Chase Bliss Preamp MKII Automatone

$749.00

PREAMP MKII

The first Automatone.

What happens when you combine the DNA of Benson Amps’ Chimera in a box Preamp with a little fuzz, some of Condor’s resonant parametric mids, and full blown preset control from your friends at Chase Bliss Audio? The Preamp MKII. Built in collaboration with Chris Benson from Benson Amps, and known around here as the first Automatone.

Chase Bliss Blooper Looper - IN STOCK!

$499.00

BLOOPER

Chase Bliss Audio CXM 1978

$899.00

CXM 1978

Frost Giant Architect of Reality Dual Channel Preamp

$250.00

Frost Giant Architect of Reality Dual Channel Preamp

Pre-order today, official release date is September 18th 2021. In store/shipping around September 29th, 2021.

The Architect of Reality is a dual channel preamp pedal with the ability to mix the low and high gain channel together in the AOR mode for more tone tweaking ability with both channels on independent footswitches. It’s powered internally at 36v+ (9v boss style used) for more headroom and amp-like sensitivity.

The control panel on the Architect of Reality follows the same layout as most modern amps with and overall Presence, Bass, Mid and Treble, but for build cost and durability the pull boosts (of that 80’s classic amp) for each EQ band have been placed on toggle switches. In the first channel you control the Master Volume and Preamp Gain with a heavy crunch and rock feel like your favorite Heavy Rock classics with the feel of a familiar 800 build amp. Engaging the 2nd channel on the pedal pulls the AOR channel on the original amp and gives you the option of blending its gain with the first Preamp Gain for an over-the-top beast that can be tight for Thrash and Heavy Metal to the darker side of gain and sitting in the Doom and Stoner Metal territory

Hand made in Texas
Kemet and Nichicon HQ capacitors
Black Powder coat with a Gold Mist overlay
UV printed enclosure
9v+ power (36v+ internally)

Spaceman Delta II - Harmonic Tremolo - Blue

$229.00

INTRODUCING DELTA II

EFFORTLESS INSPIRATION

The Delta II is a powerful optical harmonic tremolo with extensive tone shaping and rhythmic capabilities. The novel LFO enables its pilot to craft harmonic, and traditional tremolo sounds that stagger, hop, buzz, beat, and swirl with unparalleled variety using a brilliantly simple interface. Soar through the sonic scenery as evolving rhythms throb and pulse through your consciousness like stars flickering across the cosmos.

NEW COLORS

Delta II Standard Edition colorways offer vivid visual appeal to match their breathtaking tonality and thoughtful functionality.

DELTA II FEATURES

Smooth and lush all analog signal path, with 3 distinct voices

Harmonic or traditional tremolo with a twist of the LAG control

Wide-range LFO capable of slow pulsation to audio-rate madness

Flexible filtering for deep and expressive tones

18V capable for high headroom use cases

Selectable Expression / CV control of DEPTH or RATE

Internal VOLUME trimpot for precise level matching

TRULY HANDCRAFTED

Hand-wired and built in Portland, Oregon, the Delta II features true-bypass relay switching with a soft-touch footswitch. On top of the cast-aluminum enclosure sits a durable, engraved vinyl faceplate and jewel indicator light. This pedal is built to last a lifetime, both on Earth or in the vacuum of space.

TECHNICAL SPECIFICATIONS

Input Resistance: 1M Ohm

Bypass Current Draw: 19.5mA

Engaged Current Draw: 45mA

Expression / CV: 0-5V DC via TRS jack - Over / Reverse voltage protected

Input Voltage: 9-18V DC, negative center via the 2.1mm jack

Spaceman Delta II - Harmonic Tremolo - Silver

$229.00

INTRODUCING DELTA II

EFFORTLESS INSPIRATION

The Delta II is a powerful optical harmonic tremolo with extensive tone shaping and rhythmic capabilities. The novel LFO enables its pilot to craft harmonic, and traditional tremolo sounds that stagger, hop, buzz, beat, and swirl with unparalleled variety using a brilliantly simple interface. Soar through the sonic scenery as evolving rhythms throb and pulse through your consciousness like stars flickering across the cosmos.

NEW COLORS

Delta II Standard Edition colorways offer vivid visual appeal to match their breathtaking tonality and thoughtful functionality.

DELTA II FEATURES

Smooth and lush all analog signal path, with 3 distinct voices

Harmonic or traditional tremolo with a twist of the LAG control

Wide-range LFO capable of slow pulsation to audio-rate madness

Flexible filtering for deep and expressive tones

18V capable for high headroom use cases

Selectable Expression / CV control of DEPTH or RATE

Internal VOLUME trimpot for precise level matching

TRULY HANDCRAFTED

Hand-wired and built in Portland, Oregon, the Delta II features true-bypass relay switching with a soft-touch footswitch. On top of the cast-aluminum enclosure sits a durable, engraved vinyl faceplate and jewel indicator light. This pedal is built to last a lifetime, both on Earth or in the vacuum of space.

TECHNICAL SPECIFICATIONS

Input Resistance: 1M Ohm

Bypass Current Draw: 19.5mA

Engaged Current Draw: 45mA

Expression / CV: 0-5V DC via TRS jack - Over / Reverse voltage protected

Input Voltage: 9-18V DC, negative center via the 2.1mm jack

Spaceman Delta II - Harmonic Tremolo - Red

$229.00

INTRODUCING DELTA II

EFFORTLESS INSPIRATION

The Delta II is a powerful optical harmonic tremolo with extensive tone shaping and rhythmic capabilities. The novel LFO enables its pilot to craft harmonic, and traditional tremolo sounds that stagger, hop, buzz, beat, and swirl with unparalleled variety using a brilliantly simple interface. Soar through the sonic scenery as evolving rhythms throb and pulse through your consciousness like stars flickering across the cosmos.

NEW COLORS

Delta II Standard Edition colorways offer vivid visual appeal to match their breathtaking tonality and thoughtful functionality.

DELTA II FEATURES

Smooth and lush all analog signal path, with 3 distinct voices

Harmonic or traditional tremolo with a twist of the LAG control

Wide-range LFO capable of slow pulsation to audio-rate madness

Flexible filtering for deep and expressive tones

18V capable for high headroom use cases

Selectable Expression / CV control of DEPTH or RATE

Internal VOLUME trimpot for precise level matching

TRULY HANDCRAFTED

Hand-wired and built in Portland, Oregon, the Delta II features true-bypass relay switching with a soft-touch footswitch. On top of the cast-aluminum enclosure sits a durable, engraved vinyl faceplate and jewel indicator light. This pedal is built to last a lifetime, both on Earth or in the vacuum of space.

TECHNICAL SPECIFICATIONS

Input Resistance: 1M Ohm

Bypass Current Draw: 19.5mA

Engaged Current Draw: 45mA

Expression / CV: 0-5V DC via TRS jack - Over / Reverse voltage protected

Input Voltage: 9-18V DC, negative center via the 2.1mm jack

Victory V212-VV Vertical Cabinet with Celestion Vintage 30s

$999.00

V212-VV​

2 x 12 Compact Vertical Extension Speaker Cabinet: Celestion Vintage 30​

IDEAL FOR: A portable powerhouse rig when paired with V30 The Countess, V130 The Super Countess, VX The Kraken, BD1 and RD1 . When you hear one, you'll realise why plenty of former 4x12 fans have ditched their quad boxes for these.

​SPEAKER CHARACTERISTICS: The Vintage 30 is a very efficient (100dB), relatively powerful, large-magnet (Ceramic, 50 ounce) 12-inch driver. Clear highs, projecting upper mids and strong bottom end make it a favourite with players who like modern gained sounds and/or high headroom cleans with minimal speaker breakup/distortion. Despite the name, we find it less 'vintage' sounding for medium gain/classic rock than either of the Celestion Creamback drivers in our other cabs. The high sensitivity/efficiency rating makes the absolute most of every watt you throw at it so your amp will sound 'louder' compared to using a Creamback 65.

​It's a great choice if you want maximum power, punch, clarity and headroom.

Power handling: 120 watts

Impedance: 16-ohms

Speakers: 2 x Celestion Vintage 30
Size (mm): 485(w) x 700(h) x 295(d)

Weight: 50.7lbs/23kg

Colour: Black, includes slip cover 

Victory V212S Cabinet W/ Celestion Vintage 30's

$1,099.00

V212S

2 x 12 Extension Speaker Cabinet: Celestion Vintage 30​

IDEAL FOR: A big-box, traditional 2x12 for our Handwired Series heads.

SPEAKER CHARACTERISTICS: The Vintage 30 is a very efficient (100dB), relatively powerful, large-magnet (Ceramic, 50 ounce) 12-inch driver. Clear highs, projecting upper mids and strong bottom end make it a favourite with players who like modern gained sounds and/or high headroom cleans with minimal speaker breakup/distortion. The high sensitivity/efficiency rating makes the absolute most of every watt you throw at it, creating a massive tone in this big-box, closed-back 2x12. Projection and volume? Here it is. 

Power handling: 120 watts

Impedance: 8-ohms

Speakers: 2 x Celestion Vintage 30
Size (mm): 738(w) x 543(h) x 355(d)

Weight: 70.5lbs/32kg

Colour: Black

Victory Sheriff 44 Guitar Amplifier Head (44 Watts)

$1,799.00

Sheriff 44

Classic British overdrive, Victory-style

Source Audio True Spring Reverb

$229.00

TRUE SPRING REVERB

Turn on to the vintage charm of natural spring reverb coupled with pulsing tremolo. Source Audio doesn’t depend on the off-the-shelf reverb effects processors found in many modern reverb pedals, we meticulously craft every one of our proprietary effects engines and load them to high-powered, 56-bit Sigma DSP.  Our two man engineering team of Bob Chidlaw and Jesse Remignanti put years of collective man-hours into capturing every nuance and idiosyncrasy of the spring reverb and tremolo effects from some of the music gear industry’s most iconic guitar amps and outboard gear. The result is indisputable sound quality with magnificent tonal depth and precision.

The Spring Reverbs

Eastman AC622CE Grand Auditorium

$1,790.00 – Sold Out

AC622CE

Always Looking Ahead

Bold Luxury

Adopting exciting, forward-thinking design improvements, the new AC Series acoustics stand out like never before. Further refinements to the already future-forward line have taken comfort, functionality, and elegance to the next level.

Sound Port & Chamfered Edge

Built For You

A sound port is now standard on the AC522CE, AC622CE, and AC722CE models. The carefully contoured opening directs a portion of the acoustic volume upwards towards the player, acting as a stand-in personal monitor. Additionally, ergonomic design is furthered with the inclusion of a chamfered edge that provides maximum comfort and enhances the playing experience.

Dakota Fade

A New Horizon

Newly available finishes add depth to the AC Series, including a lush Goldburst and a brand new Dakota Fade. Inlay upgrades are featured on models throughout, including beautifully ornate maple leaf found on headstocks and fingerboards. Welcome to a beautiful future.

• Neck Material:Mahogany
• Fingerboard:Ebony
• Fingerboard Radius:12"
• Neck Profile:Traditional Even "C"
• Nut:Bone 1 3/4"
• Fretwire:20 Jescar-FW43080
• Scale Length:25.4"
• Body Dimensions:16" x 4 1/4"
• Sound Port:1.5" Sound Port
• Bracings:Hand-Carved Scalloped X
• Body Top:Solid European Spruce
• Body Back/Sides:Solid Flamed Maple with Center Strip
• Arm Contour:Maple
• Bridge/Saddle:Ebony/Bone, 2 5/32" Spacing
• Rosette:Abalone
• Truss Rod:Dual Acting
• Binding:Top, Back, Fingerboard, and Headstock
• Binding Material:Figured Maple
• Logo:Pearl Headstock
• Inlay:Abalone Maple Leafs
• Side Dots:Black
• Bridge Pins:Ebony with Abalone Dots
• Body Top Finish:Gloss Finish
• Back/Sides Finish:Gloss Finish
• Hardware Color:Gold
• Pickguard:Tortoise Shell 
• Tuners:Gotoh SG301
• Electronics:LR Baggs Element EAS VTC
• Strings:D'Addario XT Phosphor Bronze .012 -.053
• Action Height:12th fret 3/32" on the bass side and 2/32" on the treble side
• Case:Hardshell Case
• Truss Rod Wrench:4mm

Eastman E3DE Dreadnought

$719.99

E3DE

Dreadnought Pickin'

Iconic, big, and bold. You’ll never have to worry about competing for sonic space with this classic, flat-picking bluegrass instrument. Perfect for ensemble settings where cutting through the mix can be an issue.

Eastman AC322CE Grand Auditorium

$980.00 – Sold Out

EASTMAN AC322CE

Ernie Ball Music Man StingRay Special HH - Kingpin

$2,799.00

Ernie Ball Music Man StingRay Special HH - Kingpin

First introduced in 1976, the StingRay has been revered as one of the most iconic bass guitars in history. The StingRay was the first production four string bass to feature onboard active equalization. The flagship of the Music Man line, today's StingRay is the same as it was some forty years ago, featuring a solid roadworthy construction, elegant oval pickguard, 3+1 tuning key configuration, and the ever-popular Music Man humbucker -- all of which combine to produce a look, feel, and sound that is remarkably unmistakable.

The BFR StingRay 4 Special HH features an exclusive Kingpin matte black finish without an oval pickguard showcasing the beautiful combination of gold and matte black hardware. The maple neck is outfitted with black dot position markers and the back of the neck is painted to match the body and headstock that completes the elegant upscale appearance. Equipped with two humbucking pickups, and a newly designed 3-band EQ with a 5-way switch, this bass delivers all of the familiar Stingray punch and growl. Each bass ships with a numbered certificate of authenticity and is limited to just 106 pieces worldwide.

More Information

Death By Audio Robot

$320.00

Strymon Zelzah Multidimensional Phaser

$349.00

Strymon Zelzah Multidimensional Phaser

Way Back Machine.

Step on Zelzah, play one chord, and you’re instantly taken back to a world of classic phaser tones as they were always meant to sound, perfectly voiced, with tons of vibe. Vintage 4-stage and 6-stage phasing with controls that allow seamless transitions to vibrato, gorgeous flanging and chorus, and new sounds never heard before—all instantly musical with great tone all the way across every dial.

Two Effects At Once.

Zelzah is actually two different phasers, side by side in one pedal. Zelzah’s 4-stage side gives you a wide array of classic tones ranging from phasing to vibrato and more, while the 6-stage side provides phasing, flanging, chorus, and all points in between. Dial in a chorus on one side and barber pole phaser on other, or a phaser on one side and tremolo on the other. Use the two sides independently or together in a variety of configurations. Zelzah may become the only modulation pedal you keep on your board.

Choose Your 4-Stage Phaser Sweep Classic Sweep

The first Sweep mode is labeled “Classic” because this is the classic four stage phaser sweep we all know. In this Sweep mode, a single LFO with a warped triangle shape creates that familiar vintage sound.

Barber Sweep

Similar to the visual effect of a barber pole, the Barber sweep is a continuously rising or falling effect that is traditionally done with frequency shifters. In Zelzah we have used an arrangement of synchronized four stage phasers to produce the effect while maintaining the four stage sound.

Envelope Phaser

Set the Sweep switch to Env and you’ve got a whole new pedal under your feet. Now the phaser responds to your picking like an envelope filter/auto-wah would, with the phaser sweep being dynamically controlled by your input signal, creating harmonically complex and very funky sounds.

Six Stage Voice: Groundbreaking New Phaser Algorithm

The Voice knob on the six stage side simultaneously controls over 30 different parameters, all working in harmony for an inspiring musical experience.

Not only do you get thick, juicy, phasing with pure vintage vibe, but as you turn the Voice knob clockwise, our groundbreaking new modified all-pass structure expands the time response of the cascading all-pass filters seamlessly and continuously, adding spaciousness and airiness to the sound.

Explore a range of fresh musical tones that are not a mix of phasing and flanging, but actually something entirely new. Turn the Voice knob to the right for luxurious true flanger effects, and continue to the far end of the range for lush vintage chorus sounds. There are inspiring musical sounds at every point along the dial, and so many ways to make a sound that is truly yours. 

Sound Design Vintage Phasing, Even Better Than You Remember. Our goal was to capture the rich phasing sounds that were introduced in the 1970s that work so beautifully with electric guitar and electric piano.In addition to providing the best possible version of the vintage phaser sounds we grew up with, we also wanted to expand the sonic possibilities in a way that was unique and unexpected for a phaser.To do that, we developed an architecture that contains a modified all-pass filter as the basis for the 6-stage phaser.A phaser is a filtering effect made up of cascading all-pass filters. There are no delay lines. But with our modified all-pass structure, we are able to expand the time response of the all-pass seamlessly and continuously.On the four stage side, we wanted to provide the classic sounds you expect from a premium four stage phaser, while adding barber sweep and envelope controlled sweep, and a Depth control that is tuned to deliver great phasing sounds even at very shallow settings.

Mix And match.

The four stage Mix control can be used to dial in a surprisingly wide variety of sounds. With Sweep set to Classic, the Mix control gives you a range from subtle phasing to full-on classic phasing sounds, and then onward to some quite pleasing phase vibrato effects.

With Sweep set to Barber, higher Mix settings with lower Depth settings can get into harmonic tremolo territory.

When Sweep is set to Envelope, higher Mix settings result in attack induced pitch modulation.

Hidden Depths.

The 4-Stage Depth control is designed to respond musically and intuitively across its full range, and varies in its effect depending on which Sweep mode is selected.

In both Classic and Barber modes, behind the scenes as you turn the Depth knob, the center frequency of the Sweep is internally adjusted to keep the frequency range in the sweet spot, producing a wide palette of beautifully voiced sounds across the entire range of the control. Additionally in Barber mode, feedback is added for increased intensity as the Depth is turned up.With Sweep set to Envelope, the Depth knob sets input sensitivity, while the Speed knob sets the sweep range. Experiment with those two controls for a wide variety of envelope phaser tones including some very vocal-sounding timbres.

Tuned To Perfection.

The 6-stage sweep is carefully tuned, and behaves differently as you change Voice, Depth, and Speed settings.

Just one example of this: Toward the end of the Voice range (in vintage chorus territory), the LFO morphs from a smooth triangle to a warped shape that introduces a classic warble to the deepest chorus tones.

The behind the scenes interplay between Zelzah’s parameters means that you can experiment and be assured of musically useful results at every turn.

Choose Your Intensity.

The Resonance circuit adds feedback from the output back to the input of the six stage phaser to intensify the frequency notches and peaks.Choose no resonance (off) or use the carefully tuned Mild or Strong settings.Resonance not only contributes to dramatic phasing effects, but at higher Voice settings can yield some of the most sought after classic flanger sounds.The rich vintage chorus effects available at the highest Voice settings can be uniquely enhanced by the Resonance switch, an option not commonly available on chorus pedals.

Hi-Fi Stereo.

Zelzah features full stereo in and out capabilities.

It can also receive mono input and still give you stereo output if you’d like to use it as the stereo origin point of your signal path.

When using stereo outs, use the Stereo Spread live edit function to increase the stereo spread between your outputs to create a dimensional stereo image with life and movement.

Being true stereo, Zelzah processes incoming stereo signals independently, with the left input being treated to its own 4-Stage and 6-Stage phasers, and the right input also having its own respective phasers.

Pair that with the ability to also process incoming stereo signals in Split mode, where the 4-Stage phaser processes the left input only and the right input is processed by the 6-Stage phaser, and Zelzah just may be the most flexible modulation pedal on your board.

Any Way You Want It.

Zelzah gives you the freedom to route its two sides in a variety of creative ways.Choose Series and the six stage phaser runs into the four stage, just like two pedals side by side on a pedalboard.Choose Parallel and your dry signal will be processed by each phaser independently and mixed at the output.Or choose Split and hear the four stage phaser on the left output and the six stage phaser on the right.With a stereo input source, Split mode will process the left input through the four stage phaser and the right input through the six stage.

Features What’s Better Than One Phaser? Two.

Zelzah gives you two fully independent, versatile phasers at the touch of a button.Use one at a time, or use both in one of several possible routing configurations.With each phaser having a wide range of control over its tonal characteristics, the possibilities are near infinite with Zelzah.

Musical Sounds At Any Settings.

Our team spent months working to perfect each aspect of Zelzah’s sound design, making it so that any combination of settings would yield musically useful tones.

Experiment to your heart’s content knowing that organic, lush modulation awaits at every setting.

All-Purpose Algorithm

Zelzah contains modulation multitudes waiting to be discovered.

Our groundbreaking 6-Stage phaser algorithm can take you from vibey vintage phasing to full-on flanging with the turn of a knob. Go even further and achieve iconic chorus tones, all with just one pedal.

Zelzah’s 4-Stage side is just as versatile, with everything from classic phasing to warbly vibrato available, and even tones that border harmonic tremolo territory.

Stereo Flexibility.

Zelzah features full stereo in and out capabilities.

It can also receive mono input and still give you stereo output if you’d like to use it as the stereo origin point of your signal path.

When using stereo outs, use the Stereo Spread live edit function to increase the stereo spread between your outputs to create a dimensional stereo image with life and movement.

Being true stereo, Zelzah processes incoming stereo signals independently, with the left input being treated to its own 4-Stage and 6-Stage phasers, and the right input also having its own respective phasers.

Pair that with the ability to also process incoming stereo signals in split mode, where the 4-Stage phaser processes the left input only and the right input is processed by the 6-Stage phaser, and Zelzah just may be the most flexible modulation pedal on your board.

Expanded Control.

Want even more control over Zelzah? Connect an expression pedal and enjoy a whole new level of instantaneous, continuous control. Set as many knobs as you like for the heel position and toe position of your expression pedal, and all settings will simultaneously morph throughout the full range of the expression pedal.

If you need more presets, connect a MultiSwitch Plus for three presets available at the press of a footswitch.

With full MIDI implementation, you can also control just about every switch, knob, and setting remotely with by sending MIDI commands from your controller or DAW via Zelzah’s EXP/MIDI jack or USB-C connection.

Specs Sound Design:

• Two independent effects that can be configured and controlled separately and used one at a time or simultaneously in series, parallel, or split configurations
• Vintage 4-stage phaser with three phaser sweep modes: classic, barber, and envelope
• Groundbreaking new 6-stage phaser algorithm with a continuous range from classic pure 6-stage phasing to flanging to chorus, all with adjustable resonance
• True stereo operation means under the hood each half of the pedal has two phasers running side by side (two 4-stage and two 6-stage) or in series, with independently adjustable stereo spread for each
• All controls are carefully voiced to produce musically useful sounds at any setting
• Adjustable input level switch to allow for both instrument and line level signals
• Selectable Buffered or True Bypass
• Full featured MIDI implementation via TRS or USB supporting MIDI CCs, MIDI clock sync, access to 300 preset locations

Ins and Outs and Switches:

• High impedance ultra low-noise discrete Class A JFET TRS stereo input.
• Low impedance independent TS stereo outputs.
• Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.
• USB jack for controlling via MIDI from a computer or for performing firmware updates.
• Independent on/off footswitch for each phaser

Audio Quality:

• Premium JFET analog front end
• Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
• 480MHz ARM Superscalar processor
• 32-bit floating point processing
• 20Hz to 20kHz frequency response
• Audio Input Impedance: 1M Ohm
• Audio Output Impedance: 100 Ohm

More:

• Strong and lightweight anodized dark purple aluminum chassis
• 9V DC power supply included
• Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current
• Dimensions:
  • 4.5” deep x 4” wide x 1.75” tall
  • 11.4 cm deep x 10.2 cm wide x 4.4 cm tall
• Designed and built in the USA

Music Man StingRay Special H Bass Amethyst Sparkle

$2,499.00

First introduced in 1976, the StingRay has been revered as one of the most iconic bass guitars in history. The StingRay was the first production four string bass to feature onboard active equalization. The flagship of the Music Man line, today's StingRay is the same as it was some forty years ago, featuring a solid roadworthy construction, elegant oval pickguard, 3+1 tuning key configuration, and the ever-popular Music Man humbucker -- all of which combine to produce a look, feel, and sound that is remarkably unmistakable.

5-BOLT SCULPTED NECK JOINT

The sculpted neck joint provides uninhibited access to all 22 stainless steel frets atop roasted maple necks.

REFINED BODY CONTOURS

Enhanced body contours are rounded for more comfort in any playing position while retaining that revered, iconic StingRay sound.

POWERFUL NEODYMIUM PICKUPS

The new and improved StingRay electronics feature powerful neodymium magnets, bringing you more output and a wider range of sounds

NEW 18-VOLT PREAMP

A newly designed 18-volt 3-Band preamp for extra clean headroom lets you dial in everything from modern punch to classic, vintage tones.

LIGHTWEIGHT PERFORMANCE.

The overall reduction in weight is a much-welcomed feature of the new Stingray Special. Select body woods, improved contours, and lightweight hardware provide greater overall balance for extra comfort and a more enjoyable playing experience.

REENGINEERED HARDWARE.

Reengineered lightweight tuning machines create a more balanced neck while still providing ultra-reliable tuning stability.

Gretsch G5230T Electromatic Jet FT Single-Cut W/ Bigsby Firebird Red

$649.99

G5230T ELECTROMATIC JET FT SINGLE-CUT WITH BIGSBY

Pure Jet™ Power
In its 65 year existence the Gretsch Jet has been the hallmark sound for iconic players. The all-new G5230T Electromatic Jet FT Single-Cut with Bigsby® captures that essential Jet power and fidelity at an incredible price.

Chambered Mahogany Bodies — Loud and Clear
Classic Jet tone begins with a chambered mahogany body with maple top that produces full lows and mids with an exceptionally smooth and present high end. The result is a deep acoustic foundation that is robust, yet balanced.

Black TopFilter'Tron Pickups – Quintessential Power and Clarity
Black TopFilter'Tron pickups amplify and accentuate the Electromatic Jet FT's chambered body to produce a wide, balanced and transparent tone. Loud and punchy, this Jet sounds out with remarkable definition at any level of gain. Together, the body and pickups thunder with full, responsive lows and mids with a high end that sparkles without spikes.

Total Tonal Control
The Electromatic Jet FT is equipped with essential features that give you complete tonal control. The combination of individual pickup volume controls, master tone and master volume with treble bleed circuit provides intuitive global control over your pickup and tone settings.

Ernie Ball Music Man StingRay 5 Special Raspberry Burst

$2,499.00

Ernie Ball Music Man StingRay 5H in Raspberry

Used Takamine G330 Acoustic MIJ (1988)

$549.99

Pre-owned Takamine G330 Acoustic MIJ from 1988. Overall, the frets and finish are in like new, unplayed condition. This was taken care of and never played and sat in the case humidified. The action is comfortable, and the neck is perfectly straight. The saddle has one small chip near the D strings, that doesn't affect playability as it sits. The action is set at a nice medium-low action - Low E side: 5/64ths, High E: 4/64ths. This is considered from the "lawsuit era".

Make: Takamine

Model: G330

Year: 1988

Made In: Japan

Condition: Very Good

Accessories: Chipboard Case

Used Fender American Ultra - Mocha Burst (2020)

$1,699.00