$939.99
$1,439.00
$1,659.00
Eastman MD615-GB
The sound hole is the determining factor for the tone of your mandolin. F-Holes are known for a tight treble attack and a percussive chop ideal for loud ensemble settings.
$1,359.00
A cap-less one-piece Okoume mahogany solid body delivers a lightweight playing experience without sacrificing an ounce of tone. The Antique Varnish finish found on both the SB55/v-SB and SB55DC/v brings the guitars’ visual and tonal beauty to the forefront. Our Antique Varnish finish is smoother than lacquer, with the thinner layer of varnish from our violin shop allowing for a fuller, more wide-open resonant sound that gives these instruments a truly unique voice.
$1,439.00
$1,439.00
$2,239.00
$579.99
Pre-owned Fender Standard Jazz Bass from 2002 in Brown Sunburst. Has some small dings and dents, a few on the upper side of the body, and one behind the bridge. Some light surface scratches from normal use. Overall, good condition. Generic gig bag is included.
Our Standard Jazz Bass® guitar incorporates many Fender® "firsts," such as the offset-waist alder body and ultra slim fast-action neck. The industry standard now features medium jumbo frets for a more modern feel, a shielded body cavity for quieter operation and an included gig bag. Updated with two bi-pole pickups and American Jazz Bass® knobs.
$2,699.99
Pre-owned Fender Custom Shop Vintage Custom 1950 Pine Esquire in Black. Comes with the COA, spec sheet, case candy, original case and extra pickguard, loaded control plate/pickup to convert to a standard tele from the factory. In mint condition, and plays wonderfully! Big neck, big sound.
Perhaps the rarest Fender guitar is its first one—the single-pickup pine-body Esquire®. The very first Fender electric solid-body guitar. Wasn’t even around for a full year, and yet it changed guitar music forever. Fender shipped barely a handful of them before changing the body to ash and the finish to blonde.
True to the original, this faithful recreation features a slightly thinner (1.5”) laminated pine body. Its one-piece rift-sawn maple neck has a 1950 Esquire profile, no truss rod, a 7.25”-9.5” vintage compound radius and 21 medium vintage frets. With its NOS “flash coat” nitrocellulose lacquer finish and Closet Classic hardware, the Vintage Custom 1950 Pine Esquire looks like a well-cared-for original with only slight aging to its metal parts. A hand-wound ‘50-‘51 Blackguard pickup is outfitted with full-throttle Esquire wiring (Position 1: Volume and Tone, Position 2: Volume, Position 3: Pickup Straight to Output) with a three-way switch. Other features include a single-ply eggshell pickguard, 1950 Esquire bridge with original style steel saddles, vintage-style tuning machines, and disk string tree. Includes deluxe hardshell case, strap, 1950 Esquire control assembly, and certificate of authenticity.
Model: Vintage Custom 1950 Pine Esquire
Serial: R104414
Color: Black
Bodywood: Pine
Bridge Pickup: Hand-wired 50-51 Blackguard CC
Control: Full Throttle Esquire
Radius: 7.25"-9.5"
Nut Width: 1.6500"
Neck Shape: 1950 Blackguard
Neck Dimension: 1st Fret .970", 12th fret 1.000"
Nut: Bone
Fret Wire: Med Vintage
Truss Rod: None
Accessories: Case, Case Candy, COA, Extra Pickup, Loaded Control Plate, Pickguard
View full product details$5,999.99
Pre-owned Fender Jaguar from 1966 in a beautiful sunburst finish. In good condition. The finish shows all the normal wear you would expect from a guitar of this age, but nothing major. Normal light dings, dents and checking in the right spots. Light wear around the sides from playing sitting down and a lifetime of playing. Some light wear through the darker part of the burst from arm wear. The frets are very low, but original. This is the first year to have the binding on the fretboard as well, which looks great! The foam piece on the bridge has worn down to the point where it no longer mutes the strings but is still attached. All the electronics are original, but the tone pot on the lead circuit isn't functioning properly every time.
The Fender Jaguar was introduced as a high-end model guitar four years after the Jazzmaster. Though similar to the Jazzmaster in its offset body and lead/rhythm circuits controls, the Jaguar differed in two key ways. For one, the Jaguar used a shorter 24-inch scale length compared to the 25 1/2-inch of most Fender guitars. Additionally, the Jaguar used two thinner single-coil pickups compared to the feedback-prone soapbox pickups of the Jazzmaster. The Jaguar was not as popular as the Telecaster or Strat in its initial run, but has found some popularity with punk, grunge and indie rockers since.
Finish Details: | Original |
Body Material: | Alder Body |
Neck Material: | Maple Neck |
Fingerboard Material: | Brazilian Rosewood |
Neck Profile: | "C" profile |
Neck Thickness (IN): | .87" (1st fret), .925" (12th fret) |
Fingerboard Radius: | 7.25" |
Nut Width: | 1-5/8" |
Scale Length: | 24" |
Neck Details: | Bolt-on maple neck with bound Brazilian rosewood fretboard, block inlays. The neck heel has a "15 OCT 66B" date stamp. |
Electronics: | Wiring harness and single coil pickups are original to the instrument. Controls include on/off slider switches for each pickup, bass-cut switch, master volume/tone controls, rhythm circuit on/off slider switch, and rhythm circuit volume/tone rollers. The pot codes date to 1966. Pot code 304 6617 |
Hardware: | The trem arm is included. |
Weight: | 8.2 lbs |
Modifications/Repairs: | None. |
Case Details: | Non original hardshell case |
Cosmetic Condition: | The guitar has aged nicely; the finish has faded to a semi-gloss with light checking and numerous small dings/scratches.The front of the body has finish wear at the bass bout, and the sides/edges of the body have additional wear. There is a noticeable amount of finish wear along the bottom edge of the body, and light buckle rash on the back. The back of the neck has worn to a smooth and comfortable satin, and the headstock has light checking as well. |
Serial Number: | 183503 |
Notes: | The guitar plays well with low action and is currently set up with 10s. The frets are narrow and moderately low with some light wear in the first position. The neck stamp, pot codes, and serial number date the guitar to 1966. |
$2,999.00
Style: S Shape
Color: Shell Pink/ Light Relic
Body: Swamp Ash
Neck: 1 Pc 1/4 sawn Roasted Maple
Neck Color: Gloss/ Light Relic
Neck Shape: Chunky C
Nut Width: 1.65
Fingerboard Radius: 9.5-12
Frets: 6125
Pickups: Lollar Blonde in N & M, Lollar Imperial in B
Pickguard: 3 Ply Parchment
Finish: Nitro
Weight: 6 pounds 13 ounces
String: Stringjoy
Serial: 522668
Comes with Deluxe Gig Bag & Certificate of Authenticity Dated and hand signed by Mario Martin
View full product details$2,799.00
Pre-owned Gibson ES-125 Sunburst dating from 1957. One owner, and in excellent condition! The guitar looks immaculate for its age. The back has one small mark most likely from a buckle, small indentations and light scratches, the side near the top binding has some wear from play near where it would sit on your leg. The side has a few small marks and the top looks almost new. The headstock has little to no wear at all, other than a few extremely minor small marks. Overall, this is the best looking ES-125 we've ever seen! The guitar is set up in house, nice straight neck, plenty of life in the frets, electronics test perfect. All original!
Make: Gibson
Model: ES-125
Year: 1957
Serial: U421-26
Color: Sunburst
Accessories: Original Chipboard Case, One Owner
View full product details$249.00
The Electronic Audio Experiments Halberd is a discrete transistor overdrive circuit designed for the greatest possible dynamic range and note clarity. It fills a special niche our family of drive pedals—a medium-gain device with the harmonic fullness and grind of a much higher-gain pedal, one that stands apart from both the brazen buzz of op amp distortion and the smooth breakup of JFET amp emulations alike.
The Halberd’s character comes from over a dozen transistors working in harmony. It is familiar but unique, sitting somewhere between blown-up tweed and an overloaded console. Rather than resigning itself to transparency, it imparts its character in a collaborative fashion, responding in unique ways to different instruments and amplifiers but not without leaving its distinct fingerprints. And of course, it is equally at home on guitar, bass, and synthesizer.
Pre: This sets the overall signal gain. Lower settings impart light compression, then increasing amounts of clipping up to a fuzzy overdrive, depending on the Voice and Depth settings.
Depth: This is an adjustable low frequency shelving filter at the input, and is very interactive with the setting of the Pre control. It can be thought of as a second gain control affecting low frequencies only.
Tone: This is an adjustable high shelf cut at the output, helpful for taming harsher frequencies especially at high gain settings.
Post: This sets the overall output level, and is buffered for full transparency at all signal levels.
Voice: 3 position switch to set the overall drive character
Clang (up): increases gain in the upper midrange, for an aggressive sound and a sharp attack
Standard (middle): moderate gain with a gentle mid push; identical to Halberd V1
Deep (down): a full range gain boost with woolly saturation and a fuzzy note attack
Version 2 (Released in August 2021)
New mechanical form factor; size reduced from BB-type enclosure to 125B-type enclosure.
NOS germanium transistor no longer used. Supporting circuitry updated to preserve tonal characteristics.
Current draw reduced to 50mA when engaged (previously ∼180mA in V1)
Bypass switching converted to fully electronic CMOS switch
Added Voice toggle.
Added PSU input over-voltage protection.
Low control renamed to Depth; High control renamed to Tone.
Bypass switching: Silent electronic switching with a Class A JFET buffer
Input impedance @ 1Khz: 1MΩ
Output impedance @ 1Khz: <1KΩ
Power: 9VDC, 2.1mm center negative barrel. The current draw is 50mA.
We recommend a regulated, isolated power supply rated for 100 mA minimum. The DC input is protected against reverse polarity and over-voltage up to 24V. Our pedals do not accept batteries.
All Halberd pedals come with the standard warranty.
$2,099.99
The Hollow Series has faced continuous model changes and new lineup expansions in response to market demands and trends since 1966. Such an achievement has only been done by Yamaha because no other company has developed both acoustic craftsmanship and electronic technology. Current lineups offer various body styles and pickup configurations to accommodate a diverse range of player requests.
Construction |
Set-In |
Scale Length |
24-3/4" (628.6 mm) |
Body Materials |
Laminated Sycamore / Soft Maple Center Block |
Body Finish |
Gloss Polyurethane |
Neck Materials |
Mahogany |
Neck Finish |
Gloss Polyurethane |
Fingerboard Materials |
Ebony |
Fingerboard Radius |
13-3/4" (350 mm) |
Fret wire |
Medium Jumbo |
Number of frets |
22 |
Nut materials |
Bone |
Neck Width @ 0 Fret / 12th Fret |
43/53.5 mm |
Thickness @1st Fret / 12th Fret |
20.5/22.2 mm |
Neck Pickup |
Yamaha Humbucker/Alnico V |
Middle Pickup |
- |
Bridge Pickup |
Humbucker/Alnico V |
Controls |
Front Volume, Rear Volume, Front Tone, Rear Tone |
Pickup Switch |
3-Position Toggle Switch |
Bridge |
Gotoh GE103B |
Tremolo Arm |
- |
String Spacing |
10.4 mm |
Tailpiece |
Gotoh GE101Z |
Tuning Machines |
Gotoh SG30 |
Pickguard |
2-Ply Black |
String Gauge |
D'Addario EXL110 / 0.010-0.046 |
$2,399.99
Harkening back to the early ‘90s when import Jackson® guitars were manufactured exclusively in Japan, we introduce the all-new Jackson MJ Series — an exciting and innovative collection of instruments attentively crafted in Japan. The MJ Series combines Jackson’s world-renowned legacy of designing high-performance instruments with an assortment of top-tier features at a competitive price point.
Engineered from its inception for high-speed, virtuoso playing, the MJ Series Dinky™ DKRA features an ergonomically contoured mahogany body with ash top and sculpted shredder’s cut heel for easy access to the upper registers.
The attractive five-piece maple/walnut/maple/walnut/maple neck is bolted-on to the body with graphite reinforcement for the ultimate stability against climate-induced warping and has an oiled finish on the back for smooth playability.
Featuring rolled edges, 24 jumbo frets and pearloid sharkfin inlays, the 12”-16” compound radius ebony fingerboard is designed for highly technical lightspeed playing on the upper registers and comfortable chord work closer toward the nut. For touring musicians, Luminlay® glow-in the-dark side dots provide exceptional fretboard guidance even on the darkest of stages while a heel-mount truss rod wheel allows for quick and easy neck relief adjustments.
Seymour Duncan® JB™ TB-4 bridge and Seymour Duncan Jazz SH-2N neck pickups deliver tonal clout. The bridge position roars with hot-rodded attitude and a powerful low end, while the neck position radiates with glassy treble tone and scooped mids that perform well across a multitude of genres. Harness the sonic horsepower with a versatile five-way pickup blade switch and single volume and tone controls. Other premium features include a Gotoh® GE1996T Series double-locking tremolo bridge system for reliable tuning stability throughout daring and aggressive playing theatrics, Gotoh sealed die-cast tuners and Dunlop® dual-locking strap buttons.
Boasting brazen Jackson attitude, the MJ Series Dinky™ DKRA is finished in Matte Black Ash with a color matched reverse pointy headstock, white body and headstock binding and black hardware.