Darkglass Electronics Microtubes X Ultra
$429.99
Darkglass Electronics Microtubes X Ultra
The Microtubes X Ultra greatly expands on the already immense versatility of the Microtubes X7. Featuring all the great controls that its predecessor has that allows users to select exactly what frequencies they want to compress and saturate for the low and treble respectively, but with four major additions providing an additional layer of flexibility, while maintaining the same compact footprint, making it an extremely complete tool for the modern bassist.
Features
Low Comp
Controls compression amount for the low band. Both threshold and makeup gain are controlled to maintain a constant level. This control is also used to control the compression amount when the compressor is enabled for clean signal in Darkglass Suite.
Low Level
Sets the output volume of the low-pass signal.
Low Pass Frequency
Controls the cut-off frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids.
High Level
Sets the output volume of the distorted high-pass signal.
High Drive
Sets the amount of distortion for the high pass side.
High Pass Frequency
Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition.
Master
+-12 dB. Sets the overall volume of the unit.
Low shelf
+-12 dB @ 80 Hz.
250 Hz / 500 Hz / 1,5 kHz / 3 kHz
+-12dB.
High shelf
+-12 dB @ 5 kHz.
Direct Output
Balanced XLR output for connecting the pedal to a microphone preamp, PA system, etc.
Ground lift
Disconnects the signal ground on the Direct Output to break any ground loops. Set this switch to either position that has less noise. The switch does not affect the ¼” output.
Cab Sim
Toggle the cabinet simulation on/off on the Direct Output. This switch completely bypasses all digital circuits and allows you to get a zero latency signal when needed.
Headphones
Microtubes X Ultra has a digitally controlled headphone amplifier with a 3.5mm stereo jack output. Digital volume control is available in Darkglass Suite. Headphone volume can be controlled directly on the pedal with the master volume control when the preamp is enabled. When the pedal is on bypass, the master volume does not affect the headphone volume.
USB
A Micro USB B connector allows you to connect the pedal to PC/Mac to load cabinet simulation impulse responses to the pedal and control various other settings. Download the free Darkglass Suite software from www.darkglass.com/suite to configure the pedal, load new impulses and download firmware updates.
Auxiliary Input
Perfect for quiet practice, you can now connect your PC or mobile device to your pedal to play along with your favorite songs, and backing tracks while using the headphone output.
DIMENSIONS
125x96x57 mm (4.92x3.77x2.24 in)
WARNING
WARNING: When the pedal is on bypass the master volume does not affect the headphone volume. In this case, the total volume is adjustable in Darkglass Suite. With sensitive headphones, the bypass volume can be very loud if not adjusted.
The Microtubes X Ultra has a current draw of 200mA. Only use a regulated 9V DC adapter with a center-negative plug. Due to ecological reasons, it does not accept batteries. Unregulated power supplies and/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty
Darkglass Electronics Element Headphone Amp & CabSim
$249.99
ELEMENT
Headphone amp · Cabsim
One comprehensive device, that out of the box offers a bank of 5 cabinet simulations, and the ability to change them through the Darkglass Suite, Bluetooth technology to listen to backing tracks while playing, rehearsing, or studying. Two headphone outputs to allow interaction among musicians. XLR output to connect the Element to your audio interface or PA system. With a uniquely innovative approach, the Element provides in one device an immensely practical tool to empower modern musicians.
Phones
Two touch sensitive volume control sliders, one for each headphone output.
Blend
A touch sensitive slider to set the blend between the main input (Intrument/Amp in) and the backing track (Bluetooth/Aux in) for the headphone out mix.
USB
One USB-C port for transferring impulse responses and firmware XLR outputupdates
Aux In
ou can connect the line/headphone out of your laptop/keyboard/mixer etc. into the 3.5 mm aux input on the Element.
DIMENSIONS
Width: 64 mm (2.95 in) | Height: 111 mm (4.37 in) | Depth : 35 mm (1,77 in)
Element with your pedalboard
Connect your instrument to your pedalboard as you normally would and add the Element at the end of the signal chain. Use the input labelled “INSTRUMENT IN” on the Element You can now choose the impulse response from slots 1-5 or the bypass signal. From here the signal is passed through to the XLR output and via the blend and volume controls to the headphone outputs.
Element with your amplifier and speaker cabinet
Note: The Element does NOT act as a loadbox! Always make sure your amplifier is connected to a suitable load!!!
The Element is built to work with amplifiers with a maximum output of 900 Watts. For the safest operation it is advised to connect the Element after your speaker cabinet from your speaker cabinet’s parallel output connector. Use the input labelled “AMP IN” on the Element. You can now choose the impulse response from slots 1-5 or the bypass signal. From here the signal is passed through to the XLR output and via the blend and volume controls to the headphone outputs.
In case the amplifier’s output is maximum 100 Watts, the Element can be connected between the amplifier and the speaker cabinet. Use the input labelled “AMP IN” for the amplifier and the output labelled “SPEAKER OUT” to connect the speaker cabinet to the Element. You can now choose the impulse response from slots 1-5 or the bypass signal. From here the signal is passed through to the XLR output and via the blend and volume controls to the headphone outputs.
If you are using a Darkglass amplifier with a class D poweramp you have the option to connect the amplifier straight to the Element without using a speaker cabinet or an external load. Use the input labelled “AMP IN” on the Element. You can now choose the impulse response from slots 1-5 or the bypass signal. From here the signal is passed through to the XLR output and via the blend and volume controls to the headphone outputs.
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Darkglass Alpha Omega 500 Bass Head
$749.99
ALPHA·OMEGA 500
THUNDER IN A BOTTLE
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A new superior custom-designed Darkglass high-efficiency class D power amplifier module is the heart of this new line of our 500 Watt amplifiers. It enables the usage of speaker cabs with impedance as low as 2O, adding a new level of flexibility for your cabinet options. The cabinet simulation utilizes an improved version of our Cab Sim module. The module has three slots for hi-res impulse responses which are active for both the headphone output and the balanced XLR DI output. |
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Input
Use this jack to connect your instrument via a standard ¼” mono cable.
Passive/Active
Use this push-button switch to change from passive to active mode. If your bass is active it can have a hotter signal making the amp to distort early (feel free to use if such additional distortion is desired).
Distortion
Use this push button to turn on or off the Alpha·Omega Engine™ to add natural compression, organic harmonic enhancement, and saturation ranging from mild overdrive to high gain bass rage. The Alpha·Omega Engine operates before the clean section (you can therefore use the 6-Band Active EQ for additional tone shaping).
Bite
Boosts high mids (2.8kHz) for additional presence and definition.
Growl
Shelving Bass Boost for a fatter tone and increased low end saturation.
Compression
This knob controls the amount of dynamic compression added to the Alpha·Omega Engine. The make up gain is adjusted automatically. The compression can be turned off or assigned using the Darkglass Suite.
Drive
This knob controls the amount of distortion that the Alpha·Omega Engine will deliver. It will change from a soft, warm overdrive to a massive and modern distortion sound.
Level
Use this knob to control Alpha·Omega Engine’s output volume.
Blend
Use this knob to mix between the Clean signal and the DIstortion signal (Alpha·Omega Engine).
Mod
Selects or mixes between the two distinct distortion circuits: Alpha is punchy, tight with a lot of definition, whereas Omega is simply brutal and raw.
Bass
+-12dB at 80Hz. Use this knob to change the low-end content of the signal.
Mids
+-12dB at 250, 500, 1.5K and 3Khz. This graphic EQ control the mid content of the signal.
Treble
+-12dB at 5kHz. Use this knob to change the high content of the signal.
Master
Use this knob to control the overall volume of the amplifier.
Mute
Use this push button to mute the amplifier.
Darkglass Electronics Alpha Omicron
$199.99
Darkglass Electronics Alpha Omicron
With the double distortion engine (Alpha and Omega), the Alpha·Omicron delivers unparalleled versatility, harmonic rich and bone-crushing sound. Designed for bassists in need of a preamplifier to be distinctively heard in any musical context.
Features
Blend
Mixes the clean and processed signals. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine mix tuning.
Level
Sets the volume of the overdriven signal.
Drive
Sets the amount of gain in the overdriven signal.
Mod
Selects or mixes between the two distinct distortion circuits: Alpha is punchy, tight with a lot of definition, whereas Omega is simply brutal and raw.
Bite Switch
Boosts High Mids (2.8kHz) for additional presence and definition.
Growl Switch
Shelving Bass Boost for a fatter tone and increased low end saturation.
DIMENSIONS
11.3×7.5 cm (4.45×2.95 in)
WARNING
The Alpha·Omicron has a current draw of 20mA. Only use a regulated 9V DC adapter with a center-negative plug. Due to ecological reasons it does not accept batteries. Unregulated power supplies and/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty.
Darkglass Electronics Microtubes X
$199.99
Darkglass Electronics Microtubes X
Features
High-pass frequency
Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition.
Low-pass frequency
Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids.
Level
Sets the overall output volume of the unit.
Drive
Sets the amount of distortion for the high pass side.
Mix
Sets the blend between low-pass and high-pass signals.
Mids
Active mid control placed after the Mix control. +-12dB @ 500Hz.
DIMENSIONS
75x111x43 mm (2.95x4.37x1.77 in)
WARNING
The Microtubes X has a current draw of 30mA. Only use a regulated 9V DC adapter with a center-negative plug. Due to ecological reasons, it does not accept batteries. Unregulated power supplies and/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty
Darkglass Electronics Microtubes B7K 2.0
$299.99
Darkglass Electronics Microtubes B7K 2.0
With the Microtubes B7K v2 you get all the features of the original, with the ability to better sculpture your tone: on the low mids you have the option to change the center frequency from 1KHz to 500Hz, and on the high mids you have the option to change the center frequency from 3kHz to 1.5kHz. This will enable you to tailor your absolute dream distortion tone.
The character and core of the Microtubes B7K remains the same, still retaining the powerful dynamic saturation circuit of the B3K and adds a four-band equalizer and a balanced line driver for even greater versatility. Designed for both studio and live use, it will take your direct sound to a whole new level.
Features
Blend
Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.
Level
Sets the volume of the overdriven signal.
Drive
Sets the amount of saturation in the overdriven signal.
Grunt Switch
Sets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage.
Attack Switch
Sets the amount of treble content to saturate: The "Boost" setting emphasizes the treble content extra clarity and presence. The "Flat" position leaves this register untouched while the "Cut" position will reduce the amount of high frequencies being saturated.
Low
+-12dB @ 100Hz
Low Mids Switch
This switch change the center frequency of the Low Mids from 1kHz to 500Hz.
Low Mids
+-12dB @ 1kHz
Hi Mids
+-12dB @ 3 kHz
Hi Mids Switch
This switch change the center frequency of the Hi Mids from 3kHz to 1.5kHz.
Treble
+-12dB @ 5kHz
Parallel Output
A passthrough for your input signal, useful for parallel processing.
Direct Output
A balanced version of the ¼” output, useful for running into PA’s or studio mixing consoles.
DIMENSIONS
12×10.7 cm (4.72×4.21 in)
WARNING
The Microtubes B7K v2 has a current draw of 30mA. Only use a regulated 9V DC adapter with a center-negative plug. Due to ecological reasons it does not accept batteries. Unregulated power supplies and/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty.