Yamaha Pacifica PAC612VIIFMX Electric Guitar Fired Red
$649.99
YamahaPacifica PAC612VIIFMX Electric Guitar - Fired Red
PAC600 Series
First launched in 1990, the Pacifica Series was driven by the California session scene of the day where versatility, performance and individuality were key. Inspired by those custom shop guitars and that original vision, Pacifica 600 models represent todays embodiment of the Pacifica concept.
Graph Tech String Saver Saddles on Hardtail Models
Paired with Yamahas original steel bridgeplate on Pacifica 611H/HFM models, these self-lubricating saddles reduce string breakage while offering balanced tone and increased sustain.
Graph Tech TUSQ Nut and String Trees
TUSQ XL is precision-engineered to couple the string vibration to the neck, bringing out richness and harmonics. The Teflon-impregnated material eliminates string binding, and helps to insure tuning stability, even with wide bends.
Grover Locking Tuners
These tuners offer additional pitch stability by reducing string slippage especially for guitars equipped with a vibrato bridge without sacrificing fast string changes.
Seymour Duncan Pickups in Two Configurations
All current Pacifica 600 models feature a TB-14 Custom 5 humbucker in the bridge position, for full tone with a scooped midrange, and a coil tap for additional versatility. PAC611 models pair this with an SP90-1 for vintage soapbar tone, and PAC612 models use SSL-1 single-coils in the middle and neck positions for authentic 1950s chime.
Wilkinson VS50 6 Vibrato Bridges
Precision-machined zinc saddles are matched with hardened steel and a knife-edge baseplate for a responsive feel and stable tuning.
Seymour Duncan Custom 5 TB-14 and SSL-1 Pickups
Graph Tech TUSQ Nut and String Trees
Grover Locking Tuners
Wilkinson VS50 Vibrato Bridge
Alder Body with Flame Maple Veneer Top
Maple Neck with Rosewood Fingerboard
H/S/S Pickup Configuration with 5-Position Selector
Push-Pull, Coil-Split Switch for Additional Tonal Options
PRE-ORDER OPEN NOW! SHIPPING ESTIMATE: MID/LATE MARCH.
HX Stomp Expanded
HX Stomp™ XL is a professional-grade amp and effects processor that delivers HXTM modeling in a performance-ready pedal with eight capacitive-touch footswitches. The same SHARC® DSP chip found in our flagship Helix® products enables the HX Stomp XL pedal to run up to eight processing blocks simultaneously, and the assignable footswitches let you access and control those blocks in powerful ways, making it flexible enough for use in nearly any application. Use HX Stomp XL as a “super stompbox,” a backup or travel rig, an add-on tone expander with other modelers, a professional-quality audio interface, or even a complete guitar or bass rig. The HX Stomp XL processor’s Command Center functionality, MIDI capabilities, and external expression pedal jack also make it an ideal master controller for your entire setup.
HX Stomp XL comes loaded with more than 300 amps, cabs, and effects, including world-class polyphonic pitch-shifting effects. The 128 factory presets include vintage and modern sounds, and there are also presets created specifically for bass players, as well as individual bass amp and cab models.
Additional features include a choice of true bypass and DSP bypass with trails, a stereo effects loop to integrate external devices or employ 4-Cable Method, a jack for two external footswitches or an expression pedal, third-party IR support, and a multichannel 24-bit/96kHz USB audio interface. The free HX Edit app lets you create, save and load presets, and customize nearly all pedal parameters. It’s also a preset librarian, IR loader, and more.
The power of HX Stomp-now with eight footswitches
Exceptional sound quality with 123dB of dynamic range
Features the same SHARC DSP chip and HX Modeling as Helix processors
Eight capacitive-touch footswitches with color-coded LED rings
More than 300 HX and legacy amps, cabs, and effects—up to 8 simultaneous
Supports third-party impulse responses (IRs)
World-class polyphonic pitch-shifting effects
Split/parallel signal paths for maximum routing flexibility
Dual expression pedal/footswitch input for greater creative control
The HX Stomp amp and effects processor was already the leading device in its class—but with five additional footswitches, HX Stomp XL greatly expands its real-time performance capabilities. Use HX Stomp XL as a “super stompbox,” a backup or travel rig, an add-on tone expander with other modelers, a professional-quality audio interface, or even a complete guitar or bass rig. The HX Stomp XL processor’s Command Center functionality, MIDI capabilities, and external expression pedal jack also make it an ideal master controller for your entire setup.
AUTHENTIC MODELING
HX modeling digitally mirrors the circuitry of analog amps and effects, component by component. Every model sounds and feels realistic, including such notoriously hard-to-model devices as vintage fuzz and modulation effects. Simply put, the HX Stomp XL amp and effects processor nails the analog vibe.
INTUITIVE OPERATION
Despite its compact size, HX Stomp XL is easy to use, thanks to its simple but powerful controls, color LCD, and eight capacitive-touch footswitches with color-coded LED rings.
PRISTINE AUDIO QUALITY An industry-leading 123dB of dynamic range provides tremendous depth and ultra-low noise. High-quality components guarantee unadulterated audio from inputs to outputs, whether feeding an amp or powered speaker, going direct to FOH, or recording in a professional or home studio.
MAXIMUM FLEXIBILITY
Highly configurable I/O permits such routing schemes as simultaneously feeding an amp and a FOH mixer, employing 4-Cable Method, and re-amping in the studio. External control via MIDI and optional expression pedal or footswitch provide additional flexibility.
Yamaha Pacifica PAC612VIIX Electric Guitar - Teal Green Metallic
$649.99
YamahaPacifica PAC612VIIX Electric Guitar - Teal Green Metallic
PAC600 Series
First launched in 1990, the Pacifica Series was driven by the California session scene of the day – where versatility, performance and individuality were key. Inspired by those custom shop guitars and that original vision, Pacifica 600 models represent today’s embodiment of the Pacifica concept.
Graph Tech String Saver Saddles on Hardtail Models
Paired with Yamaha’s original steel bridge plate on Pacifica 611H/HFM models, these self-lubricating saddles reduce string breakage while offering balanced tone and increased sustain.
Graph Tech TUSQ Nut and String Trees
TUSQ XL is precision-engineered to couple the string vibration to the neck, bringing out richness and harmonics. The Teflon-impregnated material eliminates string binding, and helps to insure tuning stability, even with wide bends.
Grover Locking Tuners
These tuners offer additional pitch stability by reducing string slippage – especially for guitars equipped with a vibrato bridge – without sacrificing fast string changes.
Seymour Duncan Pickups in Two Configurations
All current Pacifica 600 models feature a TB-14 “Custom 5” humbucker in the bridge position, for full tone with a scooped midrange, and a coil tap for additional versatility. PAC611 models pair this with an SP90-1 for vintage soapbar tone, and PAC612 models use SSL-1 single-coils in the middle and neck positions for authentic 1950s chime.
Wilkinson VS50 6 Vibrato Bridges
Precision-machined zinc saddles are matched with hardened steel and a knife-edge baseplate for a responsive feel and stable tuning.
Seymour Duncan Custom 5 TB-14 and SSL-1 Pickups
Graph Tech TUSQ Nut and String Trees
Grover Locking Tuners
Wilkinson VS50 Vibrato Bridge
Alder Body with Maple Neck and Rosewood Fingerboard
H/S/S Pickup Configuration with 5-Position Selector
Push-Pull, Coil-Split Switch for Additional Tonal Options
The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.
Neck Material:Maple
Fingerboard:Rosewood
Fingerboard Radius:12"
Neck Profile:Traditional Even "C"
Nut:Bone 1 3/4"
Fretwire:20 Jescar-FW43080
Scale Length:24.9"
Body Dimensions:15" x 4 1/4" x 4"
Bracings:X-Braced
Body Top:Solid Sapele
Body Back/Sides:Laminated Sapele
Bridge/Saddle:Rosewood/Bone, 2 5/32" Spacing
Rosette:Abalone
Truss Rod:Dual Acting
Binding:Top and Back
Binding Material:Black Plastic
Logo:Maple Headstock
Inlay:Pearl Dots
Side Dot Color:White
Bridge Pins:White Plastic w/black dots
Body Top Finish:Open Pore
Neck/Headstock Finish:Open Pore
Hardware Color:Nickel
Pickguard:Optional Plack Teardrop
Tuners:Ping RM 1171
Electronics:None
Strings:D'Addario .012-.053 #EXP16
Action Height:12th fret 3/32" on the bass side and 2/32" on the treble side
The Morgan 2x12EXT is a 2x12â€, open-back extension cabinet. It utilizes tongue-and-groove Baltic Birch construction to deliver the bass, mid response and great sound you would expect from a Morgan cab. The cab is a fixed baffle 2x12, this is the same construction that you would find from early 60s British speaker cabs and delivers that same classic tone. At the heart of the cab is a Celestion G12H-75 Creamback 16 Ohm speaker. Back in the late 60s, the G12H was created by fixing an 'H' type (heavy) magnet to the body of a G12M guitar speaker. Result: a speaker with more power and a different tonal balance: firmer bass and a more pronounced top end. It delivers 75-watts of power handling with ease and has unmistakeable G12H tone, with a tighter low end than the G12M-65 Creamback and a punchier, more dynamic high end. The H magnet brings additional focus, body and girth to the Creamback tone. It thickens single notes, resulting in a highly articulate, vocal character. These additional characteristics mean that the G12H-75 Creamback offers exceptional performance when used for lead guitar. The Morgan G12H-75 Cereamback loaded cabinet gives you the best of clean chime while still having the authority to deliver the dynamic punch that overdriven tones need. As with all Morgan cabinets, oversized 12-gauge speaker wire is soldered between the speaker and terminal, assuring you capture every ounce of valuable tone. You will be blown away at just how huge this cabinet sounds! Handwired in the USA.
PRODUCT SPECS
• Open-back extension cabinet • Celestion G12H 12" Creamback speakers • Nominal impedance - 8 Ohms • Multi-ply Baltic Birch construction • Handcrafted in the USA • Limited lifetime warranty • Handwired in the U.S.A.
PRODUCT DIMENSIONS
• Dimensions: 10.5†(D) x 27.75†(W) x 20.75†(H) • Weight 52 lb.
Professional Multi-Pattern USB Microphone for Recording & Streaming
Manufacturer: Blue
Create unparalleled recordings with your computer using Blue's best-selling family of Yeti USB microphones. Thanks to our proprietary tri-capsule technology, Yeti condenser microphones produce pristine, studio-quality recordings with legendary ease. And four different pattern settings offer incredible flexibility so you can record vocals for music, podcasts, Twitch streaming, YouTube videos, or even cryptozoology lectures in ways that would normally require multiple microphones. Whether you're recording at home, on the road, or in the Himalayas, Yeti helps you produce studio-quality recordings every time.
Don’t step onstage without the Ernie Ball Volt Power Supply. For musicians on the move, this ultra-compact, road-ready unit puts a complete powering solution in the palm of your hand. Connect all your favorite digital and analog pedals to multiple high current DC outputs for clean, regulated power. Relax and rely on thermally protected, short circuit-proof design with ultra-low noise operation. When the road calls, the Volt demands a place on your pedalboard.
When your pedals are the heart of your rig, the Ernie Ball Volt is the one-stop solution. It couldn’t be easier to plug the Volt into the venue’s outlet and feed power to every analog or digital pedal on your board via the five 9 or 18 volt DC outputs. And while direct outlet power is often inconsistent, the Volt provides your pedals with far cleaner, fully regulated power with complete electrical isolation. Lose the frustrating buzz from your audio, and ensure your signature sound is always ready to go, with crystal-clean powering to everything from classic wahs to modern overdrives.
Practical and flexible, the Ernie Ball Volt keeps up with even the hardest-touring modern musician. Measuring just 90 x 59 x 23mm, this ultra-compact power supply is smaller than a pack of Slinkys, so it fits almost anywhere on even the busiest pedalboard. When touring internationally, you can plug the Volt into virtually any outlet – from the US and UK to the EU and China – using the universal AC adapter. And when the house lights go down, the Volt’s LED indicators give you the status of each input/output at a glance, so you never miss a beat. There’s even the option of daisychaining multiple Volt units, so your setup stays streamlined, even when your sound evolves.
The Ernie Ball Volt is a power supply you can rely on, even in the heat of the gig. Constructed with tough shielded housing, this unit takes the punishment of duty on your pedalboard and never misses a show. Thermally protected and short circuit-proof – with ultra-low noise operation that won’t compromise your tone – the Volt lets you forget about your rig and focus on your performance.
Open the pearly gates! Danelectro® launched this in 1959, naming it the “Deluxe”. A huge understatement! This hot reissue features our Vintage 50’s Lipstick® Pickups, adjustable bridge, front and back binding, pointer knobs, and Gotoh® vintage 15:1 tuners.
Pre-owned Fender Custom Vibrolux Reverb RI. In very good condition, with just minor scratches and blemishes on the tolex. The grille has some light discoloration in a few spots. The tilt-back legs have been removed and are not included. The speakers have both been upgraded to Eminence Ragin Cajuns, and the originals are not included. No footswitch or cover included.
The Custom Vibrolux® Reverb is more a modern interpretation of a classic Fender® rather than a reissue; connoisseurs call it a "little Vibro-King™." Turn it up when you want to soar, or turn your guitar down to play clean with this super-responsive 40-watt all-tube amp. The more dynamic your style, the more you'll love its ability to whisper or scream in response to changes in your pick attack. Features include dual 6L6 Groove Tubes® output tubes, five 12AX7 preamp tubes, one 12AT7 tube, two independent channels (normal and bright), reverb and vibrato (both channels), 4-ohm external speaker jack, two-button footswitch and tilt-back legs.
Paul Reed Smith Silver Sky John Mayer Signature Model Golden Mesa
Pre-owned with gig bag. Mint/like new condition.
The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based on one of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart. Some of the more distinctive specifications include the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash. Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use). The Silver Sky comes in four colors with distinctive accents on PRS’s trademark lower horn scoop.
Body Wood: Alder Finish Type: Polyester base coat, Acrylic urethane top coat # of Frets: 22 Scale Length: 25.5″ Scale Neck Wood: Maple, scarf joint Fretboard Wood: Slab Indian Rosewood Neck Shape: 635JM, between a C and a D. Flat back-wide shoulders Nut Width: 1 21/32″ Neck Width at the Body: 2 7/32″ Neck Depth at the Nut: 53/64″ Fretboard Radius: 7.25″ Fret Wire: Tall/Narrow, similar to Dunlop 6230 Inlays: Small birds Nut: Bone Bridge: PRS Gen II style Steel Tremolo with bent saddles String Spacing: 2 9/64″ Tuners: Vintage Style, locking Hardware Type: Nickel Treble Pickup: 635JM, 6.4k output Middle Pickup: 635JM, 6.4k output, reverse polarity Bass Pickup: 635JM, 6.4k output Pickup Switching: One volume, Two Tone, 5 way blade pickup selector Finish: Golden Mesa Case: PRS Silver Sky Gigbag
PRE-ORDER OPEN NOW! SHIPPING ESTIMATE: MID/LATE MARCH.
HX Stomp Expanded
HX Stomp™ XL is a professional-grade amp and effects processor that delivers HXTM modeling in a performance-ready pedal with eight capacitive-touch footswitches. The same SHARC® DSP chip found in our flagship Helix® products enables the HX Stomp XL pedal to run up to eight processing blocks simultaneously, and the assignable footswitches let you access and control those blocks in powerful ways, making it flexible enough for use in nearly any application. Use HX Stomp XL as a “super stompbox,” a backup or travel rig, an add-on tone expander with other modelers, a professional-quality audio interface, or even a complete guitar or bass rig. The HX Stomp XL processor’s Command Center functionality, MIDI capabilities, and external expression pedal jack also make it an ideal master controller for your entire setup.
HX Stomp XL comes loaded with more than 300 amps, cabs, and effects, including world-class polyphonic pitch-shifting effects. The 128 factory presets include vintage and modern sounds, and there are also presets created specifically for bass players, as well as individual bass amp and cab models.
Additional features include a choice of true bypass and DSP bypass with trails, a stereo effects loop to integrate external devices or employ 4-Cable Method, a jack for two external footswitches or an expression pedal, third-party IR support, and a multichannel 24-bit/96kHz USB audio interface. The free HX Edit app lets you create, save and load presets, and customize nearly all pedal parameters. It’s also a preset librarian, IR loader, and more.
The power of HX Stomp-now with eight footswitches
Exceptional sound quality with 123dB of dynamic range
Features the same SHARC DSP chip and HX Modeling as Helix processors
Eight capacitive-touch footswitches with color-coded LED rings
More than 300 HX and legacy amps, cabs, and effects—up to 8 simultaneous
Supports third-party impulse responses (IRs)
World-class polyphonic pitch-shifting effects
Split/parallel signal paths for maximum routing flexibility
Dual expression pedal/footswitch input for greater creative control
The HX Stomp amp and effects processor was already the leading device in its class—but with five additional footswitches, HX Stomp XL greatly expands its real-time performance capabilities. Use HX Stomp XL as a “super stompbox,” a backup or travel rig, an add-on tone expander with other modelers, a professional-quality audio interface, or even a complete guitar or bass rig. The HX Stomp XL processor’s Command Center functionality, MIDI capabilities, and external expression pedal jack also make it an ideal master controller for your entire setup.
AUTHENTIC MODELING
HX modeling digitally mirrors the circuitry of analog amps and effects, component by component. Every model sounds and feels realistic, including such notoriously hard-to-model devices as vintage fuzz and modulation effects. Simply put, the HX Stomp XL amp and effects processor nails the analog vibe.
INTUITIVE OPERATION
Despite its compact size, HX Stomp XL is easy to use, thanks to its simple but powerful controls, color LCD, and eight capacitive-touch footswitches with color-coded LED rings.
PRISTINE AUDIO QUALITY An industry-leading 123dB of dynamic range provides tremendous depth and ultra-low noise. High-quality components guarantee unadulterated audio from inputs to outputs, whether feeding an amp or powered speaker, going direct to FOH, or recording in a professional or home studio.
MAXIMUM FLEXIBILITY
Highly configurable I/O permits such routing schemes as simultaneously feeding an amp and a FOH mixer, employing 4-Cable Method, and re-amping in the studio. External control via MIDI and optional expression pedal or footswitch provide additional flexibility.
G2220 ELECTROMATIC® JUNIOR JET™ BASS II SHORT-SCALE BASS
The Electromatic® Junior Jet Bass with classic Gretsch® appointments is easily capable of filling a room with massive subsonic tones. That Great Gretsch Sound!™ rings true along with features including shorter scale (30.3”), two Gretsch mini dual-coil pickups, rosewood fingerboard with 20 medium jumbo frets, four-saddle bridge, black pickguard with Gretsch logo, synthetic bone nut and die-cast tuners.
Model Name
G2220 Junior Jet™ Bass II, Rosewood Fingerboard, 30.3" Scale, Black
Model #
2514620506
Series
Gretsch® Electromatic® Collection
Country Of Origin
CN
Color
Black
Body
Basswood
Body Finish
Gloss Urethane
Body Shape
Jet™
Neck Material
Maple
Neck Finish
Gloss Urethane
Scale Length
30.3" (770 mm)
Fingerboard
Rosewood
Fingerboard Radius
12" (305 mm)
Number of Frets
20
Frets Size
Medium Jumbo
String Nut
Synthetic Bone
Nut Width
1.56" (39.68 mm)
Position Inlays
Dot
Bridge Pickup
Gretsch® Mini Humbucking
Neck Pickup
Gretsch® Mini Humbucking
Controls
Master Volume, Master Tone
Pickup Switching
3-Position Toggle: Position 1. Bridge Pickup, Position 2. Bridge And Neck Pickups, Position 3. Neck Pickup
Gretsch G6119TG-62RW-LTD Limited Edition '62 Rosewood Tenny with BigsbyNatural
$2,599.99
G6119TG-62RW-LTD LIMITED EDITION '62 ROSEWOOD TENNY WITH BIGSBY AND GOLD HARDWARE
A nod to the early era of rock ‘n’ roll, the G6119TG-62RW-LTD Limited Edition ‘62 Rosewood Tenny with Bigsby® and Gold Hardware is a solid performer with the standout sound and stunning style that have made Gretsch a household name. Highly resonant with rosewood top, back and sides, the unique voice of this guitar cuts through any mix, standing out from the crowd with That Great Gretsch Sound!™
A pair of rich-sounding TV Jones® TV Classic™ humbucking pickups creates unmistakable vintage snap and guttural growl with lively response, reflecting the natural voice of the guitar. Parallel tone bars connect the top and back of this guitar for authentic vintage tone. Traditional Gretsch controls—individual pickup volume controls, master volume, standby switch and the classic three-position tone switch—allow you to blend and shape the pickups’ sound, creating countless tonal variations. With the new Gretsch “Squeezebox” paper-in-oil capacitors, you get incredibly silky vintage high end. A “rocking” bar bridge with pinned rosewood base reacts in tandem with the Bigsby B6 vibrato tailpiece for stable tuning while the vintage-style bone nut lets the strings slide freely without binding in the slots. The standard “U”-shaped maple neck bears a 12”-radius rosewood fingerboard with 22 vintage small frets for a classic playing experience that works with any style.
An exquisite instrument inspired by one of guitar’s greatest eras, the G6119TG-62RW-LTD Limited Edition ‘62 Rosewood Tenny with Bigsby® and Gold Hardwarefeatures the classic aesthetics true Gretsch fans love—gold G-arrow control knobs and Grover® Sta-Tite™ open-back tuning machines, aged white binding with black purfling, aged pearloid Neo-Classic™ thumbnail inlays, rosewood headcap, durable gloss urethane finish and black pickguard with Gretsch logo.
Fully hollow build with rosewood top, back and sides
Rosewood headcap
Set maple neck for effortless access and performance
Aged white body binding with black purfling
Simulated F-holes
12”-radius rosewood fingerboard with 22 vintage small frets and pearloid Neo-Classic™ thumbnail inlays
TV Jones® TV Classic™ humbucking pickups
Master volume, individual pickup volume controls, standby switch and three-position master tone toggle switch
Bigsby® B6G vibrato tailpiece
Rocking bar bridge with pinned rosewood base
Bone nut
Gold hardware
Available in a Natural finish with matching headstock and black pickguard
Model Name
G6119TG-62RW-LTD Limited Edition '62 Rosewood Tenny with Bigsby® and Gold Hardware, Rosewood Fingerboard, Natural
3-Position Toggle: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup
Pickup Configuration
Filter'Tron™ / Filter'Tron™
Auxiliary Switching
3-Position Master Tone Switch: Position 1. Medium Level, High Frequency Roll Off, Position 2. Switch Out of Circuit, Pickup Wide Open, Position 3. Slight Level, High Frequency Roll Off, 3-Position Standby Switch
Gretsch G5410T Limited Edition Electromatic Tri-Five Hollow Body Single-Cut with Bigsby Two-Tone Fiesta Red/Vintage White
$899.99
With dapper two-tone finishes, matching “Caddy V”-inlay headstocks, chrome hardware and more, the all-new G5410TLimited Edition Electromatic® Tri-Five Hollow BodySingle-Cut with Bigsby is a pure and powerful Gretsch tone machine that captures the snazzy old-school swagger of the classic Bel Air rides of the 1950s. Like all Electromatic guitars, Tri-Five models deliver the fearless electrifying tone that has immortalized Gretsch as the quintessential rock guitars from the very beginning.
Loud, proud and resonant, the G5410T is fully hollow, with a pure Filter’Tron™ voice bursting with power, punch and rip-roaring late-’50s snap.
Premium features include a thinner body (2.5”) for maximum playing comfort, 12”-radius rosewood fingerboard with pearloid Neo-Classic thumbnail inlays, dual Black Top Filter’Tron humbucking pickups with pearloid inserts, versatile controls including master volume with treble bleed circuit, master tone, individual pickup volume knobs and three-way pickup toggle switch, oversized bound F holes, smaller late-’50s G6120 bound headstock, Graph Tech NuBone nut, Adjusto-Matic bridge with secured rosewood base and a Bigsby B60 vibrato tailpiece.
Boasting that ’50s California high-end vibe, the G5410T is decked out in a radiantly cool finish—Two-Tone Fiesta Red and Vintage White with vintage white pickguard.
It’s the sound of honor itself—ride and play proud.
Thinner 2.5” maple body
Arched maple top and back with maple sides with sound post bracing
White binding and black/white/black purfling
12”-radius rosewood fingerboard with 22 medium jumbo frets and pearloid Neo-Classic thumbnail inlays
Dual Black Top Filter’Tron humbucking pickups with pearloid pickup inserts
Versatile upgraded controls including master volume with treble bleed circuit, master tone, individual pickup volume controls and three-position pickup toggle switch
Oversized bound F-holes
Graph Tech NuBone nut
Vintage-style open back tuning machines
Secured Adjusto-Matic bridge with rosewood base
Bigsby® B60 vibrato tailpiece
G-arrow knobs
Chrome hardware
Available in Two-Tone Fiesta Red and Vintage White
Color matched bound headstock with “Caddy V” head inlay
Model Name
G5410T Limited Edition Electromatic® Tri-Five Hollow Body Single-Cut with Bigsby®, Rosewood Fingerboard, Two-Tone Fiesta Red/Vintage White
What is The Amp? First and foremost, it’s a 50W Guitar amplifier. The preamp is based around a single 12AX7 running at high voltage in a discrete Class A circuit. The tube preamp reacts with a guitar the same way any tube amplifier does: it generates harmonics and the sweet sounding high fidelity tone that tubes are known for. Along with tube EQ. there is on-board reverb and tremolo effects so that The Amp can be used as a grab and go amplifier. Foot switches for bypassing the effects are built in. A Class D power section delivers 50 watts into 8ohms, or 100 watts into 4ohms. The Speakon combination jack for speaker output takes either a standard 1/4” connection or a locking Speakon connector for extra security.
The Amp has an integrated headphone amplifier which sounds identical to the output from a speaker. This is perfect for practice, auditioning pedals, or for those times when noise is not appropriate. The Amp can operate with no speaker attached so it can live on a pedalboard and go wherever the pedals go. Speaking of travel, The Amp has a universal IEC power input. It can run from 100 to 260 VAC. No matter where it is on Earth, it can be plugged into a wall socket and used with no need for additional power accessories.
How about a compact studio quality tube preamp? The internal XLR output delivers a balanced line level output. There is no modeling or simulation involved, no menus or presets to give option anxiety. It is very straightforward and simple to get great tone from the tube preamp of The Amp and use it as the front end for a modeling system, recording setup, or for playing direct on stage.
The Amp also has “pedal level” output where it can be used as the front end of a pedal board or as an amp like effect on the back end of a pedal board. There is no substitute for the marriage between a magnetic guitar pickup and the first stage of a tube amplifier, and this is something that is missing with modern pedal board setups. Using The Amp in front of a pedal chain will add harmonics and tube musicality to the entire signal chain starting right where it matters most: between a guitar pickup and the grid of a tube.
Using The Amp further down the signal chain creates unique tonal possibilities. It plays well with pedals, and it can add extra EQ or reverb to an existing amplifier. The Amp can drive the input of an amplifier as an extra tube gain stage. It can be a backup for a vintage amp needing service, or used in place of anemic backline gear on your travel gig. At 2.5lbs, and with so many different uses, The Amp may be your new best friend.
The Amp 100 is the new high power addition to The Amp model line that set the standard for pedalboard sized tube/Class D hybrid guitar amps in 2018. Maximum wattage has been increased to 100w and an integrated FET boost circuit and dual control reverb has been added. A black finish with Walnut end panels and silver knobs completes the new look.
In the Amp 100, an internal FET boost starts at unity gain and can work as an ‘always on’ EQ sweetener, subtly boosting midrange frequencies, or as a powerful drive pushing the 12AX7 tube into full saturation. The boost sits between the triodes of the preamp tube. Placing the boost internally preserves interaction between the instrument input and the first tube stage, and also increases headroom so that The Amp 100 can still work well with external drive and boost pedals.
The Amp 100 has a dual control reverb system, adding a control for decay time as well as reverb blend. The decay control ranges from a short room like reverb sound to a full tank spring splash with classic drip.
The Amp 100 shares all of the great features of The Amp : a studio quality line output with cabinet simulation, pedal level output, headphone output and universal power.
The F-Stop brings two effects found in vintage American tube amplifiers into one pedal. The combination of a tube driven spring reverb with pulsating "bias" tremolo was first introduced in the early 1960s and has become a standard sound for guitar players and other instrumentalists ever since.
The F-Stop has been designed to bring classic tube amplifier effects into a small package that runs off of a 9VDC pedal power supply. Internally, the F-Stop has 18v of headroom so it can live as comfortably at the end of your signal chain as it does at the beginning. The spring portion of the pedal is digital, but the guitar signal path and tremolo circuit is 100% analog.
The sound of bias tremolo and spring reverb is unmistakable, and the F-Stop uses modern electronics to achieve an authentic recreation of these effects with similar circuit topography as found in tube amplifiers.
SPECS
9VDC Power Input @200mA
Rear trim pot for Tremolo output level
Independent switching of Reverb and Tremolo effects
Victory Sheriff 44 Guitar Amplifier Head (44 Watts)
$1,699.00
Sheriff 44
Classic British overdrive, Victory-style
Expect 1960s-style blues rock to ’70s and ’80s
heavy rock and beyond...
This dual-channel, EL34-powered amp is all about classic British overdrive sounds. Blues-rock players will love the mid-’60s-style feel and response of Input/Volume I, with enough gain to sing but also clean up well off the guitar. Input/Volume II takes off into hot-rodded ’70s and ’80s territory and beyond, retaining that classic British 'plexi' sound all the way. With selectable fixed or cathode biasing, The Sheriff 44 is for players who want ultimate 'plexi' tone that's also real-world usable.
Sheriff 44 key features & specification
Format: Dual-channel head
Power:
High Power: 45 watts high power/fixed bias
30 watts high power/cathode bias
6 watts low power fixed or cathode bias
Valves: 4 x 12AX7, 2 x EL34
Size (mm): 480(w) x 235(h) x 235(d) including handle, feet & controls
Weight: 12.5kg / 27.5lbs
Extra features:
Footswitchable modes 'Volume I' & 'Volume II'
High- and low-power output modes
Series effects loop with hard bypass
Selectable fixed- or cathode bias operation
External bias test points and adjustment
Slip cover included.
Single-button footswitch for channel change included
Following up on the success of the COMBINATA and MONDATA comes the latest addition to the Rivolta family: The REGATA VII. The tradition of offering fresh takes on classics continues with this sleek, offset semi-hollowbody design from Dennis Fano.
Designed with comfort and playability in mind, the REGATA VII features a mahogany frame and weight-relieved mahogany center-block sandwiched between a pressed maple top & back. The comfortable chunky C+ profile mahogany neck feels great in the hand and the 25” scale offers optimal string tension. The 24 medium jumbo frets offer an extended range rarely seen on the semi-hollowbody platform. The result of these design elements is an extremely lightweight, versatile instrument. A pair of our PAF inspired “Brevetto” humbuckers offer familiar, vintage inspired tones perfectly suited to genres ranging from jazz to blues, rock and beyond.
Other features include our new 2-tier peghead design, , signature vintage perloid inlays and custom designed f-holes highlighting elements from the Rivolta logo.
Following up on the success of the COMBINATA and MONDATA comes the latest addition to the Rivolta family: The REGATA VII. The tradition of offering fresh takes on classics continues with this sleek, offset semi-hollowbody design from Dennis Fano.
Designed with comfort and playability in mind, the REGATA VII features a mahogany frame and weight-relieved mahogany center-block sandwiched between a pressed maple top & back. The comfortable chunky C+ profile mahogany neck feels great in the hand and the 25” scale offers optimal string tension. The 24 medium jumbo frets offer an extended range rarely seen on the semi-hollowbody platform. The result of these design elements is an extremely lightweight, versatile instrument. A pair of our PAF inspired “Brevetto” humbuckers offer familiar, vintage inspired tones perfectly suited to genres ranging from jazz to blues, rock and beyond.
Other features include our new 2-tier peghead design, , signature vintage perloid inlays and custom designed f-holes highlighting elements from the Rivolta logo.
The COMBINATA XVII is the evolution of a design with which followers of Dennis Fano should be very familiar. The larger and slightly offset body give the COMBINATA a shapely silhouette and more substantial feel. The chambered mahogany body features a German carve top ( mahogany on solid colors, maple on burst / natural ). The 25″ scale maple set-neck sports a comfortably chunky “Rivolta C+” profile, with 24 medium jumbo frets, bound / full width inlayed fingerboard and a Deusenberg Les Trem II.
FEATURES & SPECS
chambered mahogany body
German carve top (mahogany on solid colors, maple on burst / natural)
