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A collaboration between Old Blood Noise Endeavors and Datachoir, the Rêver provides reverb, delay, and reverse effects that combine into a unique blend of trailing, bizarre ambience. The delay and reverb sections offer typical controls: the delay offers variable level, time, and feedback while the reverb provides wet/dry mix, decay time, and a control for otherworldly modulation. The reverse section provides an option for latching or momentary operation and wet/dry blend; moreover, the reverse can be placed at the beginning of the signal chain or at the end, providing access to everything from layered, drifting ambience to glitchy washes and beyond. Rêver is far more than the typical delay or reverb: it is a textural space machine unlike anything else available.
An update on the popular modulation noisemaker pedal. Reflector V3 is a densely lush chorus coupled with three modes of modulation. This is a chorus with a bent, an ephemeral voice floating between aural dimensions.
Controls include Rate and Depth for the Chorus/Flanger/Vibrato speed, Mix for a balance between unaffected and affected signal and Modulate to add Pitch selection, Reverb wash amount or Flanger depth, depending on the mode. A three-way toggle switch allows the player to choose between Wrinkle Mode (A Vibrato-esque warble chorus with the added option of pitch selection, meaning the Modulate knob goes from one octave down to one octave up, with noon being close to pitch unity), Washed Mode (a simple lush chorus, Modulate control adds in a wash of Reverb pre Chorus effect) or Mirrors Mode (Detuned Chorus meets Flanger in which the Modulate knob controls the depth of the Flanger, while Rate corresponds to both the Flanger speed and the detuned Chorus speed).
The Reflector V3 features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.
9VDC - 2.1mm negative center pin adapter.
60 mA draw.
- Toggle switch to select between three modes: Wrinkle (pitch shifted signal into
chorus), Washed (reverb into chorus), and Mirrors (resonant filter and chorus
- Mix control to go from fully dry (no affected signal) to fully wet (for true pitch
vibrato), with chorus sounds in between
- Rate and Depth control for the chorus, from slow and subtle to wildly wobbly
- Modulate control for pitch shift amount (octave down to octave up), reverb
blend (no reverb to full reverb), or filter depth
- Expression jack for external control of the Rate or Modulate parameter
- Internal trimpot to control output level
- Relay bypass switching and standard 9VDC center negative powerView full product details
Four isolated 150mA outputs for standard pedals, plus one 500mA output for high power devices . Link two 529 devices together to power up to ten effects pedals.
From the wall
If you have AC wall power available, just connect the 529 to the AC adapter with a USB cable. If you misplace the included AC adapter, you can use any USB wall power supply such as one the one from your smart phone or tablet.
From a battery
Power your pedal board from a portable USB battery pack, laptop, or a car’s USB charging port.
Home and studio
Connect the 529 to a computer or other desktop USB port.
Standard version includes USB wall power supply. Pro version includes USB wall power supply and a 10,000mA low profile rechargeable lithium battery.
Designed with our friend Brian Hamilton from smallsound/bigsound for OBNE demo boards, we thought it a reasonable idea to offer every bedroom player a way to not annoy those around them. Simply plug in the output of your pedalboard to the headphone amp, plug in headphones and blast your volume. Play whatever you like, you're the only one who can hear. Or a buddy can plug into the additional Headphone output. Headphone output is mono out.
Two 1/4 Headphone Output jacks allow two users to simultaneously listen.
***Not to be used as a normal amplifier pushing cabinets. Outputs are only intended for Headphone use.***
The second addition of the OBNE Utility Line, the classic AB/Y Switcher. It's simple: sometimes you need two outputs, sometimes you need two inputs. And then you need to switch between them. Or use them both at the same time. That's it. It's not magic. It's not revolutionary. It's a simple tool. A tool that you can now get from Old Blood.
We call this our Preamp because it is! The circuit is based on the our Chimera 30 watt guitar amplifier, but substitutes FET transistors for the vacuum tubes. The result is an extremely amp-like and versatile clean boost/overdrive/fuzz pedal that imparts rich harmonics and a very musical EQ to your signal chain…truly a Chimera in a box!
9VDC Boss style adapter or battery 50ma
Controls: Gain, Volume, Treble, Bass.View full product details
Building effects around a foundation of flanging, the Flat Light is the latest in the Old Blood Noise Endeavors pedal line. From pitch shifting flanger to highly resonant metallic sounds to reverb-like delays and recognizable swooshes, the Flat Light will induce motion to your sound no matter where it sits in your signal path.
The Flat Light features:
Three modes of flanger: Detune (shimmering pitch shift), Resonate (highly resonant multiflange), and Echo (reverb-like delay)
Four controls to shape the sound: Rate to set rate, Depth to set depth, Shift to affect the something extra, and Mix to go from 100% dry to 100% wet
A Tilt footswitch to momentarily maximize Rate or Shift controls
Expression jack for external control of Rate or Shift parameters
Internal trimpot to control output level
Relay bypass switching and standard 9VDC center negative power
Something is pushing through you to get somewhere else. Zero in. Find it. What is it? Where is it going? Is it here for good, for bad, or for nothing at all? I can't tell you. I'm still trying to communicate with it myself. You can feel it though, right? Some something that may not even be matter, a charge without center, rushing through you. Asking only to get to the center of it all. Taking you with it.
The Fault Overdrive/Distortion is the drive you didn't even know you needed. It can push your amp over the edge, provide a sensitive drive for a clean signal, or act as an all out distortion for your chugging rhythms or singing leads or noise experiments. A Bypass switch turns it on and off. Volume makes it louder. Gain 1 sets the intensity of the first gain stage, and can go from light and sparkly to tight and crunchy.
Low, Mid, and High each cut or boost their respective frequencies - scoop it, hump it, flatten it, whatever your heart desires. Low is a 100 Hz shelf filter, Mid is 500 Hz bell, and High is 3 kHz shelf.
Gain 2 is activated by the Gain 2 footswitch - if it's off, it does nothing. If the knob is all the way down, it does nothing. But turn the switch on and the knob up and you'll find increasingly heavy distortion in a pedal you thought was only an overdrive.
9VDC - 2.1mm negative center pin adapter.
31 mA draw.
The Black Fountain reflects back to the days before digital delay, emulating the sounds of the famed and elusive "oil can delay" units. These units emphasized a chorus-like modulation on the repeats of the effect signal as well as a beautiful and warm repeat cycle.
The Modern mode emulates the classic long delay "oil can" units such as the Morley EDL, Tel-Ray Model 10 and Fender Echo-Reverb. The Time and Repeat controls mimic the functions of the vintage units, while the Fluid control introduces modulation based on the characteristic "wobble" of the electrostatic delay platter. The Vintage mode is similar in function to the Modern mode, but has a grittier and gainier feel to the repeats. Both the Modern and Vintage mode have a delay time of 800 milliseconds.
The Organ Tone mode is based on the Tel-Ray Deluxe Organ Tone, Fender Dimension IV and other short-delay "oil can" units. The vintage units had a fixed delay time of approximately 20 milliseconds, which is implemented here, but the Black Fountain goes above and beyond the original units by incorporating variable Rate and Depth controls for the modulation effect. In addition, the Mix control is capable of dialing a 100% wet signal so a vibrato effect may be produced. The Organ Tone mode also features a simple reverb that mimics the single-spring tank in the original Deluxe Organ Tone effect. The Organ Tone mode has a delay time of 211 milliseconds.
The Black Fountain now features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.
Power your pedals with Ojai—the highest horsepower, most technologically advanced effects pedal power supply of its size. Ojai delivers clean, rock-steady power to your effects pedals in a lightweight and expandable package, giving you flexibility and room to grow.
You get five high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Each output provides a massive 500mA of current.
Ojai’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.
Ojai’s all analog circuitry offers two stages of isolation, completely eliminating ground loop and AC line noise issues, allowing your pedals to sound like they were designed to sound.
With automatic international power compatibility built-in, Ojai delivers clean, reliable power to all your pedals, on any stage anywhere you play in the world.
Have a growing rig? Ojai is part of an expandable system. Gain more outputs by connecting additional Ojai units to the 24V Thru jack.
Ins & Outs
Wampler Tumnus Deluxe
With the first iteration of the Tumnus, Wampler perfected their take on the sound of THE mythical overdrive. With the release of the Tumnus Deluxe, Brian has set the new standard. Thanks in large part to the design’s articulate-sounding buffer, all of the clarity, punch, and detailed breakup of the original Tumnus are still there. But if you prefer the sound of true bypass performance, just hit the switch on the side of the pedal for uncolored tonal purity. Brian also injected the Tumnus Deluxe with a level of tonal flexibility not previously available on this style of drive. Active bass and mid controls, as well as a treble control, the same as the pedal it was inspired by, encourages you to sculpt the tone from this pedal to the demands of your rig. Whether you’re boosting a driven amp or another pedal, using the pedal as a stand-alone overdrive, or crowning it your “always on” tonal sweetener, you’ll find the Tumnus Deluxe’s wide-ranging controls make it much more than just another clone.
Legendary tone and more
The Tumnus Deluxe delivers all the string-to-string clarity, high-headroom output, and amp-like breakup that made this style of overdrive pedal so iconic. But its 3-band EQ will enhance your tone with warm low end, instantly identifiable midrange, and just the right amount of top-end sparkle. Unlike some other similarly voiced pedals, the Tumnus Deluxe has enough tonal control to perfect your sound through any rig.
Buffered or true bypass, it’s your choice
The buffer inside the Tumnus Deluxe sounds so good, you might just find it enhances your tone whether the pedal is on or off. But Wampler know that some players prefer the clean signal path of true bypass operation. With the Tumnus Deluxe’s side-mounted buffered/true bypass control, attaining that uncolored sound is as easy as flipping a switch.
Brian Wampler’s attention to detail and commitment to designing the best and most player-friendly products out there are second to none. Those qualities are on full display within the Tumnus Deluxe. From its convenient top-mounted jacks to its amazingly flexible switching, the Tumnus Deluxe overdrive pedal is every bit a Wampler.
View full product details
The flange sound has been with music throughout the ages - used on everything from vocals to drums, but a guitarist you might have heard of (Edward Van Halen) showed us the only righteous place for flange is guitar! We've combined a classic tape flange with the awesome TonePrint technology, giving you access to everything from through-zero flanges to customized rockstar sounds!
We haven't seen your pedalboard or anything, but our guess is it's pretty full. We're guitarists after all and we live for gear. So, we've built all that is great about the original Vortex Flanger into a mini form factor so there's room for killer flange sounds no matter what your board looks like.
Vortex Mini Flanger is TonePrint enabled. This means you get the revered TC sound multiplied to infinity with rockstar-customized versions of the best flange sounds known to guitarkind- free of charge!
If we didn't know any better Vortex Mini Flanger could just as well be a time machine with all the diverse sounds it holds. You want a nice vintage vibed tape flange? It's there! You want a roaring 747 Jet-Flange, or maybe a nice modern hi-fi swirl? Yes, you guessed it, it's there! Due to our proprietary TonePrint technology, the sonic potential of this tiny beast is basically endless. So let your imagination run wild and go create flange awesomeness.
TonePrint means signature effects - and signature effects means truly creative tones. From classic innovators to the guys shaping the future of music, we've asked the coolest artists around to come up with their customized signature version of a TC Electronic effect - and make them available to you for free!
Download the free TonePrint app for Android and iPhone, choose the TonePrint you want to hear and beam it instantly from your phone through your guitar's pickup into your TonePrint pedal. No cables needed!
Music is the truest expression of self. That's why it is your right to have your effect sound the way YOU want to, no holds barred.
With the TonePrint Editor, you get full control over all effect behavior, knob ranges and everything in between so you can create your signature TC sound.
You love tone, so do we, and our design philosophy testifies to that. So whatever route you wanna go, we got your back. With optimized headroom, True Bypass and even Kill-Dry on/off via our TonePrint Editor, this pedal guarantees optimal tonal integrity and zero loss of tone. And, no matter if the pedal is on or off your precious dry sound is always passed through the pedal unharmed in all it's pure analog glory due to an Analog-Dry-Through design.
From Mach- 3 jet sounds to psychedelic tape flanging, this pedal hangs with the best of them, with a ‘must-have’ form factor and killer tones! Oh, it does fantastic 'through zero' sounds too!
Vortex Mini Flanger has an ultra-small footprint – it will fit on any pedalboard, even yours!
You guessed it – this determines the speed of the effected signal. Slow speeds will enhance the jet–like qualities of the effect.
Keeps your tone YOURS. We never convert the dry signal, so you’ll always shine through with zero latency and total tonal transparency.
Works equally awesome with guitar and line level/FX Loop signals.
Controls the intensity of the effect. For classic jet flange sounds keep the depth control low. But do feel free to crank this thing and do your worst!
Create your own custom flanger pedal with the free TonePrint Editor!
The Feedback knob allows you to feed the modulated signal back into the pedal, which basically gives you more of everything that’s so cool about flanging.
Load Vortex Mini Flanger with your favorite artist’s flanger tone.
True Bypass for zero tone coloration.