Chase Bliss Preamp MKII Automatone - Pre-Order (shipping EST June 7)
$749.00
PREAMP MKII- Pre-order, shipping first week of June.
The first Automatone.
What happens when you combine the DNA of Benson Amps’ Chimera in a box Preamp with a little fuzz, some of Condor’s resonant parametric mids, and full blown preset control from your friends at Chase Bliss Audio? The Preamp MKII. Built in collaboration with Chris Benson from Benson Amps, and known around here as the first Automatone.
This baby has variable diode clipping control (transistor only, silicon, and asymmetrical germanium), fuzz you can swap from open to gated, three mids resonance settings with variable routing you can place before or after the preamp, and three banks of ten presets each that give you thirty presets to set at your leisure.
But what’s an Automatone, you ask? It’s a pedal built with motorized faders that adjust automatically – and a little magically – as you cycle through presets. Check out the video below to learn more and see it in action.
Expected release May 2020
Magneto Eric Gales Signature "Raw Dawg" III 2022 - Sunset Gold {Pre-Order}
$1,299.00
Magneto Eric Gales Signature "Raw Dawg" III 2022 - Sunset Gold {Pre-Order} - Limited Availability!
THESE ARE FOR PRE-ORDER ONLY AND WILL SHIP DIRECT TO YOU FROM THE MANUFACTURER! SHIPPING MID-APRIL.
Signature Sonnet Raw Dawg III 2022 will mark 11 years of collaboration between Eric Gales and MAGNETO® Guitars but it will also be a turning point for one of the most gifted guitar players of our time. A new album produced by Joe Bonamassa is about to be released in 2022. The new album will feature original songs written by Eric Gales, LaDonna Gales, James House, Tom Hambridge, Keb Mo, Josh Smith, Joe Bonamassa. And, as we speak theEric Gales Band is already back on stage touring through the USA and hopefully soon all over the world. MAGNETO® guitars has produced several custom versions of the Eric Gales “RawDawg” guitar in the past years, we have always worked on the same type of body and neck combinations but we have tried to add a new feature at every new rendition making it a high grade instrument with a solid price tag. In early 2020, we started to talk about the idea of producing a new Signature guitar that would be made available to a broader audience. We kept on talking with Eric and tried many options and we have also developed specific parts for that guitar. An important part of the plan was to develop a specific range of single coil pickups that would have the dynamics and great midrange response which play an important role in Eric’s guitar tone. The MAGNETO Eric GALES RD3 will feature a basswood body as well as a 3-piece maple neck with a rosewood fingerboard. The first models will be available in Sunset Gold finish and will sport a gold mirror pickguard and backplate, a Gotoh tremolo, Gotoh tuners as well as the new Magneto Metro-Poles EG1 pickups.
SPECIFICATIONS
BODY
Body Wood:Basswood 2-piece
Finish:Polyurethane
Pickguard:Gold Mirror
NECK
Neck Wood:Hard rock Maple
Headstock:Eric Gales Signature
Finish:Satin Urethane
Fingerboard:East Indian Rosewood with inlayed Eric Gales Signature
Scale length:648mm, 25.5”
NUT
Material:Oiled Bone
Nut Width:42mm, 1.650”
Frets:.096” x .047” Narrow Jumbo Style
Frets (6105)
Nr.of Frets:22 frets
Neck Profile:Medium “C” Shape
Radius:12” / 305mm Radius
Neck Heel:Tapered
Truss Rod:Double Truss Rod
Truss Rod Nut:Setting at Headstock with Allen Key
HARDWARE
Bridge:Gold Gotoh Custom Vintage Style Tremolo w/Steel Plate Saddles and Steel Block
Tuners:Gotoh SG-360-07
Gear Ratio 14:1
String Retainer:Gotoh Vintage Style
Neck plate:Custom Engraved “RawDawg” Neckplate
Hardware Finish:Gold
ELECTRONIC PARTS
Pickups:Magneto Metro-Poles Custom EG1 Set
Pickup Switch:Standard Position Switch
Switching:Standard 5-way
Controls:Master Volume, Master Tone
Pots:Audio Taper Pots
Output Jack:Mono Jack
Strings:010-046
Standard Tuning
Bag:Magneto Gig Bag Included
Accessories:Tremolo Arm, Allen Wrench for Bridge Adjustments, Allen Key for Neck Adjustments
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Larrivee P-03 Rosewood JCL Special
$2,624.00
Larrivee P-03 Rosewood JCL Special 1 of 30 pieces made!
Moon Spruce Top
Flame Maple Body Binding
Rosewood Back and Sides
Pyramid Bridge
JCL Headstock Logo
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Guild D-20 Natural
$1,599.99
Guild D-20 Natural Mahogany
The D-20, is a dreadnought acoustic guitar built with solid mahogany top, back, and sides. First introduced to the Guild line in 1968, this model features a rosewood bridge and fingerboard, bone nut and saddle, and an extremely light satin finish that allows this guitar to truly sing. The D-20’s modest appointments include a vintage style rosette and Guild’s peak logo inlaid in mother-of-pearl on the headstock. Each D-20 comes with a hand-signed, numbered certificate of authenticity, and ships with a hardshell case. Available in Natural.
| Body Shape | D - Dreadnought |
| Body Top | Solid African Mahogany |
| Top Bracing Pattern | Scalloped X |
| Soundhole Diameter | 3 7/8" (98mm) |
| Rosette | ABS Ring |
| Top Purfling Inlay | N / A |
| Body Sides | Solid African Mahogany |
| Body Back | Solid African Mahogany |
| Body Binding | N / A |
| Neck Material | Mahogany |
| Scale Length | 25 5/8" (651mm) |
| Neck Shape | C Shape |
| Nut Width | 1 11/16" (43mm) |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 22.5mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Indian Rosewood |
| Fingerboard Radius | 12" (305mm) |
| Fingerboard Inlays | Pearloid Dots |
| Frets Total | 20 |
| Fret Type | Jescar 43080 |
| Color | Natural (NAT) |
| Finish | Satin Nitrocellulose Lacquer |
| Bridge Material | Indian Rosewood |
| Bridge String Spacing | 2 1/8" (54mm) |
| Bridge Pins | Ivory Colored Plastic |
| Saddle Material | Compensated Bone |
| Hardware Finish / Plating | N / A |
| Nut Material | Bone |
| Tuning Machines | Guild Deluxe Vintage Open Gear with Cream Oval Buttons |
| Endpin | Ivory Colored Plastic |
| Pickguard | Tortoiseshell |
| Electronics | N / A |
| Strings | D'Addario EXP16 - Coated Phosphor Bronze Light (.012 - .053) |
| Included Case | Guild Deluxe Humidified Wood Case |
| Upper Bout Width | 11 5/8" (295mm) |
| Lower Bout Width | 16" (406mm) |
| Body Depth Upper Bout | 4" (101mm) |
| Body Depth Lower Bout | 5" (127mm) |
| Body Length | 20" (508mm) |
| Overall Length | 41 3/4" (1061mm) |
Wampler Metaverse Multi-Delay
$349.97
Lose yourself in the Metaverse of tone
The Wampler Metaverse is a powerful studio and stage ready DSP multi-delay pedal with an advanced MIDI command set. Comprising eleven of Brian Wampler’s favorite delays, the Metaverse is a full-featured, small-footprint stomp box that is fully programmable, preset capable, has stereo inputs and outputs, allows full MIDI control, and has an expression input that you can assign to ANY of the parameters.
Just like the Terraform that came before it, the Metaverse is an advanced, feature-packed pedal that allows you to navigate its settings without endless menus on a tiny display. Use the intuitive user interface or a separate MIDI controller to effortlessly traverse Wampler’s Metaverse of rich, expansive delay tones.
Free Plugin suite for registered owners
For the first time ever, we are offering a complete software version of the pedal via a set of 11 AU and VST3 plugins compatible with most popular DAWs - FREE to all customers that register their Metaverse Warranty online (plugin suite is $49.99 if purchased separately).
Eleven Onboard Delay Program
The primary rotary controller selects between the eleven on-board delays, the five common parameter controls adjust the setting for each of the different algorithms. Hold down the left footswitch to access alternate parameters for certain delays and save them as presets. Use a MIDI controller to access every parameter. Choose the delay time length using the tap tempo, send a MIDI global clock signal, or simply use the “Delay” knob - the Wampler Metaverse is one of the most user configurable pedals we have ever made!
1. ANLG - ANALOG STYLE DELAY
Inspired by Brian’s love of the Boss® DM-2® analog delay, we pay respect to its warm and responsive tone and give it that Wampler touch. This is the type of analog delay that would have been used a prolifically in the mid 1980’s.
2. WET - MODULATED ANALOG DELAY
One of the things that Brian loves about the Aqua Puss® analog delay is the chewiness and subtle tape-sounding modulation. We created those characteristics in this setting as a homage to the famed delay.
3. BBD - BUCKET BRIGADE DELAY
Brian always found himself pulling out an old Memory Man® pedal when looking for something inspirational to perform with. This setting draws inspiration from one of the greatest ‘Bucket Brigade’ delay pedals of all time - a circuit from the 1970s that was the first true alternative to tape delay.
4. JET - ANALOG FLANGER DELAY
This is where the team had a little fun. This Program combines the smooth ANLG Program with the unmistakeable whooshing sound of a beautiful additive flanger modulation effect.
5. DOC - WAMPLER ‘THE DOCTOR’
The next regeneration of the Doctor is surely a welcome one and has been modelled in this Program in full. Experience the warm modulated delay tone and trail degradation from one of Brian Wampler’s more experimental delay pedals.
6. FTE - WAMPLER ‘FAUX TAPE ECHO’
This is one of our most popular delay pedals and for good reason. A lot of tape emulation style delays simply add chorus to an existing digital delay circuit. Brian was not satisfied with this approach and re-engineered it to his taste. The result was a pedal that reacted and sounds just like a real tape delay unit with beautiful musical repeats.
7. ETH - WAMPLER ‘ETHEREAL’ DELAY
The Ethereal is Wampler’s famous ‘all-in-one’ digital delay and reverb pedal and this Program recreates the overlaying twin delays present on this pedal. This is not strictly a ‘dual delay’ algorithm but there is a secondary delay layer that adds a new pulsing dimension to the sound.
8. MOD - DIGITAL FLANGER DELAY
Like the JET delay setting, this mixes a gorgeous flange modulation with our crisp and clean DIGI algorithm to add an extra mix of awesome delay and modulation.
9. SPC - SPACE ECHO DELAY
This tape echo style algorithm is a tribute to both the classic Maestro® Echoplex® style delay and the Boss® Space Echo® - with Brian’s unique self-oscillating multi-dimensional take.
10. TAPE - MULTI HEAD TAPE DELAY
Inspired by the tones on classic records utilizing the vintage Binson® Echorec® tape delay, this program emulates one of the most important delay sounds in rock music. With Wampler’s own filtering and saturation style of modulation this gets close to the great sound produced by the classic mechanical unit.
11. DIGI - DIGITAL DELAY
Based on Brian’s tonal interpretation of what was considered the ‘Industry Standard’ digital delay, the TC Electronics® 2290® Dynamic Digital Delay, this program is super clean for precise, clean, and modern delay tones.
Wampler-quality construction
Brian Wampler’s attention to detail and commitment to designing the best and most player-friendly products out there are second to none. Those qualities are on full display within the Metaverse. From its convenient form factor to its flexible controls and full MIDI implementation via TRS jacks, the Metaverse is all Wampler.
- Studio quality conversion 48 kHz Sampling rate with 24-bit audio
- Full 20Hz to 20kHz frequency response
- 11 Studio-quality vintage and modern delay effects designed and realized in-house at Wampler
- Simple user interface making your sound design instantaneous
- All parameters controllable via an outboard expression pedal
- 8 onboard preset locations to save your favorite patches, 128 total via MIDI
- Full MIDI control with CC and PC commands
- True Stereo or Mono I/O
- Complete set of AU and VST3 plugins FREE when pedal registered online
- Pedalboard friendly enclosure with minimal footprint
- Power draw - 9V DC center pin negative, external supply only: 130mA at 9V
- Dimensions: 4.5” x 3.75” x 2.25” (114 x 95 x 56mm) Weight: 2 pounds (910g)
- Includes Wampler’s limited 5-year warranty
- Designed and Built in the USA
UPC: 763815133348
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Eastman SB59/V
$2,239.00
Eastman SB59/V
- Neck Material:One Piece Mahogany
- Fingerboard:Ebony
- Fingerboard Radius:12"
- Nut:Bone 1 11/16
- 1st Fret String Height:.022"
- 12 Fret String Height:Bass .078" & Treble .062"
- Fretwire:Jescar FW47104
- Scale Length:24 3/4"
- Body Dimensions:13" x 1 7/8"
- Body Top:Solid Flame Maple
- Body Back/Sides:1 Piece Mahogany
- Truss Rod:Single Acting
- Binding:Body and Neck
- Binding Material:Ivoroid
- Logo:Pearl Headstock
- Inlay:Pearl Crowns
- Backplates:Black Plastic
- Top Coat Finish:Antique Varnish
- Hardware Color:Aged Nickel
- Tailpiece:Gotoh Relic Series GE101A-NI
- Bridge:Gotoh Relic Series GE-103B-NI
- Tuners:Gotoh Relic SD90
- Knobs:Speed Knobs
- Strap Peg:Gotoh Relic Series EP-A1
- Neck Pickup:Lollar Custom Aged/Wound Imperial Humbucker
- Bridge Pickup:Lollar Custom Aged/Wound Imperial Humbucker
- Pickup Height:3/32"
- Pickup Frame:Cream
- Switch:3 Way Switch
- Capacitors:Sprague Orange Drop
- Potentiometers:CTS 500K Audio Taper
- Output Jack:Switchcraft
- Strings:D'addario NYXL .010 - .046
- Action Height:3/32" and 2/32"
- Case:Hardshell Case
- Weight: 8.35 lbs
Larrivee L-03 Mahogany
$1,723.50
Larrivee L-03 Mahogany
- Back & Sides: Mahagony
- Top: Sitka Spruce
- Neck: Mahagony
- Headplate: Ebony
- Fingerboard: Ebony
- Bridge: Ebony
- Tuners: Larrivee
- Saddle: Bone Compensated
- Nut: Bone
- Bridge Pins: Composite w/ Dots
- Case: Hardshell Flat Top
- Scale Length: 25.5"
- Overall Length: 40.75"
- Upper Bout: 11.625"
- Waist: 10.25"
- Lower Bout: 16"
- Body Depth: 4.75"
- Nut Width: 1-3/4"
- Saddle Spacing: 2-1/4"
- Finish: Satin
- Bracing Pattern: X-Brace
- Neck Joins Body: 14th Fret
- Rosette: Herringbone
- Top Purfling: Multi-Strip
- Body Binding: Maple
- Heel Cap: Maple
- Fingerboard Binding: Maple
- Bridge Style: Standard
- Pick Guard: Tortoise
- Headstock: Inlaid Logo
- Fingerboard: Inlaid Dots
- Bridge: N/A
Walrus Audio Lore Reverse Soundscape Generator
$299.00
Lore Reverse Soundscape Generator
Create the soundtrack to your storybook adventure with the Lore Reverse Soundscape Generator. Made up of five different programs, the Lore is an ambient creation machine built around reverse delay and reverbs. Featuring two DSP chips running in series, each with their own analog feedback path, the Lore takes you on an adventurous journey rich with themes of reversing, time-stretching, pitch-shifting, and vast ambiance.
Once upon a time, in a fairy tale world, there stood a hidden forest. On the eve of every full moon, magical and delicate sounds of light were heard bouncing and reverberating through the trees. These sounds carry artifacts of notes moving backward and stretching through time. They are referred to as... Lore.
Create the soundtrack to your storybook adventure with the Lore Reverse Soundscape Generator. Made up of five different programs, each utilizes different combinations of delay and reverb that feed into each other for time-warping ambient creations. Featuring two DSP chips running in series, each with their own analog feedback path, the Lore takes you on an adventurous journey rich with themes of reversing, time-stretching, pitch-shifting, and vast ambiance.
Analog Feedback Paths:
Having two analog feedback paths allows each program to incorporate a unique mix of affected and unaffected feedback. The two feedback paths interact and build off of each other organically, offering the user a wide array of sounds and behaviors to experiment with.
Programs:
I. Reverse Delay into Reverse Reverb:
Program 1 combines reverse delay with reverse reverb with a focus on organically interacting feedback paths. Space and ambiance build as the signal is reversed, re-reversed, reverberated, and reversed again within the feedback network. Experiment with the X knob to control how reversed your delay trails are with left being least reversed and right being fully reversed. Lots of fun with big, eerie minor chords!
II. Reverse Delay into Octave Up Reverb:
Program 2 is a "light reverb" that combines octave-up harmonic feedback with an expansive, airy, reverb tank to create a breathy, spacious ambiance. Use the Regen knob to introduce a playful shimmer into the reverb decay. Increase the X knob to control the decay of the reverb. It sounds especially great with delicate fingerpicking parts.
III. Reverse Delay into Octave Down Reverb.
Program 3 is a "dark reverb" that combines octave down harmonic feedback with heavy filtering and harmonic distortion, to create a sound that is thick, rich, and murky. Use the Regen knob to bring a lower octave into the reverb decay. Increase the X knob to control the decay of the reverb. Add in some high gain or fuzz to alter the time-space continuum.
IV. Reverse Reverb into Forward Reverb.
Program 4 is a dual reverb program, featuring reverse reverb into forward reverb, Dual harmonic feedback paths allow the user to dial in octave up and octave down, and time stretching allows for control of the size and character of the space. Perfect for instantly transforming guitar into rich ambient pads. Use the Feedback knob to add a lower octave to the reverse reverb. Conversely, use the Regen knob to add an octave up to the reverse reverb decay. Control the decay of the forward reverb with the X knob. To channel all things ambient, experiment with dynamic picking and strumming techniques with the mix fully wet for ethereal drones and pads.
V. Pitch Delay into Pitch Delay.
Program 5 features two "dueling" pitch delays, which shift the input signal up and down in complementary or opposing directions, allowing the user to create intricate harmonic patterns in the feedback network. Behaves like a sequencer at higher delay times and like a harmonizer at lower delay times. Use Feedback and Regen knobs to control various amounts of pitched delay repeats. Use the X knob to change the order of the 4th, 5th, and octave intervals that the pitch delay steps through. Experiment with short staccato notes to create some very interesting rhythmic parts!
Momentary Features:
Dive / Rise - Holding down the tap tempo switch will momentarily shift the clock rate of the pedal down or up and will hold it at that rate for as long as the switch is pressed. The direction of the dive can be changed by simply pressing bypass and tap simultaneously. A green LED over tap will indicate rise is set and a blue LED will indicate that dive is set.
Modulation:
The Mod knob will control the amount of modulation applied to the wet signal. Holding down bypass and adjusting the Mod knob will adjust the modulation rate. The bypass LED will blink to show your set mod rate.
Victory V4 The Copper Guitar Amp
$999.00
NEW! V4 The Copper Guitar Amp
Combining a V4 preamp with a 180-Watt power section and on-board Two notes DynIR technology , all the Copper tone in a small box.
DESCRIPTION
The Copper is British inspired chime and blues in our V4 power amp pedal! Four valves in the front end, 180-watt power section, two channels, reverb and Two notes technology. Only 1.7kg / 3.75lbs – all the Copper tone in a small box!
The V4 Copper amp delivers all-valve clean and overdrive, the footswitchable treble boost brings in a gain boost and creates creamy valve overdrive and sustain. It’s the amp for that classic British jangle!
All-valve preamp sound
The V4 Copper has an all-valve preamp section with 1 x EC900 and 3 x CV4014 valves running at high plate voltage, this is paired with a solid state power section.
Treble Boost
Designed to be like a gain boost, this treble boost circuit helps to push the V4’s front end to create creamy valve overdrive and sustain. The non treble boost side goes from clean through to slightly pushed, both sides have their own volumes controls.
Reverb
Lush sounding digital reverb gives you ambience aplenty. Run it low for a subtle feeling of space, or max it out for washy, splashy hugeness! The reverb is foot-switchable using a TRS cable (sold separately).
Two notes Technology
Two notes Audio engineering Torpedo-embedded DynIR Virtual Cabinet technology is onboard the Copper. The Cab Sim XLR makes is super easy to take you Victory virtual cabinets anywhere. The presets have been created by Chris Buck for the Copper.
Series Effects Loop
Sits between the preamp and power amp. Run your time-based effects here for maximum clarity.
Balanced Line Out and Headphone Out
Send a direct feed to a separate speaker simulator, front of house or wherever you like. Can be used with or without a speaker connected. The inbuilt headphone output makes silent practice quick and easy.
9V DC Power Output
Want to power some extra pedals and stick this on your board? We’ve included a 9V DC centre-negative output that will put out a maximum of 500mA. This is more than enough for the vast majority of drives, fuzzes and analogue delays and so on.
VRC – Valve Response Circuit
The idea behind this little piece of the circuit is to mimic what a “resonance” or “thump” (other adjectives are available!) control does in the power amp of a valve amp. So with the V.R.C (™) circuit you get closer to how a valve power section should feel but in a tiny amp you can throw in your backpack and still get up to 180 watts of power!
Three-Band EQ
Powerful bass, middle and treble controls to shape your tone. These also have an effect on the gain character and drive levels – just like in any valve guitar amp.
TWO NOTES TECHNOLOGY
Straight out of the box you have access to six presets created by Victory artist Chris Buck. These have been specifically created by Chris for the V4 Copper guitar amp. There are ten Victory virtual cabinets included with the amp and a collection of microphones and positions to choose and build your own presets. All this can be accessed by plugging the V4 Copper guitar amp into your computer, via Torpedo Remote (download for free from the Two notes website) – this is also where you access the power amp modes, rooms, studio-grade EQ and audio enhancer. Register your device with Two notes to gain access to a further two Two notes DynIR cabs.
THE STORY OF THE V4 AMP VALVES!
The V4 amps have some interesting valves in them, to be specific 3 CV4014’s and 1 EC900. The CV4014’s were made in 1981 in the Mullard factory in England and then stored in a climate-controlled atmosphere deep underground,the depot was part of a cold-war nuclear bunker! They lay there until we decided to design some products from them!
The EC900 were made by E.I (Elektronska Industrija) in the former Yugoslavia under license from Phillips and Mullard, they were produced to an incredibly high standard so much so, we have included a 2-year valve warranty on the V4 amps.
TECH SPEC
- FORMAT::
Guitar amplifier head
- PREAMP VALVES::
1 x EC900, 3 x CV4014
- POWER OUTPUT::
180W @ 4 ohms (approx 90W @ 8 ohms, 45W @ 16 ohms)
- POWER REQUIREMENTS::
Mains IEC
- SIZE::
258(w) x 174(h) x 105mm(d) inc feet & knobs
- WEIGHT::
1.7kg (3.75lbs)
- EXTRA FEATURES:
- Aluminium chassis
- Reverb
- Two notes Cab Sim Technology with 6 position preset control
- Three band EQ
- Series FX loop
- Balanced DI out on TRS 6.3mm jack
- Additional 9V DC power outlet for pedals etc (maximum total current 500mA, centre-negative)
Benson Preamp Flower Child Limited Edition
$249.00
Benson Preamp Flower Child Limited Edition
We call this our Preamp because it is! The circuit is based on the our Chimera 30 watt guitar amplifier, but substitutes FET transistors for the vacuum tubes. The result is an extremely amp-like and versatile clean boost/overdrive/fuzz pedal that imparts rich harmonics and a very musical EQ to your signal chain…truly a Chimera in a box!
Power requirements:
9VDC Boss style adapter or battery 50ma
Controls: Gain, Volume, Treble, Bass.
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Guild Surfliner Sunset Orange
$449.00
vintage-inspired electric with offset appeal
Influenced by the iconic heritage and eccentric shapes of vintage Guilds, the all-new Guild Surfliner compliments the brand lineage by combining classic styling with modern features in an offset, solid-body electric. Available in Sunset Orange, Catalina Blue, and White Sage, the Surfliner features an entirely new solid body platform that crosses subtle offset styling with the vintage lines of 1960s and 1970s Guilds.
One of Guild’s few electric models to feature a 25.5” scale length and bolt-on neck, the combination pairs nicely with a Guild LB-1 “Little Bucker” in the bridge position and all-new DeArmond Aerosonic single coils in the middle and neck positions. Premium pickups give the Surfliner a wide array of tones, from crisp and jangly to thick and full when overdriven.
Voicings are driven by the Guild Rocker Pickup Switching System, featuring an on/off switch for each pickup, allowing a total of seven pickup combinations. Rounded out with a master volume and tone, medium jumbo frets, 3-ply pickguard, and a Guild logo resurrected from the 1980s.
| Body Type | Solid Body |
| Body Shape | Guild Surfliner |
| Body Top | N / A (Solid Body) |
| Body Wood (Solid Bodies) | Poplar |
| Soundhole / F Holes Binding | N / A |
| Body Sides | N / A (Solid Body) |
| Body Back | N / A (Solid Body) |
| Purfling | N / A |
| Body Binding | N / A |
| Neck Material | Maple |
| Scale Length | 25 1/2" (648mm) |
| Neck Shape | C Shape |
| Nut Width | 1 11/16" (43mm) |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 23mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Maple |
| Fingerboard Radius | 10" (254mm) |
| Fingerboard Inlays | 5mm Dots - Black ABS |
| Fingerboard Inlay Location | 3, 5, 7, 9, 12 (x2), 15, 17, 19, 21 |
| Frets Total | 23 |
| Fret Type | Narrow Jumbo |
| Fingerboard Binding | N / A |
| Color | Sunset Orange ORG |
| Bridge String Spacing | 2" (50mm) |
| Hardware Finish / Plating | Nickel Plated |
| Bridge | Tune-O-Matic |
| Tailpiece | Sting-Thru Ferrules |
| Nut Material | Composite |
| Tuning Machines | Guild Vintage Style Inline Nickel |
| Strap Buttons | Vintage Style |
| Pickguard | Surfliner HSS 3-Ply White/Black/White |
| Bridge Pickup | Guild LB-1 Bridge Pickup |
| Neck Pickup | DeArmond Aerosonic Single Coil Pickup Neck Nickel/Black |
| Pickup Switch | Bridge Pickup - ON/OFF, Middle Pickup - ON/OFF, Neck Pickup - ON/OFF |
| Controls | Master Volume and Tone, 3 x Rocker ON/OFF Pickup Switches |
| Strings | D'Addario EXL115 Nickel Wound, Medium (.011 - .049) |
| Included Case | Case Sold Separately |
| Upper Bout Width | 11" (280mm) |
| Lower Bout Width | 13 5/8" (346mm) |
| Body Depth Upper Bout | 1 1/2" (38mm) |
| Body Depth Lower Bout | 1 1/2" (38mm) |
| Body Length | 18" (457mm) |
| Overall Length | 41" (1041mm) |
Guild Surfliner Catalina Blue
$449.00
vintage-inspired electric with offset appeal
Influenced by the iconic heritage and eccentric shapes of vintage Guilds, the all-new Guild Surfliner compliments the brand lineage by combining classic styling with modern features in an offset, solid-body electric. Available in Sunset Orange, Catalina Blue, and White Sage, the Surfliner features an entirely new solid body platform that crosses subtle offset styling with the vintage lines of 1960s and 1970s Guilds.
One of Guild’s few electric models to feature a 25.5” scale length and bolt-on neck, the combination pairs nicely with a Guild LB-1 “Little Bucker” in the bridge position and all-new DeArmond Aerosonic single coils in the middle and neck positions. Premium pickups give the Surfliner a wide array of tones, from crisp and jangly to thick and full when overdriven.
Voicings are driven by the Guild Rocker Pickup Switching System, featuring an on/off switch for each pickup, allowing a total of seven pickup combinations. Rounded out with a master volume and tone, medium jumbo frets, 3-ply pickguard, and a Guild logo resurrected from the 1980s.
| Body Type | Solid Body |
| Body Shape | Guild Surfliner |
| Body Top | N / A (Solid Body) |
| Body Wood (Solid Bodies) | Poplar |
| Soundhole / F Holes Binding | N / A |
| Body Sides | N / A (Solid Body) |
| Body Back | N / A (Solid Body) |
| Purfling | N / A |
| Body Binding | N / A |
| Neck Material | Maple |
| Scale Length | 25 1/2" (648mm) |
| Neck Shape | C Shape |
| Nut Width | 1 11/16" (43mm) |
| Neck Thickness 1st Fret | 21mm |
| Neck Thickness 9th Fret | 23mm |
| Truss Rod | Dual Action |
| Truss Rod Wrench | 4mm Allen Key |
| Fingerboard Material | Maple |
| Fingerboard Radius | 10" (254mm) |
| Fingerboard Inlays | 5mm Dots - Black ABS |
| Fingerboard Inlay Location | 3, 5, 7, 9, 12 (x2), 15, 17, 19, 21 |
| Frets Total | 23 |
| Fret Type | Narrow Jumbo |
| Fingerboard Binding | N / A |
| Color | Catalina Blue (CLB) |
| Bridge String Spacing | 2" (50mm) |
| Hardware Finish / Plating | Nickel Plated |
| Bridge | Tune-O-Matic |
| Tailpiece | Sting-Thru Ferrules |
| Nut Material | Composite |
| Tuning Machines | Guild Vintage Style Inline Nickel |
| Strap Buttons | Vintage Style |
| Pickguard | Surfliner HSS 3-Ply White/Black/White |
| Bridge Pickup | Guild LB-1 Bridge Pickup |
| Neck Pickup | DeArmond Aerosonic Single Coil Pickup Neck Nickel/Black |
| Pickup Switch | Bridge Pickup - ON/OFF, Middle Pickup - ON/OFF, Neck Pickup - ON/OFF |
| Controls | Master Volume and Tone, 3 x Rocker ON/OFF Pickup Switches |
| Strings | D'Addario EXL115 Nickel Wound, Medium (.011 - .049) |
| Included Case | Case Sold Separately |
| Upper Bout Width | 11" (280mm) |
| Lower Bout Width | 13 5/8" (346mm) |
| Body Depth Upper Bout | 1 1/2" (38mm) |
| Body Depth Lower Bout | 1 1/2" (38mm) |
| Body Length | 18" (457mm) |
| Overall Length | 41" (1041mm) |
Used Taylor 324ce V-Class Grand Auditorium Acoustic Electric
$1,749.99
Pre-owned Taylor 324ce V-Class with original case and paperwork. A 2019 model year. In very good condition, the frets and finish are both in very nice shape. The frets show light wear in the open chord position unde the B string mostly, but very lightly. The finish is in great shape too. The bottom side has one light scratch, and the top has a few very small pinhead sized indentations. Overall, in very good condition!
324ce
6-String | Tropical Mahogany Top | Tasmanian Blackwood Back and Sides | Tropical Mahogany Neck | West African Crelicam Ebony Fretboard | Expression System® 2 Electronics | Venetian Cutaway | Taylor Deluxe Hardshell Brown Case
The 324ce blends an adaptable sound with rich tonal character and a pleasing, comfortable feel. This Grand Auditorium acoustic-electric boasts solid Tasmanian blackwood back and sides along with a mahogany top, resulting in a bold midrange response with a warm low end and strong focus on the fundamental note, offering workhorse utility that's especially strong in recording scenarios. You'll hear incredible volume and sustain from the V-Class bracing inside, and with the slender Taylor Neck and Venetian cutaway, you'll feel comfortable no matter what style of music you play. Topped off with a dark edgeburst finish, this model ships with ES2 electronics and a hardshell case.
Tasmanian Blackwood
Blackwood produces a strong volume, with a focused midrange and rich top-end shimmer.
Highlights
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Scale Length 25-1/2"
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Bracing V-Class Bracing
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Pickguard Black
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Tuners Satin Black
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Strings Phosphor Bronze Light
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Body Width 16"
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Nut & Saddle Black Tusq Nut, Micarta Saddle
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Truss Rod Cover Black Plastic
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Number of Frets 20
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Case Taylor Deluxe Hardshell Brown
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Body Length 20"
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Body Depth 4 5/8"
Used Greenhouse Effects Logos
$129.99
Pre-owned Greenhouse Effects Logos with box with velcro
LOGOS / CHORUS VIBRATO & MULTI MODULATOR
Play on the edge between Order and Chaos.
Inspired by the philosophical concept, the LOGOS was designed to let you have many classic chorus/vibrato sounds and also introduce chaos into your playing at the time and intensity you desire.
Pitch shifting, multiple voices, LFO, feedback, envelope detection, waveforms, distortion and even reverb are blended together and rearranged to make 48 different combinations of new sounds. A new interface has been designed to let you navigate through all the possibilities, including multi-purpose controls, hidden features, expression pedal input and the new DSS (Dual Switching System) for instant Chaos at will.
Order Mode: Classic chorus with up to 8 cascading voices, normal to extreme depth, DSS: Noise. Hidden feature: Automated rate.
Chaos Mode: 8 chaotic modes of pitch modulation, envelope LFO, waveforms and double voice. DSS: Max Depth
Logos Mode: 8 combinations of modulated intervals, octave up/down, 5th intervals, flanger-like modulation at lower settings, and reverb for an angelic organ-like chorus on top of your dry signal. DSS: Noise. Hidden feature: LFO off
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Used Gretsch G5260 Baritone Jade Gray Metallic
$439.99
Pre-owned Gretsch G5260 Baritone, very good shape, with Gretsch Baritone Gig Bag.
G5260 ELECTROMATIC JET BARITONE WITH V-STOPTAIL
The all-new G5260 Electromatic Jet Baritone with V-Stoptail captures essential Jet power and fidelity at sub-sonic levels.
The Jet Baritone rattles foundations with dual Gretsch® mini humbucking pickups that capture thundering lows while retaining a piano-like articulation and definition for intoxicating sonic size and width at every level of gain. Simple tone-shaping is provided by a three-position toggle switch as well as master volume and master tone controls.
An elongated 29 ¾”-scale accommodates lower tunings without loss of string tension, while the sturdy bolt-on maple neck is topped with a comfortable 12” radius laurel fingerboard featuring 22 medium jumbo frets.
Other premium features and appointments include an anchored Adjusto-Matic™ bridge, pearloid Big Block inlays, white binding with purfling and chrome hardware.
Crafted with unmistakable Gretsch sound, style and playability, the G5260 Electromatic Jet Baritone with V-Stoptail shines in Jade Grey Metallic with silver pickguard.
Product Specs
Used Gretsch G6136TG-LH Players Edition White Falcon Hollow Body Left-Handed
$2,999.99
Pre-owned Gretsch G6136TG-LH Players Edition Falcon Hollow Body with String-Thru Bigsby and Gold Hardware, Left-Handed. 8.05 lbs, 2021 year model. In absolute mint condition. Hard to tell that it was ever even played. Comes with original Gretsch case, case key, truss rod wrench. Frets and finish look untouched! Very rare to see one of these models come up used, especially this recent and clean.
The world’s greatest hollow body guitars just got even better. Designed for the working professional, our all-new Players Edition Hollow Body instruments feature authentic Gretsch sound and style while incorporating cutting-edge features for maximum power, comfort and versatility.
The G6136TG-LH Players Edition Falcon™ Hollow Body with String-Thru Bigsby® and Gold Hardware is one of the most desired guitars in history. From the classic standout aesthetics to the deep, complex sound, this top-notch performer is ideal for lefties looking to elevate their musical game and make a statement. When you sling a Falcon over your shoulder and plug in, you’re announcing to the world you’re serious about your playing and plan to leave a mark.
The all-new FT-67 Filter’Tron™ humbucking pickups were designed to capture authentic vintage Gretsch voicing but with a more well-rounded tone for modern playing styles. This powerful pair of pickups provide open and pristine top-end chime, glassy midrange, robust low end and balanced harmonics for tone that blends seamlessly with other instruments. The innovative Gretsch “ML” bracing delivers huge hollow body sound from the comfortable 2.5”-deep maple body. The control complement — separate bridge and neck volume controls, three-way pickup toggle switching, no-load master tone and master volume — allows for infinite tonal variations. Our “Squeezebox” paper-in-oil capacitor adds smooth vintage tone while the all-new treble bleed circuit lets your guitar retain all of its tasty clarity when rolling the volume control down.
A 12”-radius ebony fingerboard with rolled edges and 22 medium jumbo frets top a 25.5”-scale maple neck with a comfortably familiar standard “U”-shaped profile for fluidly easy playing, while Luminlay® side dots offer precision fretting in low-light settings. The Bigsby B6GP vibrato tailpiece and Adjusto-Matic™ bridge combine with the Graph Tech® TUSQ® XL nut for maximum tuning stability. The Bigsby tailpiece is now string-through, making it quicker (and easier) to change strings, as well as providing increased vibration transfer for enhanced sustain.
Boasting powerful sound and stage-ready tonal flexibility, this Falcon presents total sophistication — from the White gloss urethane finish to the gold Grover® Imperial™ locking tuning machines and gold jeweled G-arrow control knobs, to the gold sparkle bound neck, body and F-holes, to the striking pearloid Neo-Classic™ thumbnail inlays and gold vintage thick plexi pickguard with Gretsch and Falcon logos. A bold visual and sonic statement, the left-handed G6136TG-LH Players Edition Falcon Hollow Body with String-Thru Bigsby and Gold Hardware updates the archetypical hollowbody electric guitar for modern players who demand distinction from themselves — and their tools.
Hardware
Body
Electronics
Used Gibson Les Paul Studio- Smokehouse Burst
$1,200.00
Pre-owned Gibson Les Paul Studio- Smokehouse Burst, pickguard has some light pick marks, back has very light surface level scratches. Frets show very little play. Mostly perfect condition, comes with original Gibson gig bag and accessories.
The Essential Les Paul
The Les Paul Studio embodies the essential Les Paul features with enhancements for playability and tonal versatility. The rosewood fingerboard and slim taper mahogany neck provide effortless playability and comfort. The 490R and 498T pickups provide tight, high-output humbucking performance and the two push-pull pots offer additional coil-tapping options. Now available in Smokehouse Burst.
The latest advancement in maintaining tone with weight relief
Ultra-Modern Weight Relief was developed through a slight yet carefully calculated offsetting of the chambers around the perimeters of the guitar's body to further lighten the load, without degradation in tone. It’s engineered to provide a solid core through the center of the guitar to retain the classic Les Paul sound. Unlike a full chambered design it is less prone to feedback or affecting the tonality and resonance of the guitar.
Body
Neck
Hardware
Electronics
Miscellaneous
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