Telefunken M80 Black Vocal Microphone
$249.00
Dynamic Series Cardioid Handheld Mic (Black)
- Superior alternative to the midrange-laden character of the "industry standard microphone"
- Wider frequency response and higher SPL capabilities
- Condenser-like performance in a rugged dynamic design
- Head and capsule assembly designed to reduce proximity effect
- American made custom wound impedance matching transformer
- TELEFUNKEN Elektroakustik has created the M80 to give the user a superior alternative to the midrange-laden character of the "industry standard dynamic microphone."
Featuring a wider frequency response and higher SPL capabilities, the M80 delivers condenser-like performance in a rugged dynamic design, producing a microphone equally suitable for voice, instruments or drums on both stage and in the studio. Due to its low mass capsule and super thin (yet surprisingly rugged) capsule membrane the M80 presents a wider range of emotion from a live vocal with an intimacy that has been traditionally reserved for studio quality condenser microphones.
Shure SM58-LC Vocal Microphone
$99.00 – Sold Out
What the SM57 is to instruments, the SM58 is to vocals. It is the first choice of performers around the world. A smooth bump between 2kHz and 7kHz, and a crisp peak around 9.5kHz give this classic cardioid dynamic the presence sought after by lead and backing vocalists. It features a rugged die cast metal handle, spherical steel mesh grille, and 50hz-15kHz frequency response. A necessity in any microphone collection.
- Accepted by musicians worldwide
- An industry standard
- Cable not included
- Frequency response tailored for vocals, with brightened midrange and bass rolloff
- Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
The legendary Shure SM58™ vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. Its tailored vocal response for sound is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath "pop" noise. A unidirectional (cardioid) pickup pattern isolates the main sound source while minimizing unwanted background noise.
Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors.
Type: Dynamic (moving coil)
Frequency Response: 50 to 15,000 Hz
Polar Pattern: Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency
Sensitivity (at 1,000 Hz Open Circuit Voltage): -54.5 dBV/Pa (1.85 mV)
1 Pa = 94 dB SPL
Impedance: Rated impedance is 150 ohms (300 ohms actual) for connection to microphone inputs rated low impedance
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Connector: Three-pin professional audio connector (male XLR type)
Case: Dark gray, enamel-painted, die cast metal; matte-finished, silver, spherical steel mesh grille
Net Weight: 298 grams (10.5 oz)
Audio-Technica PRO63 Instrument Microphone
$69.00
Neodymium Instrument Microphone
- Tuned to make an impact, this mic clarifies the intensity of instruments and vocals
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Hi-ENERGY® neodymium magnet for improved output and transient response
- Two-stage ball-type headcase for superior "pop" protection
- Rugged design and construction for reliable performanceCorrosion-resistant contacts from gold-plated XLRM-type connector
- Rugged design and construction for reliable performance
Sennheiser e835 Evolution 800 Series Lead Vocal Stage Mic
$99.95
- Rugged metal body
- Excellent feedback rejection
- High sound pressure handling capability
- Shock-mounted capsule provides excellent suppression of handling noise
- Uniform on- and off-axis response
- Cardioid pick-up pattern provides isolation from other on-stage signals
- Hum compensating coil
The e835 is a lead vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or farther from capsule.
Dimensions: d 1.9 X 7.1 in. (48 x 180 mm)
Frequency response: 40 - 16,000 Hz
Min. terminating impedance: 1,000
Sensitivity in free field, no load (1kHz): 2.7 mV/Pa
Weight w/o cable: 11.6 oz. (330 g)
Shure SM57-LC Instrument Microphone
$99.00
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
- Pneumatic shock-mount system cuts down handling noise
- Extremely durable under the heaviest use
- Replacement cartridge: R57
The legendary Shure SM57 is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording.
The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds.
Outstanding performance, reliability, and application diversity make this "workhorse" the choice of performers, producers, and sound engineers worldwide.
Type: Dynamic
Frequency Response: 40 to 15,000 Hz
Polar Pattern: Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency.
Sensitivity (at 1,000 Hz) Open Circuit Voltage: -56.0 dBV/Pa* (1.6 mV)
*(1 Pa = 94 dB SPL)
Impedance: Rated impedance is 150 ohms (310 ohms actual) for connection to microphone inputs rated low impedance
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Connector: Three-pin professional audio connector (male XLR type)
Case: Dark gray, enamel-painted, die-cast steel with a polycarbonate grille and a stainless steel screen
Net Weight (without cable): 284 grams (10 oz)
Sennheiser E609 Silver Instrument Microphone
$99.95
Evolution 600 Series Side-Address Instrument Mic
- Hum compensating coil reduces electrical interference
- Neodynium ferrous magnet with boron keeps mic stable regardless of climate
- Metal construction—rugged and reliable
- Super-cardioid pick-up pattern provides isolation from other on-stage signals
- The e 609 Silver is based on the legendary MD 409 microphone. Able to withstand high SPLs without distorting, the e 609 Silver's flat-profile capsule facilitates extremely close miking of guitar cabinets and is also suitable for drum miking, particularly toms. The e 609 Silver's super-cardioid design improves isolation in live sound reinforcement and recording applications while its increased output and wider frequency response improves performance. Its sound inlet basket, made of refined steel, is distinguished by a unique silver address side.
Audix D4 Drum & Instrument Microphone
$179.00
Dynamic Drum and Instrument Mic
- Live Stage-Coffee House to Stadium
- Large rack tom, floor tom, small kick drum
- Cajon, djembe, tympani, leslie bottom
- Bass flute, sax and baritone sax, trombone
- Acoustic bass, bass cabs
Designed, machined, assembled and tested by Audix in the USA, the D4 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D4, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.
The D4 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz - 18 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D4 is an excellent choice for miking instruments requiring precise low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, sax and baritone sax, trombone, acoustic bass, bass cabs and small kick drums.
Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip.
Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs.
Type: Dynamic
Polar Pattern: Hypercardioid
Frequency Response: 40Hz - 18kHz
Impedance: 200 Ohms
Sensitivity: 1.4 mV/Pa @1kHz
Sennheiser MD-441-U Studio Microphone
$999.00 – Sold Out
Classic Dynamic Studio Microphone (Supercardioid)
- Excellent feedback rejection
- Excellent sound quality
- Spring capsule mounting provides low sensitivity to handling noise
- Hum compensating coil
- Five position bass roll-off switch
- Brilliance (treble boost) switch
- Integral pop filter
The MD 441 is acknowledged as the most accurate and versatile dynamic mic available. It has a nearly textbook perfect super-cardioid pattern, a five-position low frequency contour switch, a two-position high frequency switch, a critically damped internal shock suspension, and a hum bucking coil. Perfect for vocals and virtually every instrument.
Dimensions: 10.6 x 1.3 x 1.4 in. (270 x 33 x 36 mm)
Min. terminating impedance: 1,000
Nominal impedance: 200
Pick-up pattern: Super-cardioid
Sensitivity in free field, no load (1kHz): 1,8 mV/Pa +- 2 dB
Weight: Approx. 15.9 oz. (450 g)
Sennheiser e835-S Vocal Mic with On/Off Switch
$99.95
- Rugged metal body with On/Off Switch
- Excellent feedback rejection
- High sound pressure handling capability
- Shock-mounted capsule provides excellent suppression of handling noise
- Uniform on- and off-axis response
- Cardioid pick-up pattern provides isolation from other on-stage signals
- Hum compensating coil
The e835 is a lead vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or farther from capsule.
Dimensions: d 1.9 X 7.1 in. (48 x 180 mm)
Frequency response: 40 - 16,000 Hz
Min. terminating impedance: 1,000
Sensitivity in free field, no load (1kHz): 2.7 mV/Pa
Weight w/o cable: 11.6 oz. (330 g)
Shure SM58S Vocal Mic with On/Off Switch
$104.00
Legendary Shure SM58 vocal microphone, tuned to accentuate the warmth and clarity of lead and back-up vocals. The first choice of performers everywhere.
- Tailored for vocals, with a brightened midrange and bass rolloff
- Uniform cardioid pattern
- On/Off switch
- Frequency response tailored for vocals, with brightened midrange and bass rolloff
- Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
- Pneumatic shock-mount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant stand adapter which rotates 180 degrees
- Legendary Shure quality, ruggedness and reliability
Shure SM7B Series Broadcast Vocal Microphone
$399.00 – Sold Out
- Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech
- Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting
- Improved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors
- Internal "air suspension" shock isolation virtually eliminates mechanical noise transmission
- Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narration
- Now shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocals
- Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position
- Classic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis sound
- Rugged construction and excellent cartridge protection for outstanding reliability
- Replacement cartridge: RPM106
The SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications.
Shure MV7-K Podcast Microphone - Black
$249.00
SHURE MV7-K Podcast Microphone - Black
- Voice Isolation Technology: brings your voice to the forefront of the recording and prevents any unwanted back-ground or room noise from interrupting your sound.
- Auto Level Mode: automatically adjusts gain and compression settings to ensure a consistent output.
- App control from integration with ShurePlus MOTIV apps: Configure the microphone to perform best for your chosen application.
- USB and XLR Hybrid Microphone: allows simultaneous digital and analog recording.
Inspired by the legendary SM7B, the MV7 is a dynamic microphone with both USB and XLR outputs for use with desktop, mobile and professional interfaces alike. Powered by Shure's Voice Isolation Technology, the MV7 is perfect for capturing clear audio in less-than-ideal acoustic environments. The directional dynamic microphone capsule is optimized for podcasting, gaming, recording, and live streaming applications. The dynamic design performs better than other common condenser designs in challenging environments.
Used Shure PG48 Cardioid Microphone
$29.99 – Sold Out
Shure PG48-XLR Cardioid Dynamic Vocal Microphone, clean, looks lightly/hardly used. No cable or bag included.
Features:
- designed for karaoke and spoken word applications
- dynamic microphone design
- cardioid pattern rejects noise and minimizes feedback
- integral pop filter
- built-in on/off switch
- steel construction with hardened steel mesh grille
Specifications:
- frequency response: 70-15,000 Hz
- sensitivity: -52 dBV/Pa
- output impedance: 600 ohms
- weight: 11.1 oz
- male XLR connector
Zvex TB-2 Tea Ball Microphone
$399.00 – Sold Out
TB-2 TEA BALL MICROPHONE
ZVEX Effects proudly announces the release of the TB-2 handmade microphone, designed for special effects through a guitar amplifier and guitar accessories. What makes the TB-2 different from other microphones? Most professional microphones are designed to connect to a mixing console, so they have balanced outputs terminating in an XLR connector. Their outputs are very low level as well as being low-impedance, which makes them incompatible with guitar gear in three ways, with the additional problem of having terrifying feedback problems when placed in front of a raging guitar amplifier.
The TB-2 has the following features that define its specialty nature:
1. Its output is high-impedance like a guitar.
2. Its output connector is 1/4" and is designed to connect directly to effects or an amp.
3. It features extremely high rejection of signals located more than 1 inch away, so it literally cannot hear your amplifier if it's more than a few feet away from it, so it doesn't feed back on stage!
4. It's hand made from an actual tea ball, with a removable magnetic pop screen and filter, with a hand-bent copper hoop and springs that make it look like something from the 20s.
5. IT HAS A WAH-WAH BUILT IN! This lets you set a filtered tone for telephone effects or honking tones to exaggerate instruments like harmonica, or you can actively wah your own voice!
6. The TB-2 is limited to a run of less than 100 pieces, and if you miss out on this one, you'll have to wait until 2019 for our next microphone offering!
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Shure BLX24/SM58-H9 Handheld Wireless System
$429.00
The BLX24/SM58 Handheld Wireless System is part of the BLX wireless systems family.
Shure BLX® Wireless Systems combine professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Precision-built and available in a variety of configurations, it’s the most accessible way to own the stage.
Includes BLX4 single-channel receiver, BLX2/SM58 handheld transmitter, microphone clip, power supply, 2 AA batteries, and user guide.
BLXWireless Systems
The ideal entry-level wireless microphone system for small venues, BLX offers professional quality sound with simple setup and an intuitive interface.
- Transmitter form: handheld
- Single-channel
- Powered with AA batteries
- Offers a 24 MHz tuning bandwidth and up to 12 compatible systems per frequency band (region dependent)
Shure 55SH Series II Vocal Microphone
$199.00
- Classic look with modern performance
- Tailored frequency response for vocals and instrumental music
- Rugged die cast casing
- Self-tensioning swivel mount
- Shock-mounted cartridge
Shure 520DX Harmonica Microphone
$119.00
- Tailored frequency response is smooth and extended. Tuned specifically for kick drum applications.
- Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings.
- Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion.
- Cartridge includes a neodymium magnet for high output level.
- Internal shock mount for reduced handling noise.
With its signature green and chrome die-cast casing, the 520DX "Green Bullet" holds a spot in history as the definitive blues harp voice.
The 520DX features a volume control knob at the base of the microphone that allows users to make adjustments to suit their needs during live performance. An attached cable with a standard 1/4-inch plug allows the microphone to be connected to a high-impedance device. Contoured to fit perfectly between harmonica and hands, it can also be used for distinct, lo-fi vocals.
Type
Dynamic
Frequency Response
100 to 5,000 Hz
Polar Pattern
Omnidirectional
Impedance
High, unbalanced
Load Impedance Range
Minimum: 100 kilohms
Output Level (at 1,000 Hz)
Open Circuit Voltage -38.0 dBV/Pa (13 mV)*
*1 Pa = 94 dB SPL
Polarity
Positive sound pressure on diaphragm produces positive voltage on tip with respect to sleeve (ground) of microphone output phone plug connector
Cable
6.1 m (20 ft) two conductor shielded with standard 1/4-inch phone plug attached (supplied wired for high-impedance, unbalanced connection)
Case
Green and chrome finished die casting
Dimensions
63 mm (2.5 in) max diameter, 82.6 mm (3 1/4 in) long
Net Weight (with cable)
737 grams (26 oz)
Sennheiser E914 Condenser Microphone
$379.95
Evolution 900 Series Condenser Mic
- Exceptionally lively, clear sound
- Three-position sensitivity switch
- Three-position bass roll-off/cut-off switch
- Very high sound pressure handling capability
- Exchangeable capsule
The e914 is a smooth, clear, instrument microphone. It features a cardioid condenser element with a very wide frequency response, making it ideal for acoustic instruments. Three sensitivity switches allow it to handle any volume level, while three bass roll-off switches expand its versatility. Excellent for overhead and ambient miking.
Attenuation: 0, -10, -20 dB
Dimensions: 0.9 x 6.2 in. (24 x 157 mm)
Equivalent noise level: 19 dB(A)
Frequency response: 20 - 20,000 Hz
Max. Sound pressure level (active): 137, 147, 157 dB
Min. terminating impedance: 1,000
Nominal impedance: 100
Phantom powering: 48 V/2.2 mA
Pick-up pattern: Cardioid
Sensitivity in free field, no load (1kHz): 7 mV/Pa
Weight: 7 oz. (198 g.)
Audix I5 Dynamic Microphone
$99.00
Multi-Purpose Dynamic Microphone
- Live Stage, studio
- Snare, toms, percussion
- Guitar cabinets, electric instruments
- Brass, flute,woodwinds
- Acoustic instruments
- Vocals, speech
Multi-purpose dynamic microphone with clear accurate sound.
Designed, assembled and tested by Audix in the USA, the i5 is a dynamic instrument microphone used for stage, studio and broadcast applications. The i5 is able to handle sound pressure levels in excess of 140 dB without distortion and can be used to mic a wide variety of musical instruments, guitar and bass cabinets, vocals and speech.
The i5 is characterized with a cardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.
The i5 is sturdy, compact and easy to position. With a wide frequency response of 50 Hz - 16 kHz, the i5 provides clear, accurate, natural sound reproduction without having to rely on EQ. Roadworthy construction includes a precision cast zinc alloy body, steel grill, black e-coat finish, laser etched model and serial number, Switchcraft® XLR connector and includes a heavy duty nylon mic clip.
Type: Dynamic
Polar Pattern: Cardioid
Frequency Response: 50Hz - 16kHz
Impedance: 150 Ohms
Sensitivity: 1.5 mV/Pa @1kHz
Audix D6 Kick Drum Microphone
$199.00
Dynamic Kick Drum Microphone
- Live stage, recording
- Kick drum
- Floor Toms
- Bass cabinets
- Leslie bottom
Provides huge kick drum sound with ground shaking low end while delivering exceptional clarity and attack.
Designed, machined, assembled and tested by Audix in the USA, the D6 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D6, which is characterized with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.
The D6 is lightweight, compact and easy to position. With a wide frequency response of 30 Hz - 15 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drum, large toms, and bass cabinets.
Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip.
Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs.
Type: Dynamic
Polar Pattern: Cardioid
Frequency Response: 30Hz - 15kHz
Impedance: 200 Ohms
Sensitivity: .8 mV/Pa @1kHz
Audix D2 Instrument Microphone with Mid Bass-Boost
$139.00
Dynamic Instrument Mic with Mib-Bass Boost
- Rack toms, congas, floor toms
- Guitar and bass cabinets
- Saxophone, brass
Designed, machined, assembled and tested by Audix in the USA, the D2 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.
The D2 is lightweight, compact and easy to position. With a wide frequency response of 80 Hz - 18 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophone, guitar cabinets and brass.
Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip.
Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs.
Type: Dynamic
Polar Pattern: Hypercardioid
Frequency Response: 80Hz - 18kHz
Impedance: 250 Ohms
Sensitivity: 1.2 mV/Pa @1kHz
Audix ADX51 Instrument Condenser Microphone
$249.00
ADX Series Instrument Condenser Mic
- Acoustic instruments
- Cymbals, drum overhead
- High-hat, percussion table
- Group vocal, speech
- Ambient room miking
- Ambient room miking
The ADX51 is a professional pre-polarized condenser microphone used for stage, studio and broadcast applications. The ADX51 is known for its clear, accurate response and flexibility to handle close or distance miking for a wide variety of acoustic instruments.
Characterized with a uniformly controlled cardioid polar pattern, the ADX51 is designed to capture the acoustics of the instrument being miked while at the same time isolating it from the rest of the instruments on stage. With a wide frequency range of 40 Hz - 18 kHz, the ADX51 is equipped with an optional -10 dB pad and bass roll-off filter for added contour and control at the sound source.
The ADX51 is very easy to position, durable and manufactured with high standards and tight tolerances. Roadworthy construction includes a precision machined brass body, black e-coat finish, laser etched model and serial number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.
Type: Pre-polarized Condenser
Polar Pattern: Cardioid
Frequency Response: 40Hz - 18kHz
Impedance: 100 Ohms
Sensitivity: 17 mV/Pa @1kHz
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Audio-Technica PRO37 Condenser Microphone
$169.00
Small-Diaphragm Condenser Microphone
- Professional performance for studio recording and live sound reinforcement
- Low-mass element for superb transient response
- Excels in high-SPL applications
- Low-profile design for optimal mic placement
- Corrosion-resistant contacts from gold-plated XLRM-type connector
- Rugged design and construction for reliable performance
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
The PRO 37 has established itself as a versatile solution for studio recording and live performance. With a low-mass element for superb transient response and a low-profile design for optimal mic placement, this mic excels in high-SPL applications. It is ideal for acoustic guitar, overheads, piano and group vocals. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source.
ELEMENT: Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN: Cardioid
FREQUENCY RESPONSE: 30-15,000 Hz
OPEN CIRCUIT SENSITIVITY: -42 dB (7.9 mV) re 1V at 1 Pa
IMPEDANCE: 200 ohms
MAXIMUM INPUT SOUND LEVEL: 141 dB SPL, 1 kHz at 1% T.H.D.
DYNAMIC RANGE (typical): 112 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO: 65 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS: 11-52V DC, 2 mA typical
WEIGHT: 1.7 oz (49 g)
DIMENSIONS: 3.9" (99.0 mm) long,
0.83" (21.0 mm) maximum body diameter
OUTPUT CONNECTOR: Integral 3-pin XLRM-type
ACCESSORIES FURNISHED: AT8405a stand clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; AT8159 windscreen; soft protective pouch
Audio-Technica AT2021 Instrument Microphone
$89.00
20 Series Cardioid Condenser Instrument Microphone
- Excels in high-SPL applications
- Ideal for acoustic guitar, overheads, piano and group vocals
- Extended response for smooth, natural sonic characteristics
- Low-mass element for superb transient response
- Corrosion-resistant contacts from gold-plated XLRM-type connector
- Rugged design and construction for reliable performance
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Ideal for home studio and live applications, the low-profile AT2021 offers an extended frequency response, high maximum SPL and wide dynamic range. The microphone is outstanding for acoustic guitar, overheads, piano and group vocals. Its low-mass element offers a superb transient response.
ELEMENT: Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN: Cardioid
FREQUENCY RESPONSE: 30-20,000 Hz
OPEN CIRCUIT SENSITIVITY: –39 dB (11.2 mV) re 1V at 1 Pa
IMPEDANCE: 250 ohms
MAXIMUM INPUT SOUND LEVEL: 145 dB SPL, 1 kHz at 1% T.H.D.
NOISE: 19 dB SPL
DYNAMIC RANGE (typical): 126 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO: 75 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS: 48V DC, 2 mA typical
WEIGHT: 83 g (2.9 oz)
DIMENSIONS: 101.5 mm (4.00") long,
21.0 mm (0.83") maximum body diameter
OUTPUT CONNECTOR: Integral 3-pin XLRM-type
ACCESSORIES FURNISHED: Stand clamp; soft protective pouch
AKG C414 XLS Condenser Microphone
$1,219.00
The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.
General Specifications
Dimensions
Design
Audio Output
Powering Interface
Sennhesier E602-II Bass/Kick Drum Microphone
$159.95
Evolution 600 Series Bass / Kick Drum Mic
- Rugged, lightweight aluminium body for stable positioning on long microphone boom arms
- Lightweight high-performance voice coil construction
- Fast transient response
- Low frequency extension
- Ideal for direct use on the most problematic bass signal
- Frequency-independent directivity provides isolation from other on-stage signals
- Humbucking coil
- Integral stand mount
The e 602 II is a cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.
Dimensions: d 60 x 153 mm (2.7 x 6 in)
Frequency response: 20 - 16,000 Hz
Min. terminating impedance: 1,000
Nominal impedance: 350
Pick-up pattern: Cardioid
Sensitivity in free field, no load (1kHz): 0.25 mV/Pa; @ 50 Hz 0.9 mV/Pa
Weight: 11.3 oz. (320 g)
Sennheiser MD421-II MD 421-II Classic Dynamic Studio Microphone
$399.95
Classic Dynamic Studio Microphone
- Rugged professional microphone
- Five position bass roll-off switch
- Effective feedback rejection
- Clear sound reproduction
- Easy handling due to pronounced directivity
The MD 421 II continues the tradition of the MD 421, which has been one of Sennheiser's most popular dynamic mics for over 35 years. The large diaphragm, dynamic element handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421's full-bodied cardioid pattern and five-position bass control make it an excellent choice for most instruments, as well as group vocals or radio broadcast announcers.
Dimensions: 8.5 x 1.8 x 1.9 in. (215 x 46 x 49 mm)
Frequency response (microphone): 30 - 17,000 Hz
Min. terminating impedance: 200
Nominal impedance: 200
Pick-up pattern: Cardioid
Sensitivity in free field, no load (1kHz): 2 mV/Pa +- 3 dB
Weight: approx. 13.6 oz. (385 g)
Sennheiser e945 Vocal Microphone
$199.95
Evolution 900 Series Supercardioid Stage Mic
- Metal construction: Rugged and reliable
- Shock-mounted capsule: Low sensitivity to impact and handling noise
- Supercardioid pickup pattern: Insulation from other on-stage signals
- Hum compensating coil: Reduces electrical interference
- Neodymium ferrous magnet with boron: Keeps microphone stable regardless of climate
- Falcon ring: Consistent sound over time
- Made in Germany: Superb craftsmanship, quality, and engineering
The e 945 is a super-cardioid lead vocal stage microphone specially designed to perform under pressure while exhibiting a naturally smooth response. Made for the working musician. Excellent sound results guaranteed, day to day, 365 days a year. First choice for rental companies.
Dimensions: 1.9 x 7.3 in. (47 x 186 mm.)
Frequency response (microphone): 40 - 18,000Hz
Min. terminating impedance: 1,000
Nominal impedance: 350
Pick-up pattern: Super-cardioid
Sensitivity in free field, no load (1kHz): 2.0mV/Pa at 1 kHz = -54dB (0 dB = 1V/Pa) = -74 dB (0 dB = 1V/ubar)
Weight: 11.6 oz. (330 g.)
Sennheiser e935 Vocal Microphone
$199.95
Evolution 900 Series Cardioid Stage Mic
- Metal construction: Rugged and reliable
- Shock-mounted capsule: Low sensitivity to impact and handling noise
- Cardioid pickup pattern: Insulation from other on-stage signals
- Hum compensating coil: Reduces electrical interference
- Neodymium ferrous magnet with boron: Keeps microphone stable regardless of climate
- Falcon ring: Consistent sound over time
- Made in Germany: Superb craftsmanship, quality, and engineering
The e 935 is a cardioid vocal stage microphone specially designed to perform under pressure while cutting through the mix with its high output. Made for the working musician. Excellent sound results guaranteed, day to day, 365 days a year. First choice for rental companies.
Dimensions: 1.9 x 7.1 in. (47 x 181 mm.)
Frequency response (microphone): 40 - 18,000 Hz
Min. terminating impedance: 1,000
Nominal impedance: 350
Pick-up pattern: Cardioid
Sensitivity in free field, no load (1kHz): 2.8mV/Pa at 1 kHz = -51dB (0 dB = 1V/Pa) = -71 dB (0 dB = 1V/ubar)
Weight: 11.6 oz. (330 g)
Sennheiser E906 Instrument Microphone
$199.95
Evolution 900 Series Side-Address Instrument Mic
- Lively, full sound
- Very fast attack
- Flat shape is ideal for miking amp faces
- Three position switchable sound character: bright, moderate, dark
- Rugged metal body
- Switchable presence filters (3 levels)
The cardioid e 906 instrument microphone was especially designed for guitar amps and is also excellent for percussion and horns.
Dimensions: 2.2 x 1.3 x 5.3 in. (55 x 34 x 134 mm)
Frequency response: 40 - 18,000 Hz
Min. terminating impedance: 1000
Nominal impedance: 350
Pick-up pattern: Supercardioid
Sensitivity in free field, no load (1kHz): 2.2 mV/Pa
Weight: 4.9 oz. (140 g)
Sennheiser E904 Drum Mic
$179.95
Evolution 900 Series Drum Mic
- Full, impressive, lively sound for drums and percussion
- Very fast attack
- Compact body ideal for mounting on toms and snares
- Excellent sound profiling, adapts to all percussive styles
- Robust reinforced metal casing
The cardioid e 904 is a dynamic instrument microphone specifically designed for drum applications. Featuring a very short body with integrated stand mount and a universal rim clip, the e 904 provides great sound without getting in the way in even the most crowded setups.
Dimensions: 2.5 x 1.6 in. (63 x 41 mm)
Frequency response: 40...18,000 Hz
Min. terminating impedance: 1,000
Nominal impedance: 350
Pick-up pattern: Cardioid
Sensitivity in free field, no load (1kHz): 2 mV/Pa
Weight: 4.4 oz. (125 g)
Sennheiser E902 Bass microphone
$199.95
Evolution 900 Series Dynamic Bass Mic
- Frequency response optimized for kick drum
- Very fast attack
- Integrated stand mount
- Hum compensating coil
- Shock-mounted capsule
- Robust metal body
The cardioid e 902 is a dynamic instrument microphone especially designed for deep bass frequency instruments such as kick drums, bass guitar amps and tuba. Faithfully reproducing the lowest frequencies and handling the highest SPLs, the e 902 is your bottom end's best friend.
Dimensions: 5.1 x 2.4 in. (128.5 x 60 mm)
Frequency response: 20 - 18,000 Hz
Min. terminating impedance: 1,000
Nominal impedance: 350
Pick-up pattern: Cardioid
Sensitivity in free field, no load (1kHz): 0.2 mV/Pa; (@ 60 Hz) 0.6 mV/Pa
Weight: 1 lb. (440 g)
Sennheiser E901 Boundary Microphone
$249.95
Evolution 900 Series Half-Cardioid Boundary Mic
- Frequency response optimized for bass drum
- No stand needed -- just lay it on a towel or pillow
- Standard XLR plug: no adaptor cable needed
- Capable of handling extremely high SPLs
The e901 is a professional pre-polarized, half-cardioid, boundary layer condenser for bass drum, Leslie and other low frequency instrument applications. Uses standard XLR plug and lays on any towel or pillow, no adaptor or stand needed.
Dimensions: 5 x 4.1 x 1 in. (126.5 x 105 x 26.5 mm)
Frequency response: 20 - 20,000 Hz
Max. sound pressure level (active): 154 dB / SPL
Min. terminating impedance: 1,000
Nominal impedance: < 100
Phantom powering: 48 V / 1.1 mA
Pick-up pattern: Half-cardioid
Sensitivity in free field, no load (1kHz): 0.5 mV/Pa
Weight: 1.2 lbs. (550 g)
Sennheiser e865 Vocal Condenser Microphone
$249.95
Evolution 800 Series Live Vocal Condenser Mic
- Steel inlet basket
- Superb transient response
- Handles high levels of sound
- Rugged, robust all-metal housing
- 10 years warranty
The e 865 represents the first condenser microphone in the acclaimed evolution series. A live performance, lead vocal microphone, the e 865 easily cuts through high on-stage levels by virtue of its detailed and natural 40 Hz - 20 kHz reproduction and superb transient response.
Dimensions: d 1.9 x 7.6 in. (47 x 193 mm)
Frequency response: 40 - 20,000 Hz
Max. sound pressure level (active): 150 dB
Min. terminating impedance: 1,000
Nominal impedance: 200
Phantom powering: 12 - 48 V
Pick-up pattern: Supercardioid
Sensitivity in free field, no load (1kHz): 3 mV/Pa
Weight w/o cable: 11 oz. (311 g)
Sennheiser E614 Instrument Microphone
$199.95
Evolution 600 Series Supercardioid Instrument Mic
- Designed for demanding applications where extended frequency range, high SPL handling, fast transient response and small size are required
- Captures the shimmer and the contact of sticks, mallets and hands
- Nearly flat response from 40 Hz to 20 kHz and a supercardioid pattern
- Includes microphone clip MZQ 100
The e 614 is a super-cardioid condenser microphone, designed for demanding instrument recordings and performances that require extended frequency response, high SPL handling, fast transient response and compact size. While drumset overhead miking was the first design priority, the e614 also works exceptionally well on percussion setups as well, fitting comfortably into tight setups. The e 614 can handle high SPLs and features medium sensitivity, which ensures reduced bleed from other instruments on stage. Because of its excellent acoustic properties, this mic is also ideal for home recording.
Sennheiser E604 Drum Microphone
$149.95
Evolution 600 Series Drum / Percussion Mic
- Rugged reinforced glass-fibre body
- Low sensitivity to impact and handling noise
- Very high sound pressure handling capability
- Low distortion microphone
- Hum compensating coil
- Easy to position due to compact design
- Integral stand mount
The frequency response and cardioid pick-up pattern of the e604 are optimized for drum sets and other percussion instrument miking, while also producing exceptional results on all forms of brass and woodwind. An integral stand mount screws directly onto mic stands and included clip attaches mic to rim of drum. Very high sound pressure level handling, in excess of 160 dB, is combined with a balanced, clear, low distortion signal similar to a high-end studio condenser microphone. Lightweight voice coil provides extended high frequency and rapid transient response. A tough reinforced glass fiber body takes the knocks and shocks and suppresses impact noise.
Neumann TLM102 Studio Set
$799.95 – Sold Out
- TLM 102, EA 4 shockmount and carton box
The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102* attracts attention.
The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.
Due to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.
Shure Beta 58A Vocal Microphone
$169.00
- Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
- Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
- Neodymium magnet for high signal–to–noise output
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Minimally effected by varying load impedance
- Legendary Shure quality and reliability
The Shure Beta 58A™ is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide.
The Beta 58A maintains a true supercardioid pattern throughout its frequency range. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.
Type
Dynamic (moving coil)
Frequency Response
50 to 16,000 Hz
Polar Pattern
Supercardioid, rotationally symmetrical about microphone axis, uniform with frequency.
Output Level (at 1,000 Hz)
Open Circuit Voltage: -51.5 dBV/Pa* (2.6 mV)
*1 Pa = 94 dB SPL
Impedance
Rated impedance is 150 ohms (290 ohms actual) for connection to microphone inputs rated low Z Phasing.
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3.
Case
Silver blue enamel-painted die cast metal with hardened, matte-finished, spherical steel mesh grille.
Adjustable, Stand Adapter
Slip-in microphone mounting, unbreakable, adjustable through 180 degrees with standard 5/8"-27 thread, black finish.
Net Weight
278 grams (9.92 oz)
Shure Beta 56A Instrument Microphone
$159.00
- Tailored frequency response provides drums, amplified instruments, and horns with studio quality sound
- Built–in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
- Compact design reduces stage clutter
- Hardened steel mesh grille resists wear and abuse
- Neodymium magnet for high signal–to–noise ratio output
- Minimally affected by varying load impedance
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
The Shure Beta 56™ A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.
A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
Type
Dynamic (moving coil)
Frequency Response
50 to 16,000 Hz
Polar Pattern
Supercardioid, rotationally symmetrical about microphone axis, uniform with frequency
Output Level (at 1,000 Hz)
Open Circuit Voltage -51 dBV/Pa (2.8 mV)
(1 Pa = 94 dB SPL)
Impedance
Rated impedance is 150 ohms (290 ohms actual) for connection to microphone inputs rated low Z
Polarity
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Connector
Three-pin professional audio connector (male XLR type)
Case
Silver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille
Adjustable, Locking Stand Adapter
Integral, dynamic locking, adjustable through 180 degrees with standard 5/8"-27 thread
Net Weight
468 grams (16.7 oz)
Shure Beta 57A
$139.00
The Beta 57A is designed for use with amplified or acoustic instruments. The compact grille design gets the microphone cartridge close to the sound source.
- Uniform supercardioid pattern with high gain-before-feedback
- Neodymium magnet for high signal-to-noise ratio
- Advanced pneumatic shock mount system
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Minimally affected by varying load impedance
- Shure quality and reliability
The Shure Beta 57A™ is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off™ axis tone coloration.
Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
Type
Dynamic (moving coil)
Frequency Response
50 to 16,000 Hz
Polar Pattern
Supercardioid, rotationally symmetrical about microphone axis, uniform with frequency.
Output Level (at 1,000 Hz)
Open Circuit Voltage -51 dBV/Pa* (2.8 mV)
*1 Pa = 94 dB SPL
Impedance
Rated impedance is 150 ohms (290 ohms actual) for connection to microphone inputs rated low Z.
Phasing
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3.
Connector
Three-pin professional audio connector (male XLR type).
Case
Silver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille.
Adjustable Stand Adapter
Slip-in, adjustable through 180 degrees, with standard 5/8"-27 thread.
Net Weight
275 grams (9.6 oz)