Sine wave shakes and gritty earthquakes. Derived from the infamous earthquake of 1989, Loma Prieta is a gritty, Harmonic Tremolo with four Wave-Shape modes (Sine, Square, Ramp Up, and Ramp Down), determined to rumble the ground beneath your feet. Each mode can be used in conjunction with our momentary “Shift” Footswitch, which engages Tap Tempo, as well as Lo-Fi, Feedback Distortion, and Double-Time effects. The onboard Grit control allows you to add some sweet-sounding dirt to the tremolo circuit, with enough gain on tap to strike a 10 on the Richter Scale. Our EXP input allows you to easily control the rate of the tremolo using a standard expression pedal, or plug a mono patch cable into the EXP Input, and flip the internal DIP switch to engage external Tap Tempo. The mini toggle switch on Loma’s top side allows you to go from Harmonic Tremolo to a more standard style of trem; this is reflected by the Tap Tempo LED (Red for Harmonic, Yellow for Standard). Emulate the earthquake itself.
Check out what just came in!
Vox Mini SuperBeetle Guitar Amplifier
$329.99
VOX MINI SUPERBEETLE
GUITAR AMPLIFIER
Past meets present; the new VOX SUPERBEETLE combines iconic looks with stunning Nutube sound.
Mini and mighty, the all-new VOX MINI SUPERBEETLE 25 inherits the iconic look of 60’s and adds all-new analog NuTube circuitry for authentic tube tone. Complete with the iconic chrome stand and distinctive VOX styling, the MINI SUPERBEETLE delivers the sounds of a classic VOX amp in a compact, cool package that’s the perfect addition to any guitarists’ home.
Main features
- Iconic design inherited from the classic stacks of the British Invasion
- Traditional VOX AC tones, powered by Nutube, with a maximum output of 50W (at 40)
- An open-backed cabinet equipped with one 10-inch Celestion speaker
- On-board digital reverb & NuTube driven tremolo
- Built-in digital reverb that simulates a spring reverb
- A classic design that looks just as good as it sounds. A perfect addition to the home of any British Rock fan, even as décor
- Speaker output for pairing with a variety of cabinets
- Headphone/Line output for practice or recording
Serious sound that exceeds its appearance
Nutube is the new vacuum tube developed in a collaboration between KORG and Noritake Itron. This dream device uses vacuum fluorescent display technology to obtain the same vacuum tube sound and response, while eliminating the problematic aspects of a vacuum tube, and has begun being used by VOX as well as other musical instrument manufacturers. The Nutube is used in the VOX MINI SUPERBEETLE, faithfully reproducing the tonal character of VOX’s legendary AC30. The sparkling, chimey sound that has captivated guitarists for more than fifty years is alive and well in this new amplifier. Additionally, the traditional VOX tremolo effect has also been included. The amplitude of the tremolo also changes the depth of Nutube distortion, varying the sound, resulting a true tube driven tremolo effect. Also provided is a digital reverb that simulates a classic spring reverb, dramatically improving the potential for shaping your sound. An extension speaker cabinet can also be added to this package for more volume when you need it. The MINI SUPERBEETLE is not merely a reproduction of the classic stack; it is a true re-imagination of the amp that has been updated to meet the needs of today’s players.
An amp designed for fans of British Rock heritage; play it, and also enjoy it as décor
VOX boasts a sophisticated sense of design that is unmatched by any other guitar amp manufacturer. From a historical point of view, there is no other guitar amp that resonates so strongly with music aficionados in both looks and sound. Throughout VOX’s history, the AC100 stack set, wrapped in its chrome frame stand, stands out as one of the amps that exemplifies VOX and its lasting impact on pop culture during the height of the British Invasion. The VOX MINI SUPERBEETLE emanates the spirit of that shining history, and is the rare amp that you’ll enjoy not only while playing it, but also as décor. It’s a privilege that's backed by more than sixty years of VOX history.
Input/Output: INPUT, SPEAKER OUTPUT x 2, PHONES/LINE
Controls: GAIN, TREBLE, BASS, REVERB, TREMOLO, VOLUME, EQ FLAT/DEEP, ECO ON/OFF, Impedance 4/8/16
Speaker: 1x10" Celestion Custom speaker, Maximum input 50 W RMS 8 ohm
Valve: Nutube 6P1
Output Power: Maximum approx. 50 W RMS@4 ohms, 25 W RMS@8 ohms, 12.5 W RMS@16 ohms
Current Consumption: 3.43 A
Effects: Digital reverb, Nutube tremolo
Dimensions (W x D x H): 323 mm x 180 mm x 596 mm /12.7" x 7.09" x 23.5"
Weight: 8.7kg/19.18 lbs.
Included Items: AC adapter (DC 19 V), AC cord, Speaker cable
Victory VX100 The Super Kraken Head
$1,899.00
Victory VX100 Super Kraken
100-watts, three-modes, plus Preamp Focus boost for rock,
metal, extended-range and progressive players
VX100 The Super Kraken is evolved from the award winning Compact Series VX The Kraken, developed with Rabea Massaad
The Kraken has morphed into an even more powerful beast via 100 massive watts of 6L6 power. You still get the Brit-inspired Gain I channel. You still get the colossal smack of Gain II’s US grind… but now there’s a whole new footswitchable clean mode, plus a footswitchable Preamp Focus function to add a little juice and cut to any and all modes. There’s also a preset Bass Focus option in the power section, footswitchable FX loop, assignable/ footswitchable dual master volumes… plus a useful 30-watt low-power mode for when you don’t need to blow the roof off. And, of course, MIDI switching capability.
Gain I Crunch… and Clean!
VX100’s clean mode is entirely new, allowing sparkling clean tones with superb headroom. Footswitch to crunch mode, and you're rocking hot-rodded British gain tones. Switch in the Preamp Focus to boost, tighten and punch through.
Gain II
The Gain II channel picks up from where Gain I leaves off. There's extra overdrive as you'd expect, but also a tighter bottom-end response and a more focussed midrange character, for a more American flavour in your riffs. Yes, it Djents if you want.
Preamp Focus
This preset footswitchable boost adds a little gain while also tightening up the bottom end and pushing mids. It's akin to what a clean-sounding TS-type pedal would do. It works in all three modes: Clean, Gain I and Gain II.
Power Amp Bass Focus
This preset footswitchable function affects the negative feedback in the power section. One setting delivers looser bass response with plenty of vintage-style resonance. The other setting is tighter and more focussed in the bottom end.
Dual Master Volumes
You can configure these to change with the channels (Gain I/Master I and Gain II/Master II) or have them independently footswitchable for two separate master volume levels whenever you want.
Low Power Mode
Select between 30 watts low power or 100 watts high power. Both are plenty loud, but the feel and dynamics are different.
Traditional Footswitching…
There are six footswitchable functions in VX100: Gain I/GainII, Clean/Crunch modes, Preamp Focus, Power Amp Focus, Master Volumes and the FX Loop… Two dual-button foot switches come with the amp as standard – see below.
MIDI Control
All six of the functions mentioned left are MIDI switchable with a compatible MIDI controller. That means you can pre-program multiple function changes to happen at once… along with all your other MIDI compatible devices, should you so desire.
VX100 The Super Kraken key features & specification
Format: Two-channel/three-mode all-valve head
Power: High power: 100 Watts. Low Power: 30 Watts
Valves: 4 x ECC83, (12AX7), 4 x 6L6 or EL34
Size (mm): 480(w) x 235(h) x 235(d) including handle and feet (unboxed)
Weight: 12.5kg / 27.5lbs Unboxed. 16kg / 35.2lbs Boxed.
Extra features:
-
1 x Dual Latching Footswitch for GAIN I/II and MASTER I/II
-
1 x Dual Latching Footswitch for Preamp Bass Focus and Crunch
-
Slip cover included
View full product details
Used Carr Hammerhead MkII Head
$959.99
Pre-owned Carr Hammerhead MKII Head. In excellent condition, with Carr custom soft shell case. The tolex is in great shape and shows only the slightest signs of use. Very unique amp that sounds as pure as it gets! Matching Carr 2x12 cabinet is also available.
Make: Carr
Model: Hammerhead MkII
Style: Head
Serial: 0203
Tubes: El-34 x2 (GT), 12AX7 x2 (1 JJ, 1 Sovtek)
Output: 8 ohm, 16 ohm
The Carr Hammerhead MK II offers rich output tube overdrive with a unique personality and super simple signal path. Rock, hot blues, and pop guitarists will find wide range of tones from semi-clean to full on overdrive with just the right amount of vintage funk. The MK II offers a new single knob tone circuit with On/Off switch. Fully redesigned power supply vastly improving openness and feel while increasing sustain and clarity.
From Guitar Player Review:
Despite its few controls, the Hammerhead offers several useful tonal options. The volume and master knobs are self-explanatory, but the 4-position Impact and Grip controls are less intuitive. Before explaining how they work, it is worth noting that the Hammerhead features no tone controls in the direct signal path. The Impact and Grip controls act in parallel to emphasize treble and bass frequencies, while leaving the pure amp tone intact. Whoa! Let's try that again.
How Impact sounds: At lower volumes, switching the Impact knob to its second position produces a subtle bright boost. Going from 2 to 3 creates the most dramatic change by boosting upper mids for a louder, brighter tone with more gain. Position 4 bumps the low mids in a very subtle way. Interestingly, at higher gain settings (anything above three o'clock), the Impact control has no effect.
What Grip does: The Grip switch works by adding bypass caps around the cathodes of the phase inverter and the cathode bias output stage.
How Grip sounds: Once again, the biggest difference is between positions 2 and 3 where there's a big jump in volume, low-mid thump, and distortion. Plugging into the Hammerhead produces a rich, dimensional sound with great overtones and punch. Carr says that the amp was designed to produce power-tube overdrive at reasonable volume levels for hot blues, slide, and classic rock tones. They definitely make good on that claim. A Les Paul sounded fat and squawky at lower volumes, and drifted effortlessly into singing sustain with the gain up past halfway. No matter what guitar was plugged into it, the Hammerhead was very quiet, even with both volumes cranked. It also remained beautifully dynamic, responding to changes in the guitar's volume and also to different picking attacks.
View full product detailsUsed Supro S6420+ Thunderbolt Plus RI
$729.99
Pre-owned Supro Thunderbolt + RI. In very good condition. The tolex shows only the slightest wear around the corners and bottom.
The Supro Thunderbolt Plus amplifier adds switchable power amp topology to the legendary 1964 Supro Thunderbolt, giving you the original 35-Watt “Class A” Cathode bias sound as well as beefy 45-Watt and 60-Watt Grid bias modes for additional headroom and tonal variation. This unique design is implemented via a three-way selector switch on the front panel.
Normal and Extra-hot input options, combined with a wide range of available gain on tap, allow you to fine-tune the texture and response of this amp’s massive sound. Turned all the way up, the Thunderbolt exhibits nearly zero self-noise, yet it puts out enough volume to be easily heard on large venue and theatre stages, with overdrive completely controlled by the guitar’s volume knob. The 35-Watt and 45-Watt modes both deliver the sag and bluster of the 5U4 tube rectifier while the 60-Watt mode uses a silicon rectifier to unleash maximum Thunderbolt power. The 60-Watt mode’s faster transient response and ample headroom is wonderful for pedals, and brings the Supro sound loud and clear to any size venue.
Massive custom transformers and lightweight, vintage-correct cabinetry—combined with the best sounding 15” guitar speaker money can buy—put the Thunderbolt in a class of its own. With the amp turned all the way up, chords ring with exceptional clarity and definition amidst copious amounts of tube overdrive and output-stage saturation. The variable power switching found in the Thunderbolt Plus model is an over-the-top hot-rod custom luxury guitar experience, decadently brought to you by Bruce Zinky and Dave Koltai.
Features:
- All-tube Supro circuit
- Normal and Hot inputs
- Unique Switchable Wattage
- 35-Watts “Class A” w/ Tube Rectifier
- 45-Watts “Class AB” w/ Tube Rectifier
- 60-Watts “Class AB” w/ Silicon Rectifier
- 1 x 15″ Supro TB15 speaker
- 2x 12AX7EH
- 2x 5881 / 6L6WGC
- 1x 5U4GB Tube Rectifier
- Cab Size: 23 5/8” x 19” x 10 1/2” – 60 x 48 x 27 cm
- 50 lbs – 23 kg
- Blue Rhino Hide
- Assembled in USA
Used Fulltone 2B Boost
$72.99
Pre-owned Fulltone 2B Boost pedal. In excellent condition, with original box.
What is it?
The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the “Boost” channel in our FD3 pedal. Soon after the FD3 came out I started getting a steady flow of emails asking if I could “please make that into a single channel Boost pedal!” So I crammed the circuit into the smallest possible enclosure 4.5" x 2.1" x 2.3" with battery tucked tightly inside and even engineered space-saving rear-mounted IN, OUT, and DC power jacks.
Why does a guitarist need a “Boost” pedal?
A boost pedal is not only used to kick up your volume when it’s time for your solo! A good booster can also solve a lot of problems in the modern guitarist’s rig, because today’s pedalboards average 8 or more pedals, with each of those pedals requiring: a guitar cable--->jack--->more wire--->footswitch--->circuit--->footswitch again--->jack--->more wire--> and on to next pedal. It’s a wonder there’s any signal left after all the stuff we put our signal through. Ever played through a 10’ guitar cable straight into a great tube amplifier? The feel, the dynamics, the fat tone...makes you want to play! Then you connect to your overpopulated pedalboard and suddenly the sound is tiny, thin, with diminished lows, cardboard mids, and scratchy thin highs. This is where a good booster comes in handy, because all that wire and all those connections reduce your signal by a measurable amount with each passing effect in your signal chain. Add a good booster and you can recoup a lot of that lost gain, tone, and reactive interplay between you and your lovely tube amp. Suddenly the “touch” is back.
What happens when the 2B is turned OFF?
That’s the problem with other boosters…once they’re OFF, they cease to offer a high quality unity-gain buffer to drive the long cables, so you end up having to buy TWO boosters, one set to “unity gain” and the other set to do your Volume changes! A better solution is the 2B, its unity-gain JFET amp buffers your signal when the pedal is turned OFF…and when the 2B is turned ON; the only difference is now the GAIN knob comes into play allowing you to set the desired boost up to 20dB!
Why is the 2B a great booster?
Because I go the extra mile and buy the best JFET opamp, in my opinion….certainly the one that sounds the best to my ear. The problem with other boosters is that the more you turn them up, the more highs they add. Not the case with the 2B, there is a subtle roll-off of the harsh ultra-high frequencies as you roll the LEVEL knob clockwise past 12 o’clock. It’s subtle, you may not hear it, but you WON’T hear that shrill top end that other boosters can impart!
What’s the DYNAMICS knob?
The 2B offers something completely unique in the world of Boost pedals; a DYNAMICS knob. A subtle Germanium diode Limiter circuit that (as you turn the mini-knob clockwise) starts to slightly alter the feel of the notes being played as well as subdue the harsh transient spikes which can overload your amp’s input. Those spikes can be fatiguing to your ears, to the amp, and to its speakers! Similar to using a limiter on the mix down of a song in the studio, the 2B’s DYNAMICS feature helps you keep your place in the live mix.....like a very smart compressor. This feature can make even an “ok” amp feel responsive and juicy, and will keep you from distorting the amp’s input, a problem plaguing most booster pedals.
Specs:
Input Impedance: ultra-high 1.65mega ohms…Not a chance of any interaction issues with guitars or other effects
Output Impedance: ultra-low 300ohms..no chance of loading or interaction issues.
Max Gain: @ 20dB
Size: 4.5" x 2.1" x 2.3"
Weight= 12 ounces (with the included battery)
Power requirements: anything from 5 to 18 volts DC, 9 or 18 VDC recommended.
Used Maxon DB10 Dual Booster
$126.99
Pre-owned Maxon Compact Series DB10 Dual Booster. In like new condition, with original box.
The Maxon DB10 is two boosters in one compact pedal!
A unique concept in booster design, the DB10 features two completely independent boost circuits in a single compact housing. The Clean (Left) channel offers up to +20 dB of clean boost with a completely flat frequency response.The Vintage (Right) channel is Maxon’s take on the classic Treble Booster circuit. It offers up to +20 dB of boost, but with a subtle high-frequency roll-off that increases as the Level is turned towards maximum. Each circuit has its own input and output jacks, allowing them to be cascaded into one another in any order. Place an overdrive or distortion in-between the channels for additional tonal options – super-saturated overdrive that can then be level-boosted for solos, etc.
One of the many great features of the DB10 is the proximity of the bypass switches to one another, allowing the user to hit both switches simultaneously. Independent status LED’s indicate which channel is engaged and both channels feature True Bypass Switching using a 3PDT switch. Battery or DC (9-18 V) power options.
Features:
- Two independent Boost circuits in one compact chassis
- Clean channel offers +20 dB of boost with flat frequency response
- Vintage channel offers +20 dB of boost with high-end roll off
- Separate input/output jacks for each channel
- Cascade channels or place a pedal in between them
- Works in FX loop or front-end of amp
- True Bypass Switching x 2
Coppersound Loma Prieta w/ Free Side Car (Dual Tap)
$199.00
LOMA PRIETA - first 50 Come with a free side car (Dual Tap)
$199.00
Sine wave shakes and gritty earthquakes. Derived from the infamous earthquake of 1989, Loma Prieta is a gritty, Harmonic Tremolo with four Wave-Shape modes (Sine, Square, Ramp Up, and Ramp Down), determined to rumble the ground beneath your feet. Each mode can be used in conjunction with our momentary “Shift” Footswitch, which engages Tap Tempo, as well as Lo-Fi, Feedback Distortion, and Double-Time effects. The onboard Grit control allows you to add some sweet-sounding dirt to the tremolo circuit, with enough gain on tap to strike a 10 on the Richter Scale. Our EXP input allows you to easily control the rate of the tremolo using a standard expression pedal, or plug a mono patch cable into the EXP Input, and flip the internal DIP switch to engage external Tap Tempo. The mini toggle switch on Loma’s top side allows you to go from Harmonic Tremolo to a more standard style of trem; this is reflected by the Tap Tempo LED (Red for Harmonic, Yellow for Standard). Emulate the earthquake itself.
Coppersound Telegraph Stutter Killswitch- Relic'd Seafoam Green
$59.00
$59.00
Coppersound Telegraph Stutter Killswitch in Seafoam Green
HAND OPERATED Stutter (Killswitch)
If Samuel Morse built killswitches.
The Telegraph Stutter encompasses one of the most simple audio effects in the most unique looking package. When the key is in its traditional resting position (up), audio is passed through fully unaffected. When the key is pressed (down), the audio is fully cut and no sound will pass through. The POLARITY SWITCH allows you to reverse the orientation. Rapidly tapping the key can result in a nice fully manual tremolo effect. Having full manual control over the rate of the cut means the effect can achieve unique sounds. The tremolo does not have to be set at a predetermined rate, nor does the pattern have to be of the traditional type. Knowing Morse code can yield fun, creative “patterns.” Being a hand controlled effect, there are more benefits than being foot controlled. A tremolo rate can be tapped while manually ramping the speed up or down. Placing the device on top of your amp directly before your amp input is a good place for it. When standing in front of your amp, you can get some fun feedback and chop that up with the Telegraph. It sounds even better with your favourite fuzz or OD! The straight key has two adjustments on it. One is to adjust the tension of the spring that pushes against the key to bring it back to resting position. The other is to adjust the height between the contact points that cut the signal. This is a HAND CONTROLLED effect pedal. The Telegraph Stutter is hand made in Easton, MA USA.
Strymon Volante - Magnetic Echo Machine
$399.00
STRYMON VOLTANE - MAGNETIC ECHO MACHINE
Delays For Days.
Three Magnetic Delay Types, Spring Reverb, Looper, and More.
Delivering truly exceptional sound quality and intuitive playability, Volante is designed to radically enhance the sonic expressiveness of your pedalboard. Featuring magnetic drum echo, tape echo, and reel-to-reel studio echo, Volante is a stereo multi-head delay that also offers a looper and vintage spring reverb, with powerful sound-sculpting controls for limitless sonic possibilities.
Delays For Days.
Three Magnetic Delay Types, Spring Reverb, Looper, and More.
Delivering truly exceptional sound quality and intuitive playability, Volante is designed to radically enhance the sonic expressiveness of your pedalboard. Featuring magnetic drum echo, tape echo, and reel-to-reel studio echo, Volante is a stereo multi-head delay that also offers a looper and vintage spring reverb, with powerful sound-sculpting controls for limitless sonic possibilities.
Vintage Vibe.
To capture the nuance and complexity of classic tape and drum echo machines, every last magnetic delay system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic media when driven hard, to hands-on real-time controls for mechanics, wear, head-spacing, and low cut, Volante instantly adds tons of vibe to your sound.
Multi-Head Maven.
Volante provides the full experience and sonic attributes of iconic multi-head echo machines. At the center of Volante’s control surface are four delay playback heads with individual feedback, panning, and level controls—delivering unlimited creative options right at your fingertips. All of this range allows the creation of complex rhythmic patterns as well as reverb-like atmospheric textures.
Three Vintage Echo Machines.
Drum Delay With Unprecedented Control.
Magnetic drum echoes are famous for their warmth and for their harmonically rich and saturated sounds. This is due in large part to the many tube stages present in the most sought-after units. There were tubes in the input buffer, the signal mixer, the record and playback amplifiers, the tone shaping circuit, and the output mixing circuit.
Every sonic aspect of our favorite drum echoes has been meticulously reproduced within Volante. Dial in any possible sound from the full range of the best vintage drum echo units in conditions ranging from fresh-from-factory to road-worn classic.
Classic Tape Echo Experience.
Volante gives you superbly crafted multi-head tape echoes, including the smooth tape saturation and the characteristic imperfections and nonlinearities inherent to the sound of those vintage machines.
Mechanical alignment, head wear, and tape crinkles, splices, and contaminants are all accounted for in Volante, giving you all the richness and complexity of a classic tape echo, with modern control and stability. Volante also allows you to recreate the irregular head spacing of some of the classic tape echo machines.
True Studio Tape Sound.
The professional reel-to-reel machines of the 50s and 60s were high-fidelity units built to accurately reproduce full-range audio signals. In the hands of creative engineers, these machines also doubled as some of the earliest studio effects, producing some of the fattest sounds imaginable.
Of Volante’s three magnetic echo types, the Studio Echo provides the cleanest sound, able to sustain the highest number of repeats with minimal degradation. Volante gives you a pristine studio delay with the full-bodied warmth and fidelity of reel-to-reel tape.
- Multi-head magnetic media delay machine providing four playback heads with individual feedback, panning, and level controls
- Processor-intense algorithms deliver meticulously nuanced recreations of vintage magnetic echo systems (drum echo, tape echo, studio reel-to-reel echo)
- Dedicated control over echo machine tone and media: Low Cut, Mechanics, Wear
- Input Record Level for clean reproduction to warm, fat saturation
- Independent Spring Reverb
- Sound on Sound looping mode with reverse, pause, splice, and infinite repeat functions
- High impedance stereo input
- Stereo output
- Input Level switch allows for both instrument and line level signals
- On, Favorite, and Tap Tempo footswitches
- Expression pedal input allows the connection of an expression pedal, external tap pedal, 1/4″ to MIDI cable, or MultiSwitch Plus.
- Full featured MIDI in/out supporting MIDI CCs, program changes, and more
- USB jack for controlling MIDI via computer
- Analog dry path for a zero latency dry signal that is never converted to digital
- Premium JFET analog front end
- Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
- Super high performance SHARC DSP
- 32-bit floating point processing
- 20Hz to 20kHz frequency response
- Audio Input Impedance: 1M Ohm
- Audio Output Impedance: 100 Ohm
- True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass
- Strong and lightweight anodized olive green aluminum chassis
- 9V DC power supply included
- Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current
- Dimensions:
- 4.5″ deep x 7″ wide x 1.75″ tall
- 114.3 mm deep x 177.3 mm wide x 44.5 mm tall
- Designed and built in the USA
Gretsch G5421 Jet Club- Firebird Red
$299.99
G5425 ELECTROMATIC® JET CLUB SOLID BODY
Electromatic® Jet Club models feature arched maple tops with chambered basswood bodies and bolt-on maple necks with rosewood fingerboards.
The G5425 Jet Club has a single-cutaway chambered basswood body with an arched maple top that truly resonates with That Great Gretsch Sound!™.
Features include Gretsch® dual-coil humbucking pickups that ensure luscious tone, 22 medium jumbo frets, anchored Adjusto-Matic™ bridge and stop tailpiece that ensure vibrant sustain, Neo-Classic™ “thumbnail” fingerboard inlays, “G-Arrow" knobs and white pearloid pickguard with Gretsch logo.
Gretsch G5426 Jet Club - Silver
$299.99
G5425 ELECTROMATIC® JET CLUB SOLID BODY
Electromatic® Jet Club models feature arched maple tops with chambered basswood bodies and bolt-on maple necks with rosewood fingerboards.
The G5425 Jet Club has a single-cutaway chambered basswood body with an arched maple top that truly resonates with That Great Gretsch Sound!™.
Features include Gretsch® dual-coil humbucking pickups that ensure luscious tone, 22 medium jumbo frets, anchored Adjusto-Matic™ bridge and stop tailpiece that ensure vibrant sustain, Neo-Classic™ “thumbnail” fingerboard inlays, “G-Arrow" knobs and white pearloid pickguard with Gretsch logo.
Gretsch G5230T Electromatic Jet FT Single-Cut W/ Bigsby - Firebird Red
$549.99
G5230T ELECTROMATIC® JET™ FT SINGLE-CUT WITH BIGSBY
Pure Jet™ Power
In its 65 year existence the Gretsch Jet has been the hallmark sound for iconic players. The all-new G5230T Electromatic® Jet™ FT Single-Cut with Bigsby® captures that essential Jet power and fidelity at an incredible price.
Chambered Mahogany Bodies — Loud and Clear
Classic Jet tone begins with a chambered mahogany body with maple top that produces full lows and mids with an exceptionally smooth and present high end. The result is a deep acoustic foundation that is robust, yet balanced.
Black TopFilter'Tron™ Pickups – Quintessential Power and Clarity
Black TopFilter'Tron pickups amplify and accentuate the Electromatic Jet FT's chambered body to produce a wide, balanced and transparent tone. Loud and punchy, this Jet sounds out with remarkable definition at any level of gain. Together, the body and pickups thunder with full, responsive lows and mids with a high end that sparkles without spikes.
Total Tonal Control
The Electromatic Jet FT is equipped with essential features that give you complete tonal control. The combination of individual pickup volume controls, master tone and master volume with treble bleed circuit provides intuitive global control over your pickup and tone settings.
1 Whiting Street Plainville, CT 06062
.
860-479-5188
.
Mon - Fri: 11am - 6pm
Saturday: 11am - 4pm
Sunday: Closed
Directions
