$649.99
First launched in 1990, the Pacifica Series was driven by the California session scene of the day where versatility, performance and individuality were key. Inspired by those custom shop guitars and that original vision, Pacifica 600 models represent todays embodiment of the Pacifica concept.
Graph Tech String Saver Saddles on Hardtail Models
Paired with Yamahas original steel bridgeplate on Pacifica 611H/HFM models, these self-lubricating saddles reduce string breakage while offering balanced tone and increased sustain.
Graph Tech TUSQ Nut and String Trees
TUSQ XL is precision-engineered to couple the string vibration to the neck, bringing out richness and harmonics. The Teflon-impregnated material eliminates string binding, and helps to insure tuning stability, even with wide bends.
Grover Locking Tuners
These tuners offer additional pitch stability by reducing string slippage especially for guitars equipped with a vibrato bridge without sacrificing fast string changes.
Seymour Duncan Pickups in Two Configurations
All current Pacifica 600 models feature a TB-14 Custom 5 humbucker in the bridge position, for full tone with a scooped midrange, and a coil tap for additional versatility. PAC611 models pair this with an SP90-1 for vintage soapbar tone, and PAC612 models use SSL-1 single-coils in the middle and neck positions for authentic 1950s chime.
Wilkinson VS50 6 Vibrato Bridges
Precision-machined zinc saddles are matched with hardened steel and a knife-edge baseplate for a responsive feel and stable tuning.
$749.99
HX STOMP XL
PRE-ORDER OPEN NOW! SHIPPING ESTIMATE: MID/LATE MARCH.
HX Stomp Expanded
HX Stomp™ XL is a professional-grade amp and effects processor that delivers HXTM modeling in a performance-ready pedal with eight capacitive-touch footswitches. The same SHARC® DSP chip found in our flagship Helix® products enables the HX Stomp XL pedal to run up to eight processing blocks simultaneously, and the assignable footswitches let you access and control those blocks in powerful ways, making it flexible enough for use in nearly any application. Use HX Stomp XL as a “super stompbox,” a backup or travel rig, an add-on tone expander with other modelers, a professional-quality audio interface, or even a complete guitar or bass rig. The HX Stomp XL processor’s Command Center functionality, MIDI capabilities, and external expression pedal jack also make it an ideal master controller for your entire setup.
HX Stomp XL comes loaded with more than 300 amps, cabs, and effects, including world-class polyphonic pitch-shifting effects. The 128 factory presets include vintage and modern sounds, and there are also presets created specifically for bass players, as well as individual bass amp and cab models.
Additional features include a choice of true bypass and DSP bypass with trails, a stereo effects loop to integrate external devices or employ 4-Cable Method, a jack for two external footswitches or an expression pedal, third-party IR support, and a multichannel 24-bit/96kHz USB audio interface. The free HX Edit app lets you create, save and load presets, and customize nearly all pedal parameters. It’s also a preset librarian, IR loader, and more.
THE POWER OF EIGHT
The HX Stomp amp and effects processor was already the leading device in its class—but with five additional footswitches, HX Stomp XL greatly expands its real-time performance capabilities. Use HX Stomp XL as a “super stompbox,” a backup or travel rig, an add-on tone expander with other modelers, a professional-quality audio interface, or even a complete guitar or bass rig. The HX Stomp XL processor’s Command Center functionality, MIDI capabilities, and external expression pedal jack also make it an ideal master controller for your entire setup.
AUTHENTIC MODELING
HX modeling digitally mirrors the circuitry of analog amps and effects, component by component. Every model sounds and feels realistic, including such notoriously hard-to-model devices as vintage fuzz and modulation effects. Simply put, the HX Stomp XL amp and effects processor nails the analog vibe.
INTUITIVE OPERATION
Despite its compact size, HX Stomp XL is easy to use, thanks to its simple but powerful controls, color LCD, and eight capacitive-touch footswitches with color-coded LED rings.
PRISTINE AUDIO QUALITY
An industry-leading 123dB of dynamic range provides tremendous depth and ultra-low noise. High-quality components guarantee unadulterated audio from inputs to outputs, whether feeding an amp or powered speaker, going direct to FOH, or recording in a professional or home studio.
MAXIMUM FLEXIBILITY
Highly configurable I/O permits such routing schemes as simultaneously feeding an amp and a FOH mixer, employing 4-Cable Method, and re-amping in the studio. External control via MIDI and optional expression pedal or footswitch provide additional flexibility.
View full product details$649.99
First launched in 1990, the Pacifica Series was driven by the California session scene of the day – where versatility, performance and individuality were key. Inspired by those custom shop guitars and that original vision, Pacifica 600 models represent today’s embodiment of the Pacifica concept.
Graph Tech String Saver Saddles on Hardtail Models
Paired with Yamaha’s original steel bridge plate on Pacifica 611H/HFM models, these self-lubricating saddles reduce string breakage while offering balanced tone and increased sustain.
Graph Tech TUSQ Nut and String Trees
TUSQ XL is precision-engineered to couple the string vibration to the neck, bringing out richness and harmonics. The Teflon-impregnated material eliminates string binding, and helps to insure tuning stability, even with wide bends.
Grover Locking Tuners
These tuners offer additional pitch stability by reducing string slippage – especially for guitars equipped with a vibrato bridge – without sacrificing fast string changes.
Seymour Duncan Pickups in Two Configurations
All current Pacifica 600 models feature a TB-14 “Custom 5” humbucker in the bridge position, for full tone with a scooped midrange, and a coil tap for additional versatility. PAC611 models pair this with an SP90-1 for vintage soapbar tone, and PAC612 models use SSL-1 single-coils in the middle and neck positions for authentic 1950s chime.
Wilkinson VS50 6 Vibrato Bridges
Precision-machined zinc saddles are matched with hardened steel and a knife-edge baseplate for a responsive feel and stable tuning.
$279.00
Eastman PCH1-OM
$1,529.00
$849.99
$129.99
Manufacturer: Blue
Create unparalleled recordings with your computer using Blue's best-selling family of Yeti USB microphones. Thanks to our proprietary tri-capsule technology, Yeti condenser microphones produce pristine, studio-quality recordings with legendary ease. And four different pattern settings offer incredible flexibility so you can record vocals for music, podcasts, Twitch streaming, YouTube videos, or even cryptozoology lectures in ways that would normally require multiple microphones. Whether you're recording at home, on the road, or in the Himalayas, Yeti helps you produce studio-quality recordings every time.
Manufacturer Code: 988-000100
Width: 5.0"
Length: 6.25"
$99.99
Don’t step onstage without the Ernie Ball Volt Power Supply. For musicians on the move, this ultra-compact, road-ready unit puts a complete powering solution in the palm of your hand. Connect all your favorite digital and analog pedals to multiple high current DC outputs for clean, regulated power. Relax and rely on thermally protected, short circuit-proof design with ultra-low noise operation. When the road calls, the Volt demands a place on your pedalboard.
When your pedals are the heart of your rig, the Ernie Ball Volt is the one-stop solution. It couldn’t be easier to plug the Volt into the venue’s outlet and feed power to every analog or digital pedal on your board via the five 9 or 18 volt DC outputs. And while direct outlet power is often inconsistent, the Volt provides your pedals with far cleaner, fully regulated power with complete electrical isolation. Lose the frustrating buzz from your audio, and ensure your signature sound is always ready to go, with crystal-clean powering to everything from classic wahs to modern overdrives.
Practical and flexible, the Ernie Ball Volt keeps up with even the hardest-touring modern musician. Measuring just 90 x 59 x 23mm, this ultra-compact power supply is smaller than a pack of Slinkys, so it fits almost anywhere on even the busiest pedalboard. When touring internationally, you can plug the Volt into virtually any outlet – from the US and UK to the EU and China – using the universal AC adapter. And when the house lights go down, the Volt’s LED indicators give you the status of each input/output at a glance, so you never miss a beat. There’s even the option of daisychaining multiple Volt units, so your setup stays streamlined, even when your sound evolves.
The Ernie Ball Volt is a power supply you can rely on, even in the heat of the gig. Constructed with tough shielded housing, this unit takes the punishment of duty on your pedalboard and never misses a show. Thermally protected and short circuit-proof – with ultra-low noise operation that won’t compromise your tone – the Volt lets you forget about your rig and focus on your performance.
View full product details
$599.00
Get back…to the delicious tones of the 1960’s! Sizzling good tone!
$699.00
Danelectro 59 Divine - Dark Walnut
Open the pearly gates! Danelectro® launched this in 1959, naming it the “Deluxe”. A huge understatement! This hot reissue features our Vintage 50’s Lipstick® Pickups, adjustable bridge, front and back binding, pointer knobs, and Gotoh® vintage 15:1 tuners.
$899.00 – Sold Out
$2,049.99
Pre-owned with gig bag. Mint/like new condition.
The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based on one of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
Some of the more distinctive specifications include the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).
The Silver Sky comes in four colors with distinctive accents on PRS’s trademark lower horn scoop.
Body Wood: Alder
Finish Type: Polyester base coat, Acrylic urethane top coat
# of Frets: 22
Scale Length: 25.5″ Scale
Neck Wood: Maple, scarf joint
Fretboard Wood: Slab Indian Rosewood
Neck Shape: 635JM, between a C and a D. Flat back-wide shoulders
Nut Width: 1 21/32″
Neck Width at the Body: 2 7/32″
Neck Depth at the Nut: 53/64″
Fretboard Radius: 7.25″
Fret Wire: Tall/Narrow, similar to Dunlop 6230
Inlays: Small birds
Nut: Bone
Bridge: PRS Gen II style Steel Tremolo with bent saddles
String Spacing: 2 9/64″
Tuners: Vintage Style, locking
Hardware Type: Nickel
Treble Pickup: 635JM, 6.4k output
Middle Pickup: 635JM, 6.4k output, reverse polarity
Bass Pickup: 635JM, 6.4k output
Pickup Switching: One volume, Two Tone, 5 way blade pickup selector
Finish: Golden Mesa
Case: PRS Silver Sky Gigbag
$749.99
HX STOMP XL
PRE-ORDER OPEN NOW! SHIPPING ESTIMATE: MID/LATE MARCH.
HX Stomp Expanded
HX Stomp™ XL is a professional-grade amp and effects processor that delivers HXTM modeling in a performance-ready pedal with eight capacitive-touch footswitches. The same SHARC® DSP chip found in our flagship Helix® products enables the HX Stomp XL pedal to run up to eight processing blocks simultaneously, and the assignable footswitches let you access and control those blocks in powerful ways, making it flexible enough for use in nearly any application. Use HX Stomp XL as a “super stompbox,” a backup or travel rig, an add-on tone expander with other modelers, a professional-quality audio interface, or even a complete guitar or bass rig. The HX Stomp XL processor’s Command Center functionality, MIDI capabilities, and external expression pedal jack also make it an ideal master controller for your entire setup.
HX Stomp XL comes loaded with more than 300 amps, cabs, and effects, including world-class polyphonic pitch-shifting effects. The 128 factory presets include vintage and modern sounds, and there are also presets created specifically for bass players, as well as individual bass amp and cab models.
Additional features include a choice of true bypass and DSP bypass with trails, a stereo effects loop to integrate external devices or employ 4-Cable Method, a jack for two external footswitches or an expression pedal, third-party IR support, and a multichannel 24-bit/96kHz USB audio interface. The free HX Edit app lets you create, save and load presets, and customize nearly all pedal parameters. It’s also a preset librarian, IR loader, and more.
THE POWER OF EIGHT
The HX Stomp amp and effects processor was already the leading device in its class—but with five additional footswitches, HX Stomp XL greatly expands its real-time performance capabilities. Use HX Stomp XL as a “super stompbox,” a backup or travel rig, an add-on tone expander with other modelers, a professional-quality audio interface, or even a complete guitar or bass rig. The HX Stomp XL processor’s Command Center functionality, MIDI capabilities, and external expression pedal jack also make it an ideal master controller for your entire setup.
AUTHENTIC MODELING
HX modeling digitally mirrors the circuitry of analog amps and effects, component by component. Every model sounds and feels realistic, including such notoriously hard-to-model devices as vintage fuzz and modulation effects. Simply put, the HX Stomp XL amp and effects processor nails the analog vibe.
INTUITIVE OPERATION
Despite its compact size, HX Stomp XL is easy to use, thanks to its simple but powerful controls, color LCD, and eight capacitive-touch footswitches with color-coded LED rings.
PRISTINE AUDIO QUALITY
An industry-leading 123dB of dynamic range provides tremendous depth and ultra-low noise. High-quality components guarantee unadulterated audio from inputs to outputs, whether feeding an amp or powered speaker, going direct to FOH, or recording in a professional or home studio.
MAXIMUM FLEXIBILITY
Highly configurable I/O permits such routing schemes as simultaneously feeding an amp and a FOH mixer, employing 4-Cable Method, and re-amping in the studio. External control via MIDI and optional expression pedal or footswitch provide additional flexibility.
View full product details$299.99
The Electromatic® Junior Jet Bass with classic Gretsch® appointments is easily capable of filling a room with massive subsonic tones. That Great Gretsch Sound!™ rings true along with features including shorter scale (30.3”), two Gretsch mini dual-coil pickups, rosewood fingerboard with 20 medium jumbo frets, four-saddle bridge, black pickguard with Gretsch logo, synthetic bone nut and die-cast tuners.
View full product details
$2,599.99
A nod to the early era of rock ‘n’ roll, the G6119TG-62RW-LTD Limited Edition ‘62 Rosewood Tenny with Bigsby® and Gold Hardware is a solid performer with the standout sound and stunning style that have made Gretsch a household name. Highly resonant with rosewood top, back and sides, the unique voice of this guitar cuts through any mix, standing out from the crowd with That Great Gretsch Sound!™
A pair of rich-sounding TV Jones® TV Classic™ humbucking pickups creates unmistakable vintage snap and guttural growl with lively response, reflecting the natural voice of the guitar. Parallel tone bars connect the top and back of this guitar for authentic vintage tone. Traditional Gretsch controls—individual pickup volume controls, master volume, standby switch and the classic three-position tone switch—allow you to blend and shape the pickups’ sound, creating countless tonal variations. With the new Gretsch “Squeezebox” paper-in-oil capacitors, you get incredibly silky vintage high end. A “rocking” bar bridge with pinned rosewood base reacts in tandem with the Bigsby B6 vibrato tailpiece for stable tuning while the vintage-style bone nut lets the strings slide freely without binding in the slots. The standard “U”-shaped maple neck bears a 12”-radius rosewood fingerboard with 22 vintage small frets for a classic playing experience that works with any style.
An exquisite instrument inspired by one of guitar’s greatest eras, the G6119TG-62RW-LTD Limited Edition ‘62 Rosewood Tenny with Bigsby® and Gold Hardwarefeatures the classic aesthetics true Gretsch fans love—gold G-arrow control knobs and Grover® Sta-Tite™ open-back tuning machines, aged white binding with black purfling, aged pearloid Neo-Classic™ thumbnail inlays, rosewood headcap, durable gloss urethane finish and black pickguard with Gretsch logo.
$899.99
With dapper two-tone finishes, matching “Caddy V”-inlay headstocks, chrome hardware and more, the all-new G5410T Limited Edition Electromatic® Tri-Five Hollow BodySingle-Cut with Bigsby is a pure and powerful Gretsch tone machine that captures the snazzy old-school swagger of the classic Bel Air rides of the 1950s. Like all Electromatic guitars, Tri-Five models deliver the fearless electrifying tone that has immortalized Gretsch as the quintessential rock guitars from the very beginning.
Loud, proud and resonant, the G5410T is fully hollow, with a pure Filter’Tron™ voice bursting with power, punch and rip-roaring late-’50s snap.
Premium features include a thinner body (2.5”) for maximum playing comfort, 12”-radius rosewood fingerboard with pearloid Neo-Classic thumbnail inlays, dual Black Top Filter’Tron humbucking pickups with pearloid inserts, versatile controls including master volume with treble bleed circuit, master tone, individual pickup volume knobs and three-way pickup toggle switch, oversized bound F holes, smaller late-’50s G6120 bound headstock, Graph Tech NuBone nut, Adjusto-Matic bridge with secured rosewood base and a Bigsby B60 vibrato tailpiece.
Boasting that ’50s California high-end vibe, the G5410T is decked out in a radiantly cool finish—Two-Tone Fiesta Red and Vintage White with vintage white pickguard.
It’s the sound of honor itself—ride and play proud.
$699.00
100W of tube tone that's up for whatever
What is The Amp? First and foremost, it’s a 50W Guitar amplifier. The preamp is based around a single 12AX7 running at high voltage in a discrete Class A circuit. The tube preamp reacts with a guitar the same way any tube amplifier does: it generates harmonics and the sweet sounding high fidelity tone that tubes are known for. Along with tube EQ. there is on-board reverb and tremolo effects so that The Amp can be used as a grab and go amplifier. Foot switches for bypassing the effects are built in. A Class D power section delivers 50 watts into 8ohms, or 100 watts into 4ohms. The Speakon combination jack for speaker output takes either a standard 1/4” connection or a locking Speakon connector for extra security.
The Amp has an integrated headphone amplifier which sounds identical to the output from a speaker. This is perfect for practice, auditioning pedals, or for those times when noise is not appropriate. The Amp can operate with no speaker attached so it can live on a pedalboard and go wherever the pedals go. Speaking of travel, The Amp has a universal IEC power input. It can run from 100 to 260 VAC. No matter where it is on Earth, it can be plugged into a wall socket and used with no need for additional power accessories.
How about a compact studio quality tube preamp? The internal XLR output delivers a balanced line level output. There is no modeling or simulation involved, no menus or presets to give option anxiety. It is very straightforward and simple to get great tone from the tube preamp of The Amp and use it as the front end for a modeling system, recording setup, or for playing direct on stage.
The Amp also has “pedal level” output where it can be used as the front end of a pedal board or as an amp like effect on the back end of a pedal board. There is no substitute for the marriage between a magnetic guitar pickup and the first stage of a tube amplifier, and this is something that is missing with modern pedal board setups. Using The Amp in front of a pedal chain will add harmonics and tube musicality to the entire signal chain starting right where it matters most: between a guitar pickup and the grid of a tube.
Using The Amp further down the signal chain creates unique tonal possibilities. It plays well with pedals, and it can add extra EQ or reverb to an existing amplifier. The Amp can drive the input of an amplifier as an extra tube gain stage. It can be a backup for a vintage amp needing service, or used in place of anemic backline gear on your travel gig. At 2.5lbs, and with so many different uses, The Amp may be your new best friend.
25W 16ohm Output
50W 8ohm Output
100W 4ohm Output
Reverb and Tremolo
8-1/2" W x 3" H x 6-1/2" D 2.5lbs
$799.00
100W of tube tone that's up for whatever
The Amp 100 is the new high power addition to The Amp model line that set the standard for pedalboard sized tube/Class D hybrid guitar amps in 2018. Maximum wattage has been increased to 100w and an integrated FET boost circuit and dual control reverb has been added. A black finish with Walnut end panels and silver knobs completes the new look.
In the Amp 100, an internal FET boost starts at unity gain and can work as an ‘always on’ EQ sweetener, subtly boosting midrange frequencies, or as a powerful drive pushing the 12AX7 tube into full saturation. The boost sits between the triodes of the preamp tube. Placing the boost internally preserves interaction between the instrument input and the first tube stage, and also increases headroom so that The Amp 100 can still work well with external drive and boost pedals.
The Amp 100 has a dual control reverb system, adding a control for decay time as well as reverb blend. The decay control ranges from a short room like reverb sound to a full tank spring splash with classic drip.
The Amp 100 shares all of the great features of The Amp : a studio quality line output with cabinet simulation, pedal level output, headphone output and universal power.
50W 16ohm Output
100W 8ohm Output
200W 4ohm Output
Reverb and internal 15dB FET boost
8-1/2" W x 3" H x 6-1/2" D 2.5lbs
$249.00
One stop for timeless amplifier effects
The F-Stop brings two effects found in vintage American tube amplifiers into one pedal. The combination of a tube driven spring reverb with pulsating "bias" tremolo was first introduced in the early 1960s and has become a standard sound for guitar players and other instrumentalists ever since.
The F-Stop has been designed to bring classic tube amplifier effects into a small package that runs off of a 9VDC pedal power supply. Internally, the F-Stop has 18v of headroom so it can live as comfortably at the end of your signal chain as it does at the beginning. The spring portion of the pedal is digital, but the guitar signal path and tremolo circuit is 100% analog.
The sound of bias tremolo and spring reverb is unmistakable, and the F-Stop uses modern electronics to achieve an authentic recreation of these effects with similar circuit topography as found in tube amplifiers.
9VDC Power Input @200mA
Rear trim pot for Tremolo output level
Independent switching of Reverb and Tremolo effects
Spring Reverb and VCA Tremolo
5" x 3" x 2-1/4" 1lb
$1,699.00
Sheriff 44
Classic British overdrive, Victory-style
This dual-channel, EL34-powered amp is all about classic British overdrive sounds. Blues-rock players will love the mid-’60s-style feel and response of Input/Volume I, with enough gain to sing but also clean up well off the guitar. Input/Volume II takes off into hot-rodded ’70s and ’80s territory and beyond, retaining that classic British 'plexi' sound all the way. With selectable fixed or cathode biasing, The Sheriff 44 is for players who want ultimate 'plexi' tone that's also real-world usable.
Footswitchable modes 'Volume I' & 'Volume II'
High- and low-power output modes
Series effects loop with hard bypass
Selectable fixed- or cathode bias operation
External bias test points and adjustment
Slip cover included.
Single-button footswitch for channel change included
$1,499.00
Pre-order for shipping early 2021
Following up on the success of the COMBINATA and MONDATA comes the latest addition to the Rivolta family: The REGATA VII. The tradition of offering fresh takes on classics continues with this sleek, offset semi-hollowbody design from Dennis Fano.
Designed with comfort and playability in mind, the REGATA VII features a mahogany frame and weight-relieved mahogany center-block sandwiched between a pressed maple top & back. The comfortable chunky C+ profile mahogany neck feels great in the hand and the 25” scale offers optimal string tension. The 24 medium jumbo frets offer an extended range rarely seen on the semi-hollowbody platform. The result of these design elements is an extremely lightweight, versatile instrument. A pair of our PAF inspired “Brevetto” humbuckers offer familiar, vintage inspired tones perfectly suited to genres ranging from jazz to blues, rock and beyond.
Other features include our new 2-tier peghead design, , signature vintage perloid inlays and custom designed f-holes highlighting elements from the Rivolta logo.
$1,499.00
Pre-order for shipping early 2021
Following up on the success of the COMBINATA and MONDATA comes the latest addition to the Rivolta family: The REGATA VII. The tradition of offering fresh takes on classics continues with this sleek, offset semi-hollowbody design from Dennis Fano.
Designed with comfort and playability in mind, the REGATA VII features a mahogany frame and weight-relieved mahogany center-block sandwiched between a pressed maple top & back. The comfortable chunky C+ profile mahogany neck feels great in the hand and the 25” scale offers optimal string tension. The 24 medium jumbo frets offer an extended range rarely seen on the semi-hollowbody platform. The result of these design elements is an extremely lightweight, versatile instrument. A pair of our PAF inspired “Brevetto” humbuckers offer familiar, vintage inspired tones perfectly suited to genres ranging from jazz to blues, rock and beyond.
Other features include our new 2-tier peghead design, , signature vintage perloid inlays and custom designed f-holes highlighting elements from the Rivolta logo.
$1,199.00
Pre-order for shipping early 2021
The COMBINATA XVII is the evolution of a design with which followers of Dennis Fano should be very familiar. The larger and slightly offset body give the COMBINATA a shapely silhouette and more substantial feel. The chambered mahogany body features a German carve top ( mahogany on solid colors, maple on burst / natural ). The 25″ scale maple set-neck sports a comfortably chunky “Rivolta C+” profile, with 24 medium jumbo frets, bound / full width inlayed fingerboard and a Deusenberg Les Trem II.
chambered mahogany body
German carve top (mahogany on solid colors, maple on burst / natural)
double bound body
set maple neck
bound ebony fingerboard
aged perloid block inlays
bound peghead
25” scale – 24 medium jumbo frets
12″ fingerboard radius
1.687″ nut width
Rivolta C+ neck profile
Rivolta “Novanta” P-90 pickups
nickel hardware
Kluson style tuners
Duesenberg Les Trem II & Tunomatic
gold plexi pickguard
optional padded softcase/hardcase available