Pigtronix Constellator Micro Analog Delay
$179.00
Pigtronix Constellator Micro Analog Delay
MYTHICAL TONE
Constellator is an all-analog delay pedal capable of producing up to 600ms of lush echo with adjustable modulation and a comprehensive sound palette. From percussive slapback and doubler sounds to chorused-out, long delays with endless repeats, the Constellator’s MN3005 bucket brigade chips provide superior overall headroom and tape-like saturation when pushed to the limit. The Feel toggle switch adjusts several parameters simultaneously for an additional coloring of LFO modulation. With the Feedback control maxed out, the Constellator is capable of self-oscillation which can be pitched up or down by turning the Time knob. Runs on standard 9VDC.
KNOB-BY-KNOB
Time: Sets your delay time. Clockwise for slower, counter-clockwise for faster.
Mix: Controls your dry/wet balance.
Mod: Controls the modulation depth. Adds color and warp.
Repeats: Sets the amount of feedback in the delay line.
Feel: Selects between two distinct modulation types. When the switch is pushed in, a chorus effect is selected. When the switch is not pushed in, a vibrato effect is selected.
Pigtronix Moon Pool
$179.00
A MESMERIZING MASH-UP OF MODULATORS
Moon Pool is an analog phase shifter and tremolo with independent speed controls featuring the ability to change the rate of one or both of the effects in either direction, corresponding to how hard you play. The 4-stage, VCA-based phaser and variable bias tremolo found in the Moon Pool can each be run as standalone effects or they can be combined in series for a mesmerizing mashup of modulators. A global Depth knob determines overall wetness, while a Sensitivity knob allows you to dial in the responsiveness of these changes to accommodate different playing styles and colors. Runs on standard 9VDC.
KNOB-BY-KNOB
Phase Speed: Sets the rate of modulation for the phaser.
Trem Speed: Sets the rate of modulation for the tremolo.
Depth: Sets the intensity of both the phaser and tremolo.
Sens.: Determines how much signal is required to change the speed of both phaser and trem when dynamics processing is turned on.
Trem / Phase (Three-Way Toggle): Up = trem engaged, Center = both engaged, Down = phaser engaged
Phaser Dyn. (Three-Way Toggle): Up = phaser speed increases in response to playing dynamic, Middle = no change, Down = decreases
Trem Dyn. (Three-Way Toggle): Up = trem speed increases in response to playing dynamic, Middle = no change, Down = decreases
Pigtronix Infinity 3
$419.00
INFINITY 3
A WHOLE NEW WORLD OF LOOPING
Infinity 3 is the world’s most musical looping pedal. Simple to operate, yet tremendously powerful and flexible, the Infinity 3 guarantees latency-free looping. Our state-of-the-art platform provides instantaneous record, playback, dub, undo and redo, on two stereo loop pairs that can be played in series or parallel as well as synchronized and cue'd for automatic playback. On top of superior speed and a unique, performance-friendly feature set, Infinity 3 sounds downright incredible thanks to its discrete analog limiter stages, transparent analog pass-through and 24 bit HD recording engine with variable sample rate that can be incremented in semi-tones over two octaves. With approximately 3 hours of recording time on up to 50 loop pairs, the Infinity 3 was designed to inspire compositional depth and engaging performances. Comprehensive MIDI control and intelligent MIDI clock jitter correction provide the ability to link the Infinity 3 to a DAW, Drum Machine or other effects pedals. Infinity 3 is the ultimate tool for writing, rehearsing and performing every style of music.
BUTTON-BY-BUTTON
Red/Green — A key corresponding to center buttons. When any button is red, the feature written above the button is active. When green, the feature below is active.
Sync/Multi — Sync options for Loop 1 and 2. Red for a synced 1:1 ratio, Green for Multi (press and hold to set how many times longer Loop 2 is than Loop 1).
Parallel/Series — Playback options for Loop 1 and 2. Red for Parallel playback, where Loops 1 and 2 can be played on top of each other. Green for Series, for verse/chorus-style looping. Push and hold to access expression pedal functions menu.
Stereo/Split — Input options. Red for standard looping, where all inputs record to each loop. Green for Split, where each input is assigned to its own Loop. Push and hold for Remote Switch pitch interval menu.
Arm/All — Command options. Red for Arm, where only the armed loop receives stop/play commands. Green for All, where both loops receive stop/play commands. Push and hold for loop aging menu.
Cue/Fade — Red for Cue, where actions occur at the loop boundary once triggered. Green for Fade, where Loop audio fades until end of current cycle once stopped. Push and hold to access menu to set number of cycles over which Loop audio fades. Off for instant stop.
24kHz/48kHz — Fidelity/sample rate options. Infinity 3 automatically records at 48kHz. Use this button to change the rate at which you record, or use it after recording a loop to change the speed, and therefore pitch, of your recorded audio. Standard options are 12, 24, and 48 kHz, resulting in octave jumps. Push and hold to access the LED menu to toggle through sample rates based on musical intervals.
Pigtronix Infinity 2 Double Looper
$199.00
INFINITY 2
INFINITY AND BEYOND
Infinity 2 is a hi-fi stereo double looper designed to be the ultimate writing, arranging and performing tool. It can be utilized as a double looper to record and perform sequential parts, or as a standard looper on the right footswitch while assigning one of five selectable modes to the left footswitch. As a double looper, Infinity 2 enables musicians to seamlessly switch between loops, even during initial recording or while overdubbing. As a standard looper plus assignable effects, Infinity 2 becomes an ambient dream machine.
KNOB-BY-KNOB
Volume: Sets the volume of looped audio.
Decay: Sets the time it takes for loops to fade away during overdub.
Stop: Press once to stop at the loop boundary. Press twice to stop immediately. Press and hold to fade.
Once: Press once for one more playback. Press repeatedly for stutter. Press and hold to play through.
Octave: Toggles the sample rate between 48kHz and 24kHz.
Undo: Removes the most recent overdub layer. Tap again to bring it back.
HI-FI SOUND DESIGN
Infinity 2 combines the high-fidelity audio and ultra low-latency looping engine of the original award-winning Pigtronix Infinity Looper with streamlined UX to create a more user-friendly musical experience right out of the box.
ORBITAL PATHMAKER
From sequential songwriting to experimental looping, determine the orbital path of your home planet.
Pigtronix Space Rip Analog Synth
$179.00
SPACE RIP
AN ANALOG SYNTH BUZZSAW
Space Rip is an analog synth pedal featuring pulse width modulated (PWM) sawtooth and square wave voices in multiple octaves. A state-of-the-art tracking engine allows the Space Rip to keep up with your fastest single note lines, replicating both pitch and dynamics. Sounds like tearing the fabric of spacetime in half. Pulse width of the square and sawtooth waveforms produced by the onboard VCO is kept in a state of flux, generating constant harmonic motion controlled by the Rate knob. The Sub knob adds an additional voice one octave down from the input signal, while the Octave switch drops the entire synth down an additional octave, producing a devastating amount of pure analog synth bass. Runs on standard 9VDC.
KNOB-BY-KNOB
Rate: Controls the speed of the waveform’s motion. The pulse width of these waveforms is produced by the onboard VCO being kept in a state of flux.
Tune: Sets the fine tuning of the synth voices.
Mix: Sets the blend between clean and synth sounds.
Sub: Adds an additional voice one octave down from the input signal.
Octave: Drops the entire synth sound down an additional octave. Can be devastating.
Shape: Changes the waveform from a sawtooth to a square wave, or vice versa.
PULSE WIDTH MODULATION
The Space Rip outputs a choice of sawtooth or square waves that constantly undulate in and out like an accordion. This is accomplished through a type of synthesis called Pulse Width Modulation (PWM). The Rate knob controls the speed of an onboard LFO which continuously alters the waveshape of both oscillators to create an ultra-thick analog sound inspired by high-end, vintage synthesizers.
TEARING THE FABRIC OF SPACETIME
Choose your analogy—ripping open the night sky, a zipper the size of a galaxy, the cosmos tearing itself in half like its telophasing in mitosis—point is, it sounds wild.