Gretsch G5232T Electromatic Double Jet FT W/ Bigsby Tahiti Red
G5232T ELECTROMATIC® DOUBLE JET™ FT WITH BIGSBY
Pure Jet™ Power The all-new G5232T Electromatic® Double Jet™ FT with Bigsby® captures essential Jet power and fidelity at a great price.
Chambered Mahogany Bodies — Loud and Clear Classic Jet tone begins with a chambered mahogany body with arched maple top that produces full lows and mids with a well-defined, yet smooth high end. The result is a strong and balanced acoustic foundation fit for a variety of tones.
Black Top Filter'Tron™ Pickups – Quintessential Power and Clarity Black Top Filter'Tron pickups amplify and accentuate the Electromatic Double Jet FT's chambered body to produce a wide, balanced and transparent tone. Loud and punchy, this Jet sounds out with remarkable definition at any level of gain.
Total Tonal Control The combination of individual pickup volume controls, master tone and master volume with treble bleed circuit provides intuitive global control over your pickup and tone settings.
G5232T Electromatic® Double Jet™ FT with Bigsby®, Laurel Fingerboard, Tahiti Red
Pre-owned Amptweaker, with light signs of wear. Light scratches from normal use. No velcro, no box or power supply.
The TightDrive was the first Amptweaker product, and introduced our popular Tight attack control.
The TightDrive™ overdrive pedal is the first Amptweaker product, a gain pedal that features the TIGHT control. This tweaks the amp’s attack, and when combined with the Gain, Tone, and Volume controls, a lot of different distortion sounds are possible. It has the ability to dial in varying amounts of crunch, from barely clean singing blues tones, to crunchy rhythm sounds, all the way up to seriously overdriving your tube amp for tight chunky lead solos. Whether you’re using it with a clean amp or to beat up your heavy amp, this pedal has the range to handle the job….it can even reduce the gain and tighten the attack to easily convert your heavy lead tone to a chunky rhythm sound.
The biggest number of Product Idea submissions received were from people looking for overdrive and/or boost pedals that could provide tight low end. This led to the Tight Control, which allows you to adjust the amp’s attack, varying it from smooth and singing to chunky and aggressive attack. The Tone, Gain and Volume controls work pretty much like most other overdrive pedals.
Another repeating theme heard over and over was multiple pedals….so this led to the idea of adding an effects loop to the back so you can add whatever you want to this pedal. And there’s a Pre/Post button underneath the pedal so you can move that outboard effect to in front of or behind the TightDrive. When you bypass the TightDrive pedal, the other effect or effects will be bypassed as well. This feature is great if you want to further tweak the distortion tone with an EQ in front of or behind it, or to add compression, or a delay.
The TightDrive has some great features on it, but the most important thing, the only thing really, is it had to sound good. IT SOUNDS GREAT!!!” –Rich Williams-Kansas
True Bypass switch
Tight Attack Control
Gain, Tone, & Volume Controls
Effects Loop with Pre/Post switch..tracks On/Off Footswitch
LED lit knobs when using a power supply
Battery disconnect switch with red indicator
DC Adapter jack, standard 2.1mm X 5.5mm, center ground(-)
Ernie Ball Music Man StingRay Special Vintage Tobacco
Ernie Ball Music Man StingRay Special - Vintage Tobacco
First introduced in 1976, the StingRay has been revered as one of the most iconic bass guitars in history. The StingRay was the first production four string bass to feature onboard active equalization. The flagship of the Music Man line, today's StingRay is the same as it was some forty years ago, featuring a solid roadworthy construction, elegant oval pickguard, 3+1 tuning key configuration, and the ever-popular Music Man humbucker -- all of which combine to produce a look, feel, and sound that is remarkably unmistakable.
13-1/2" wide, 1-5/8" thick, 44-7/8" long (34.3 cm wide, 4.1 cm thick, 114.0 cm long)
High gloss polyester
Vintage Music Man® top loaded chrome plated, steel bridge plate with vintage nickel plated steel saddles
34" (86.4 cm)
11" (27.9 cm)
Only 8-3/4" (22.2 cm) long
22 - High profile, wide, Stainless Steel
1-11/16" (42.86 mm) at nut 2-1/2" (63.5 mm) at last fret
Select roasted maple neck
Fretted - Maple, Rosewood, or Ebony (dependent on body color)
Gunstock oil and hand-rubbed special wax blend
Standard – Natural with finished headstock
Custom Music Man, lightweight with tapered string posts and ergonomic clover design
Adjustable - no component or string removal
5 bolts - perfect alignment with no shifting; Sculpted neck joint allows smooth access to higher frets
Chrome or black plated aluminum control cover (dependent on body color)
3-band active preamp with 18 volts of headroom; vol, treble, mid, bass
Single Pickup - N/A; Dual Pickup - 5-way lever pickup selector
Standard - Single Humbucking with Neodymium magnets; Optional - Dual Humbucking with Neodymium magnets
What began as a simple request for a vocal version of an Old Blood effect spiraled into a multi-function device with 10 new effects, versatile in/out and send/return sections oriented toward any instrument you want to throw at it, and ample control over all elements. It’s the new multi-tool for effects lovers on stage and in studio.
XLR preamp for use with microphone level signals
Switchable saturation section with blend, volume, and tone controls
Two independently controlled effects sections with modulations, delays, reverbs and octaves, and controls over mix and two parameters of each
A send/return to patch in external effects
Post-saturation dry output for mixing versatility
Relay bypass switching with momentary or latching functionality and effects trails
Top has a small indentation. Matte finish has glossed up in some places from wear and light pick scratches in the normal places. Sides have a few chips around the input jack. Back has some light scratches and indentations. Frets show very little wear. Original tuners left 6 small holes on the back of the headstock.
Chiming EL84 cleans, expressive mid-gain sweetness and rich classic rock roar
It’s all about the chime. And the rock. And the rock’n’roll. And the roots and the blues and the pop... and anything else you want to coax from a quartet of EL84 output valves in the British tradition
The sonic blueprint was set in late-1950s England, then modified, evolved and refined through to the hand-made, boutique valve amps of the 21st century. Yet this is far more than a re-imagined AC-alike. In classic Victory Compact Series style, we’ve packed all those tones and more into a pint-sized powerhouse that can deliver anything from traditional chiming trebles, through jangling pop, punching mid-rich rock, higher-gained classic rock and plenty of American boutique-style cleans and low-gain textures to boot. It’s the EL84 amp that will keep the purists happy and attract a load of new friends along the way.
A word from Martin Kidd, Victory's Chief Designer...
“We’ve been talking about a ‘classic’ EL84 amp for ages. It’s a unique tone and feel with a specific kind of high-end response that differs from any of our other amps.
We batted back and forth between a more traditional Vox approach and something more ‘boutique’, but also with some Marshall-type 1974/2061 sounds.
We veered away from those circuits significantly, however. The VC35 uses a mix of fixed and cathode bias in full-power mode and is cathode biased in low power. There’s also a NOS EF184 pentode valve in a cathode-follower configuration to drive the tone stack in the preamp.
Victory has a great stock of them, they have very low microphonics and have proved to be superbly well made and reliable.
VC35 The Copper can deliver a wide range of clean and crunchy sounds convincingly, alongside plenty more that will keep the higher gain fans happy. What’s really surprised me is that so many of our close friends of varying playing styles are equally enthusiastic about its sounds and feel. I’m sensing a real buzz around this one!”
Mids for Voicing
We’ve included a mid boost switch to add bite and overdrive for rich, vocal lead tones.Try it with the bass cut and plenty of gain for classic rock soloing bliss.
VC35 has a no-hassle, super-reliable digital reverb (like our V40) to keep you ambient. Somewhere between room and plate... and there’s plenty available!
Master Tone Cut
This global tone control works as it does in the classic Vox amps... except the trebly stuff is found clockwise. It’s great for that final high-end response tone tweak to your playing environment.
High & Low Power
35 watts/full power is great for punch and headroom; 12 watts low power gives less volume, more compression and a different harmonic and dynamic response.
Series Effect Loop
If you’re running the VC35 gainy, your time-based effects – reverb and delay – will stay cleaner sounding here. For classic clean tones, run effects into the front.
External Bias Test & Adjustment
When it’s time to change your EL84 output valves, you can test and adjust the bias for the replacements quickly and safely.
C35 The Copper - Technical Spec & Info
Format: Single-channel all-valve head
Power: High Power 35 Watts; Low Power 12 Watts,
Valves: 2 x 12AX7, 1 x EF184, 4 x EL84
Size (mm): 342(w) x 185(h) x 185(d) including handle, feet & controls
Weight: 8.2kg / 18.1lbs
Bass Cut switch
Mid Boost switch
Footswitchable digital reverb
Footswitchable series effects loop
Low Power mode
Skeletonised metal case with rubber handle
Dual-button footswitch for reverb on/off and FX loop on/off included
External bias test and adjustment points for power valves
G5422TG LIMITED EDITION ELECTROMATIC HOLLOW BODY DOUBLE-CUT WITH BIGSBY AND GOLD HARDWARE
Sleek yet aggressive, the G5422TG Limited Edition Electromatic® Hollow Body Double-Cut with Bigsby® and Gold Hardware has a thinner, fully hollow build with a true Filter’Tron™ voice that captures resonant hollow-body sound with a more present and chiming voice.
The arched maple top features sound-post bracing and oversized F-holes for increased acoustic projection, while the smooth maple neck hosts a rosewood fingerboard with 22 frets and pearloid Neo-Classic™ thumbnail inlays.
From jazz to blues to British Invasion tones, dual Black Top Filter’Tron pickups create an ideal, versatile sonic palette radiating with bright, warm tones and a distinctive punch. Tone is fully customizable with a flexible and upgraded control layout consisting of master volume with treble bleed circuit, master tone, bridge and neck pickup volume controls and three-position pickup toggle switch,
Other fine features include a secured Adjusto-Matic™ bridge, Graph Tech® NuBone® nut, stylish G-arrow knobs and Bigsby® B60 vibrato tailpiece for added shimmer.
Available in a stunning Midnight Sapphire finish, this G5422TG also enjoys many classic vintage Gretsch appointments like aged white body binding and multi-ply purfling, gold pickguard, vintage-style open-back tuning machines and gold hardware.
G5422TG LTD Electromatic Hollow Body Double-Cut,Bigsby, Gold Hardware, Midnight Sapphire
Eastman T184MX Thinline Hollowbody Electric Guitar Classic Finish
Eastman T 184 MX Thinline Hollowbody Electric Guitar in Classic Finish.
When it comes to building a guitar, there is a big difference between assembly and artistry. If history has taught us anything, it is that there is no substitute for skilled craftsmanship. At Eastman, each instrument is given the attention to detail required to ensure that it reaches its maximum potential. Features such as hand-scalloped bracing and precision tap tuning are just two examples of the way we differentiate ourselves. Considering the outward beauty of an Eastman Guitar, it’s often easy to overlook the skill and artistry applied to the inside of such a fine instrument.