adjustable Stand Adapter
Slip-in, adjustable through 180 degrees, with standard 5/8"-27 thread.
Net Weight
275 grams (9.6 oz)
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