Third Man - Coppersound Triplegraph Digital Polyphonic Octave Pedal
$399.99
THIRD MAN TRIPLEGRAPH | COPPERSOUND PEDALS & JACK WHITE | DIGITAL POLYPHONIC OCTAVE PEDAL
One Pedal Per Customer Please. Duplicate Purchases will be refunded.
Shipping on August 11th. This pedal is not eligible for free shipping.
– State of the art, triple function, digital octave pedal designed by CopperSound Pedals & Jack White
– Octave down, octave up, killswitch, and auxiliary FX loop
– Zero-latency tracking, high-power DSP Engine Technology
– Independent latching & momentary options for both octaves
– Custom designed, proprietary, indestructible Telegraph Keys for effortless effect triggering
– Engineered for foot and hand use
A NEW, STATE OF THE ART DIGITAL OCTAVE PEDAL
The Triplegraph is a digital octave pedal designed by CopperSound Pedals and Jack White, featuring three proprietary telegraph keys and an integrated auxiliary loop. Utilizing a high-power DSP Blackfin Processor, Triplegraph triggers an octave down with the left key, octave up with the right key, while the middle key activates a killswitch or auxiliary loop. In KILL mode, the middle key acts as a momentary killswitch, allowing the player to remove their dry signal and attain a fully wet octave up and/or down when used in conjunction with the octave keys. In AUXILIARY mode, the player can connect one or more of their favorite effects in parallel with the octaves via the send/return jacks, and trigger them in momentary bursts. The high and low octaves can be triggered in parallel with the dry signal when the octave keys are pressed independently. The octaves themselves track seamlessly with zero latency, and can be triggered in latching or momentary modes, using our “Loctave” toggle switches. The telegraph keys themselves are composed of custom stainless steel and aluminum components, making them indestructible and exceedingly durable for both hand and foot operation. Over four years in the making, the collaborative result is an innovative, state of the art clean-tracking octave pedal, capable of standing its own against industry standards.
Tech Specs:
Power Consumption:
Standard 9V (2.1mm x 5.5mm) center negative power supply. Triplegraph requires at least 250mA of available current and has internal polarity protection. If power is lost, Triplegraph will automatically revert to bypass, allowing unaffected audio to still pass through. Please do not underpower this device.
In/Out & Send/Return Jacks:
Standard 1/4-inch Instrument Cables
Gretsch G2220 Junior Jet Bass II, Black
$299.99
G2220 ELECTROMATIC® JUNIOR JET™ BASS II SHORT-SCALE BASS
The Electromatic® Junior Jet Bass with classic Gretsch® appointments is easily capable of filling a room with massive subsonic tones. That Great Gretsch Sound!™ rings true along with features including shorter scale (30.3”), two Gretsch mini dual-coil pickups, rosewood fingerboard with 20 medium jumbo frets, four-saddle bridge, black pickguard with Gretsch logo, synthetic bone nut and die-cast tuners.
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Victory V212-VV Vertical Cabinet with Celestion Vintage 30s
$999.00
V212-VV
2 x 12 Compact Vertical Extension Speaker Cabinet: Celestion Vintage 30
IDEAL FOR: A portable powerhouse rig when paired with V30 The Countess, V130 The Super Countess, VX The Kraken, BD1 and RD1 . When you hear one, you'll realise why plenty of former 4x12 fans have ditched their quad boxes for these.
SPEAKER CHARACTERISTICS: The Vintage 30 is a very efficient (100dB), relatively powerful, large-magnet (Ceramic, 50 ounce) 12-inch driver. Clear highs, projecting upper mids and strong bottom end make it a favourite with players who like modern gained sounds and/or high headroom cleans with minimal speaker breakup/distortion. Despite the name, we find it less 'vintage' sounding for medium gain/classic rock than either of the Celestion Creamback drivers in our other cabs. The high sensitivity/efficiency rating makes the absolute most of every watt you throw at it so your amp will sound 'louder' compared to using a Creamback 65.
It's a great choice if you want maximum power, punch, clarity and headroom.
Power handling: 120 watts
Impedance: 16-ohms
Speakers: 2 x Celestion Vintage 30
Size (mm): 485(w) x 700(h) x 295(d)
Weight: 50.7lbs/23kg
Colour: Black, includes slip cover
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Victory V212S Cabinet W/ Celestion Vintage 30's
$1,099.00
V212S
2 x 12 Extension Speaker Cabinet: Celestion Vintage 30
IDEAL FOR: A big-box, traditional 2x12 for our Handwired Series heads.
SPEAKER CHARACTERISTICS: The Vintage 30 is a very efficient (100dB), relatively powerful, large-magnet (Ceramic, 50 ounce) 12-inch driver. Clear highs, projecting upper mids and strong bottom end make it a favourite with players who like modern gained sounds and/or high headroom cleans with minimal speaker breakup/distortion. The high sensitivity/efficiency rating makes the absolute most of every watt you throw at it, creating a massive tone in this big-box, closed-back 2x12. Projection and volume? Here it is.
Power handling: 120 watts
Impedance: 8-ohms
Speakers: 2 x Celestion Vintage 30
Size (mm): 738(w) x 543(h) x 355(d)
Weight: 70.5lbs/32kg
Colour: Black
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Victory Sheriff 44 Guitar Amplifier Head (44 Watts)
$1,799.00
Sheriff 44
Classic British overdrive, Victory-style
Expect 1960s-style blues rock to ’70s and ’80s
heavy rock and beyond...
This dual-channel, EL34-powered amp is all about classic British overdrive sounds. Blues-rock players will love the mid-’60s-style feel and response of Input/Volume I, with enough gain to sing but also clean up well off the guitar. Input/Volume II takes off into hot-rodded ’70s and ’80s territory and beyond, retaining that classic British 'plexi' sound all the way. With selectable fixed or cathode biasing, The Sheriff 44 is for players who want ultimate 'plexi' tone that's also real-world usable.
Sheriff 44 key features & specification
Format: Dual-channel head
Power:
High Power: 45 watts high power/fixed bias
30 watts high power/cathode bias
6 watts low power fixed or cathode bias
Valves: 4 x 12AX7, 2 x EL34
Size (mm): 480(w) x 235(h) x 235(d) including handle, feet & controls
Weight: 12.5kg / 27.5lbs
Extra features:
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Footswitchable modes 'Volume I' & 'Volume II'
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High- and low-power output modes
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Series effects loop with hard bypass
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Selectable fixed- or cathode bias operation
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External bias test points and adjustment
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Slip cover included.
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Single-button footswitch for channel change included
GFI System Rossie
$199.00
About the Product
Rossie is a dynamic multi-filter pedal, encompassing 3 essential tone-enriching filter effects:
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Envelope Filter - a colorful resonant filter that follows your picking dynamics
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Step Filter - a groovy, arpeggiated filter with fully adjustable steps.
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Manual Filter - great for static tone shaping or sweepable wah-like effect using an expression pedal.
Specification
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Input impedance : 1 MOhm.
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Output impedance : 1K Ohm.
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DAC / ADC resolution : 24 bits.
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Current consumption : ~110 mA.
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Weight : 0.6 Kg (1.6 lbs).
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Dimension : 12 (L) x 7.2 (W) x 5.5 (H) cm
Key Features
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3 select filter algorithms.
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2 presets
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4 knobs with button
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Intuitive interface with LCD screen.
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Mono input and output.
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Expression pedal and tap-tempo input.
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Momentary action supported.
Jackson JS Series Dinky Arch Top JS22 DKA Metallic Blue
$199.99
Jackson JS SERIES DINKY ARCH TOP JS22 DKA
Description
Swift, deadly and affordable, Jackson JS Series guitars take an epic leap forward, making it easier than ever to get classic Jackson tone, looks and playability without breaking the bank.
The JS Series Dinky™ Arch Top JS22 DKA has a poplar or nato (Natural Oil only) body with arched top, bolt-on maple speed neck with graphite reinforcement and a 12”-16” compound-radius bound amaranth fingerboard with 24 jumbo frets and pearloid sharkfin inlays.
A pair of Jackson high-output humbucking pickups with ceramic magnets cranks out clear tone with plenty of girth, and can be shaped with a three-way toggle switch and single volume and tone controls.
This model also features all-black hardware including a synchronized fulcrum tremolo bridge, standard strap buttons and die-cast tuners.
Delivering more for less, the JS22 DKA is available in Metallic Blue
Neck
Body
Hardware
Electronics
J. Rockett Clockwork Echo
$399.00
J Rockett Clockwork Echo
Designed in conjunction with Howard Davis (Creator of the original Deluxe Memory Man). This is old school meets new school. Classic BBD delay chips that are digitally controlled for tap tempo only. True stereo output (One side out of phase) (2) Expression pedal inputs to control Time and Repeats. Foot switchable modulation with speed and depth. “Always On” boost which can be used whether the delay is engaged or not. Experimenting with the modulation controls will get you chorus, rotating speaker and flange sounds. This is as musical as an echo can get, go from lush long delays to amazing room like slap back echoes. Repeats can be set short enough to achieve chorus/flange sounds and long enough for crazy long repeats into oscillation if you so desire.
CONTROLS:
MIX – Use this to blend your dry signal with your wet signal. The wetter the mix the more apparent all functions are. You will find the perfect blend for your needs but don’t be afraid to go over the top.
LEVEL – Use this to control the pedal’s output level. This function works even if the delay is not engaged giving you a very nice push. The delay will always stay relative to the volume output so you will not have an out of balance mix between the two
TIME – Use this to control the delay time from almost imperceptible (which creates chorus and Leslie sounds) all the way to 600ms of delay for the long lush sounds.
REPEATS – Use this to control the amount of repeats. Go from one repeat all the way to crazy oscillation.
MODULATION: This is a very powerful feature that can achieve pretty amazing sounds. Set the repeats to the shortest (All the way lef) set the delay time as well to its shortest setting (all the way left) and then start playing with the speed and depth. You can find some amazing chorus sounds, Leslie sounds and a bunch of craziness in between. If you use this feature in its typical fashion you can achieve the lush wow and flutter of an old tape echo or remove the modulation altogether. We made this feature foot switchable so you can bring it in on the fly and take it out just as fast.
SPEED – Use this to control the speed of the vibrato
DEPTH – Use this to control the depth of the vibrato
INPUTS AND OUTPUTS: GUITAR INPUT – Mono input STEREO OUTPUTS – Lef and right outputs – the delayed notes are true stereo not dual mono so one side is out of phase. This does not affect your dry signal EXPRESSION PEDAL INPUTS – There are two expression pedal inputs one to control repeats and one to control delay time. We prefer to us the BOSS EV-5 or it’s respective like.
Weight per item – 2 lbs.
Milkman 20 Watt Creamer Custom Shop Walnut
$3,749.00
Milkman 20 Watt Creamer Custom Shop Walnut
I design amps based on my own experience and needs, and when it came time to design the Creamer, I wanted to find a balance between a perfectly voiced guitar tone with a fair amount of power and portability. Everyone loves low power vintage amplifiers, but sometimes I need a bit more power, reliability, and headroom on the gig. In studio, the Creamer is virtually silent when idle. Its the ultimate refinement and alternative to the vintage small format amplifier.
I wanted the Creamer to be very versatile so I included a cathode bias circuit so that the user can easily substitute 6L6 or 6V6 output tubes with no need to rebias the output tubes. I have added a rear mounted switch to maintain an 8ohm speaker output regardless of which tube type used.
With 6V6 the Creamer puts out about 20 watts into 8ohms and has sweet breakup. Put a pair of 6L6s in, flip the switch on the rear panel and you get a bit of more low end, subtler mids, and a touch more headroom.
The tremolo circuit in the Creamer is unique and sounds outstanding. It is harmonically rich, deep, and has a very useful range of speed.
Greenback Speaker
WATTAGE
18-22W Class AB
EFFECTS
Tube tremolo and spring reverb
Includes handwired original design detachable footswitch and 15' cable
Gretsch G6228TG Players Edition Jet BT Cadillac Green
$2,599.99
Gretsch G6228TG Players Edition Jet BT in Cadillac Green
The all-new G6228TG Players Edition Jet™ BT with Bigsby® and Gold Hardware gives you powerful overdrive and shimmering cleans at the stomp of a switch.
Chambered Mahogany Bodies — Thick and Acoustically Rich
Each Jet BT begins with a select 1.85” mahogany body with maple top that produces a strong, balanced mid-range, while the chambered body delivers a smooth attack and extended bandwidth that is remarkably wide and harmonically rich.
Broad’Tron™ BT65 Pickups – Power & Fidelity
This powerful platform is fueled by all-new Gretsch Broad’Tron™ BT65 pickups. Designed by the famed Tim Shaw, the BT65 meticulously captures the guitar’s sonic palette and reproduces powerful mids, extended lows and an exceptionally clear, yet smooth high end. The result is the perfect mixture of wall-shaking power and full-spectrum fidelity that delivers unparalleled overdrive and shimmering cleans — all at the stomp of a switch.
Players Edition Comfort, Control & Performance
Responding to players’ need for increased comfort, the Jet BT features a lowered neck set that greatly improves fret-hand mobility while also giving the picking hand a closer approach, increasing comfort and accuracy. Our new full-access rolled cutaway and tapered heel allows the free access to upper frets without awkward pivoting or palm obstruction. This sleek design remains hidden, preserving a vintage aesthetic – a critical feature that is meant to be felt, not seen.
The Jet BT also comes equipped with additional Players Edition features that give you total control of your tone and performance, including no-load master tone pot with Squeezebox™ paper-in-oil capacitor, master volume with treble bleed circuit and individual pickup volume controls.
- The select mahogany body with maple top has modern chambering for a thick sonic profile that is astoundingly rich and acoustically resonant
- Mahogany neck
- 12”-radius ebony fingerboard with 22 medium jumbo frets and mother of pearl Big Block inlays
- All-new Broad’Tron™ BT65 pickups amplify the body’s tone and meticulously reproduce its sonic power and full-spectrum fidelity
- No-load master tone pot with Squeezebox paper-in-oil capacitor and master volume with treble bleed circuit give you complete tonal flexibility and control
- Anchored Adjusto-Matic™ bridge
- String-thru Bigsby® B7 vibrato tailpiece
- Full-access rolled cutaway, Gotoh® locking tuning keys, Graph Tech® TUSQ® XL nut and strap locks for ultimate tour-worthy comfort and performance
- Available in Cadillac Green with black pickguard and gold hardware
- Includes hardshell case
Greer Lamplighter Optical Compressor
$219.99
Greer Lamplighter Optical Compressor
Enclosure Dimensions (in): 4.77" x 2.6" x 1.39"
Power: 9 volt neg. center pin ONLY.
Current draw: 13mA.
The very idea for the Lamplighter Optical Compressor is rooted in legendary tone and studio lore. The Lamplighter is the result of countless hours of tweaking, listening, and tweaking again. The idea is pretty simple—provide compression that doesn’t “step” on your tone like other compressors do, make it as transparent as possible, with a low noise floor, while allowing the effect to be present, and provide options that musicians the world over have asked for. This is Greer Amps’ answer to the question of wide-ranging, useable compression for all musicians. After listening to studio compressors for years, we’ve often wondered why we couldn’t find something to get the smooth and subtle compression that we hear in the studio, on a pedal board. Now we know that it can be done. Your new favorite compressor is here, and you’re going to love it.
The controls on the Lamplighter provide the user the ability to have subtle or intense compression. The use of both the Compression and Comp Mix controls allow for a multitude of “sweet spots” with different settings. Add the release toggle into the mix, and you suddenly have a compressor with the flexibility of a contortionist. The Treble control can push the tonal range into shimmery, squashed out heaven. Overall, this compressor is hard to beat, and you will not want to turn it off.
The Lamplighter features top jacks, runs off of 9 volts only (do NOT try to run this pedal off of higher voltages than 9 volts).
- Studio grade optical compression
- True Bypass
- Uses 9-Volt standard neg. center, 2.1mm power supply.
- PEAK CURRENT DRAW: Below 50mA
- Built with top quality components
- Lifetime Warranty to the original owner!
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Source Audio Collider Delay & Reverb
$349.00 – Sold Out
Source Audio Collider Delay & Reverb
Design complex soundscapes in seconds with the Collider Delay+Reverb. We hand-picked 12 standout delay and reverb effects from our award winning Nemesis Delay and Ventris Dual Reverb, and put them together in one compact housing with massive power and dead simple control. The Collider’s intuitive control surface makes it easy to mix-and-match any two-engine combination of delay and reverb. Dual footswitches provide individual Engage/Bypass control over each effect, making it a perfect choice for live performance.
The Collider offers an exceptional collection of rich, spacious tones, including realistic reproductions of vintage Analog, Tape, and Oil Can Delays, classic models of Spring and Plate Reverb, natural replications of large and small acoustic spaces, and an intriguing and highly musical selection of “unnatural” tones including a tripped-out Reverse Delay and an other-worldly Shimmer Reverb.
Collider takes supremely high-end delay and reverb effects and offers them in a sleek and powerful design with massive processing muscle and clean functionality. The Collider features two completely independent 56-bit signal processors, essentially housing a high-powered reverb AND a high-powered delay pedal in a single box. This means that it is possible to create magnificent tones with any two-effect combination of delay/reverb, delay/delay, or reverb/reverb.
This extremely versatile pedal offers a long list of useful features, including analog dry through, stereo inputs and outputs, the option of true or buffered bypass, 8 user presets (or 128 with MIDI), full MIDI functionality, delay tap tempo, reverb hold (a.k.a. "freeze"), external expression capabilities, external preset switching capabilities and extra editing and signal routing options via the Neuro Desktop and Mobile App Editors.
12 Hand-Picked Delay + Reverb Engines:
Room Reverb: The ROOM engines capture the ambient reverberations of a real acoustic space. The ROOM engine can summon a variety of room sizes from a warm and intimate household room to a larger theatre sized space.
Hall Reverb: Patterned after the lush sounds of studio rack units from the 80s, the HALL L engine is distinguished by its highly diffuse tones and glorious blooming characteristic.
True Spring Reverb: Source Audio’s Chief Scientist, Bob Chidlaw, worked long and hard to perfectly capture the sweet idiosyncrasies of a vintage spring reverb tank. The result is an exceptionally realistic effect with the unmistakable “drip” heard in vintage spring reverb equipped amplifiers.
Plate Reverb: This authentic sounding reverb engine is a spot-on simulation of the highly diffuse effect synonymous with vintage plate reverb units of the 50s and 60s.
Shimmer Reverb: This pitch shifting reverb engine mixes traditional room sounds with octave-up reflections for an angelic reverb effect.
E-Dome Reverb: The cavernous E-DOME (a.k.a. “Enormo-Dome”) produces long, lush reverb trails that linger for days. Invoke the sound of massive, arena settings with the Ventris Reverb’s largest room simulation. This one is huuuuge.
Swell Reverb: Creates smooth, amorphous volume swells. This engine applies a volume swell effect to your instrument’s dry signal, which is then fed into the reverb effect for super-long and ambient clouds of sound. This effect is great for creating soft, atmospheric chord pads.
Digital Delay: A pristine and unfiltered digital repeats.
Analog Delay: This delay engine reproduces the characteristic dark sound of bucket brigade analog delays.
Tape Delay: A detailed re-creation of classic moving-head tape delays. Repeats are bandwidth limited and have artifacts characteristic of tape delay, such as filtering, preamp saturation, noise, wow and flutter.
Reverse Delay: A classic reverse tape sound that became popular in 60s psychedelic rock. The TONE knob can create several overlapping reversed delays that fade in and fade out regularly to create a pulsing tremolo effect.
Oil Can Delay: This is a dark, jangly, warbling and distorted delay inspired by old oil can designs that previously appeared in the “Extended Delay Engines” on the Nemesis.
Milkman One Watt Plus Combo - Vince Fawn Custom Tolex
$2,099.00
Milkman One Watt Plus Combo, Custom Vince Fawn Tolex, Jupiter Alnico Speaker. The One Watt Plus amplifier adds more to the popular One Watt model.
More Power: The One Watt Plus has a pair of 6V6 tubes running in parallel for 10 watts of clean power, and 18 watts of harmonically rich overdriven power. Onboard power scaling drops the amp from 10 watts down to 1 watt so you can get the grind at bedroom volume with no change in tone.
More Speaker: Available as a 12" combo, the One Watt Plus can move as much or as little air as you want it to. A bigger cabinet translates into more overall power. The Jupiter small magnet ceramic is transparent with a scooped sound. Upgrade to a Celestion Alnico Blue, and this amplifier becomes a rock box with added midrange focus and punch.
More Class: The One Watt Plus has true Class A, single ended design. Both 6V6 power tubes run in parallel for a very dynamic and touch sensitive playing experience rich with even order harmonics.
Jupiter Alnico 12" has a classic American alnico magnet sound. A bit less transparent in the upper midrange, this speaker adds a "woody" tone. Its lively on top, and a bit more focused in the bass response than the Greenback. The speaker starts to break up and add alnico character as the amp is pushed. Its the most efficient of the 3 speaker options.
Like all Milkman amplifiers, the One Watt is hand wired onto a turret board with Mercury Magnetics transformers and Jupiter Capacitors standard. It is built into a custom aluminum chassis and housed in a Pine cabinet.
WATTAGE
10W Class A
SPEAKER
12” 50W Alnico Jupiter Speaker, 8 ohm
EFFECTS
Voltage Controlled Power Scaling
DIMENSIONS & WEIGHT
20" W x 16" H x 9-1/2" D 25lbs
Milkman Five Watt Half Pint Combo - Two Tone Silver Custom Tolex
$2,699.00
Milkman Five Watt Half Pint Combo, Custom Two Tone Silver Tolex, Jupiter Alnico Speaker
The Half Pint was designed to be the most versatile low power amplifier possible. Reverb and tremolo and Class A single ended breakup are just the start of what this little amp can do. With the onboard voltage controlled power scaling, you can turn this amp up to 10 and dial it back to just a fraction of a watt so that your fun zone is volume appropriate for just about anywhere.
This amp is comfortable on stage, in studio, and at home. Because of the variable power, you can set it how you like and adjust the power level for the room.
The power section of this amplifier consists of a single 6V6 power tube biased to class A. The front end is similar to the Creamer, with extended headroom reverb and tremolo.
Four speaker options help tailor the Half Pint to your unique style:
Celestion Greenback 12" is a transparent sounding speaker. Bright, Lively, and efficient. This speaker has a big bottom even at low volume. This speaker has very little breakup and does not color the amp when driven.
Jupiter Alnico 12" has a classic American alnico magnet sound. A bit less transparent in the upper midrange, this speaker adds a "woody" tone. Its lively on top, and a bit more focused in the bass response than the Greenback. The speaker starts to break up and add alnico character as the amp is pushed. Its the most efficient of the 3 speaker options.
VSOP Alnico 12" is warm, buttery smooth, and slightly less "loud" feeling than the other Alnico options. Its very good for getting the full tone from the amp without disruptive volume levels.
Celestion Alnico Blue 12" takes the Pint in a different direction. This speaker is very mid forward with little midrange scoop. The top is bright, and the bass response is the tightest out of the three options. This speaker starts to break up when the amp is driven hard. When the amp is overdriven, the Blue is extremely reactive shedding low end and pushing the midrange further into the fun zone.
The amplifier is hand wired onto a turret board with Mercury Magnetics and Jupiter capacitors are standard equipment.
WATTAGE
5W Class A
SPEAKER
12” 50W Alnico Jupiter Speaker, 8 ohm
EFFECTS
Tube tremolo and spring reverb
Includes handwired original design detachable footswitch and 15' cable
DIMENSIONS & WEIGHT
19-7/8" W x 16" H x 9-1/2" D 28lbs
Milkman Ten Watt Pint Combo - Black Tuxedo Custom Tolex
$2,899.00
Milkman Ten Watt Pint Combo, Custom Tuxedo Tolex, Jupiter Alnico Speaker
The Pint is designed to add a little bit more power to the low power Half Pint circuit. A custom Mercury Magnetics output transformer allows for parallel single ended 6V6 output. The Pint delivers 10 clean watts and 18 snarling overdriven watts when the amp is pushed all the way. Like its little brother, reverb and tremolo and Class A single ended breakup is the name of the game.
How about touch sensitivity and feel? The 5Y3 rectifier coupled with true class A design make the Pint the most touch sensitive Milkman amplifier to date. A pair of 6V6 running in a single ended design piles on scoop after scoop of creamy even order harmonics.
Three speaker options help tailor the Pint to your unique style:
Celestion Greenback 12" is a transparent sounding speaker. Bright, Lively, and efficient. This speaker has a big bottom even at low volume. This speaker has very little breakup and does not color the amp when driven.
Jupiter Alnico 12" has a classic American alnico magnet sound. A bit less transparent in the upper midrange, this speaker adds a "woody" tone to the Pint. Its lively on top, and a bit more focused in the bass response than its ceramic magnet brother. The speaker starts to break up and add alnico character as the amp is pushed. Its the most efficient of the 3 speaker options.
VSOP Alnico 12" is warm, buttery smooth, and slightly less "loud" feeling than the other Alnico options. Its very good for getting the full tone from the amp without disruptive volume levels.
Celestion Alnico Blue 12" takes the Pint in a different direction. This speaker is very mid forward with little midrange scoop. The top is bright, and the bass response is the tightest out of the three options. This speaker starts to break up when the amp is driven hard. When the amp is overdriven, the Blue is extremely reactive shedding low end and pushing the midrange further into the fun zone.
The front end is similar to the Half Pint, with extended headroom, lush spring reverb, and deep output modulating tremolo. The amplifier is hand wired onto a turret board with Mercury Magnetics and Jupiter capacitors standard.
WATTAGE
10W Class A
SPEAKER
12” 50W Alnico Jupiter Speaker, 8 ohm
EFFECTS
Tube tremolo and spring reverb
Includes handwired original design detachable footswitch and 15' cable
Jackson Pro Series Rhoads RR24 Maul Crackle
$1,399.99
PRO SERIES RHOADS RR24 Maul CRACKLE
Jackson's first customer was the legendary guitarist Randy Rhoads, who asked the company to create a model that met the demands of his technically-challenging playing along with visual panache. His famed Rhoads model has continued to evolve ever since in order to meet and exceed the needs of players who came of age listening to his groundbreaking work.
A proud claimant to the throne of high-tech guitars, the Jackson® Pro Series Rhoads RR24 Crackle pairs a basswood body to a through-body maple neck with a pair of graphite rods for reinforcement against the assaults of temperature and humidity. The speedy neck profile is engineered for blazing guitar work, removing any obstacles to fleet-fingered playing and granting easier access to the upper frets. A 12”-16” compound radius bound ebony fingerboard is also engineered for highly technical lightspeed playing—more curved by the nut for comfortable chording, it flattens out as you move up the neck for increasingly fast playing speed and wide bends without fretting out.
Direct mount Seymour Duncan® JB TB-4 bridge and Seymour Duncan ’59 SH-1N neck pickups combine for an incredibly versatile voice, from searing heavy tones with hot-rodded output to creamy leads and thick rhythms with plenty of definition. Three-way pickup toggle switching, single volume and single tone knobs provide flexible tonal control, while the Floyd Rose® 1000 Series double-locking tremolo system allows for distinguished flutters and aggressive dive bombs without losing tuning stability.
The most recognizable of Jackson’s myriad offerings, the Pro RR24 Crackle boasts the familiar aesthetics that keep Jackson axes in high-demand for performing guitarists. From the screaming-metal Maul Crackle finish, pearloid sharkfin inlays, reverse pointed 6-in-line color matched crackle headstock and revolutionary body design, this instrument is very distinctly a Jackson creation.
Jackson guitars don’t just push the envelope, they annihilate it.
Martel Music Dino T-Shirt
$18.99
Cotton short sleeve tee with Martel Music Dino Guitar print.
Guitar shop tee guitar store tshirt t-shirt
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Martel Music Trading Post T-shirt
$18.99
District 100% cotton screen printed tee, black with white print
Guitar store shop tee tshirt t-shirt
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Martel Music Since 2017 T-shirt
$18.99
52% cotton, 48% polyester screen printed tee
Guitar store shop tee tshirt t-shirt
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Martel Music Sunset T-shirt
$18.99
District 100% cotton screen printed tee
Guitar store shop tee tshirt t-shirt
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