An update on the popular modulation noisemaker pedal. Reflector V3 is a densely lush chorus coupled with three modes of modulation. This is a chorus with a bent, an ephemeral voice floating between aural dimensions.
Controls include Rate and Depth for the Chorus/Flanger/Vibrato speed, Mix for a balance between unaffected and affected signal and Modulate to add Pitch selection, Reverb wash amount or Flanger depth, depending on the mode. A three-way toggle switch allows the player to choose between Wrinkle Mode (A Vibrato-esque warble chorus with the added option of pitch selection, meaning the Modulate knob goes from one octave down to one octave up, with noon being close to pitch unity), Washed Mode (a simple lush chorus, Modulate control adds in a wash of Reverb pre Chorus effect) or Mirrors Mode (Detuned Chorus meets Flanger in which the Modulate knob controls the depth of the Flanger, while Rate corresponds to both the Flanger speed and the detuned Chorus speed).
The Reflector V3 features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.
9VDC - 2.1mm negative center pin adapter.
60 mA draw.
- Toggle switch to select between three modes: Wrinkle (pitch shifted signal into
chorus), Washed (reverb into chorus), and Mirrors (resonant filter and chorus
- Mix control to go from fully dry (no affected signal) to fully wet (for true pitch
vibrato), with chorus sounds in between
- Rate and Depth control for the chorus, from slow and subtle to wildly wobbly
- Modulate control for pitch shift amount (octave down to octave up), reverb
blend (no reverb to full reverb), or filter depth
- Expression jack for external control of the Rate or Modulate parameter
- Internal trimpot to control output level
- Relay bypass switching and standard 9VDC center negative powerView full product details
Designed with our friend Brian Hamilton from smallsound/bigsound for OBNE demo boards, we thought it a reasonable idea to offer every bedroom player a way to not annoy those around them. Simply plug in the output of your pedalboard to the headphone amp, plug in headphones and blast your volume. Play whatever you like, you're the only one who can hear. Or a buddy can plug into the additional Headphone output. Headphone output is mono out.
Two 1/4 Headphone Output jacks allow two users to simultaneously listen.
***Not to be used as a normal amplifier pushing cabinets. Outputs are only intended for Headphone use.***
The second addition of the OBNE Utility Line, the classic AB/Y Switcher. It's simple: sometimes you need two outputs, sometimes you need two inputs. And then you need to switch between them. Or use them both at the same time. That's it. It's not magic. It's not revolutionary. It's a simple tool. A tool that you can now get from Old Blood.
Building effects around a foundation of flanging, the Flat Light is the latest in the Old Blood Noise Endeavors pedal line. From pitch shifting flanger to highly resonant metallic sounds to reverb-like delays and recognizable swooshes, the Flat Light will induce motion to your sound no matter where it sits in your signal path.
The Flat Light features:
Three modes of flanger: Detune (shimmering pitch shift), Resonate (highly resonant multiflange), and Echo (reverb-like delay)
Four controls to shape the sound: Rate to set rate, Depth to set depth, Shift to affect the something extra, and Mix to go from 100% dry to 100% wet
A Tilt footswitch to momentarily maximize Rate or Shift controls
Expression jack for external control of Rate or Shift parameters
Internal trimpot to control output level
Relay bypass switching and standard 9VDC center negative power
Something is pushing through you to get somewhere else. Zero in. Find it. What is it? Where is it going? Is it here for good, for bad, or for nothing at all? I can't tell you. I'm still trying to communicate with it myself. You can feel it though, right? Some something that may not even be matter, a charge without center, rushing through you. Asking only to get to the center of it all. Taking you with it.
The Fault Overdrive/Distortion is the drive you didn't even know you needed. It can push your amp over the edge, provide a sensitive drive for a clean signal, or act as an all out distortion for your chugging rhythms or singing leads or noise experiments. A Bypass switch turns it on and off. Volume makes it louder. Gain 1 sets the intensity of the first gain stage, and can go from light and sparkly to tight and crunchy.
Low, Mid, and High each cut or boost their respective frequencies - scoop it, hump it, flatten it, whatever your heart desires. Low is a 100 Hz shelf filter, Mid is 500 Hz bell, and High is 3 kHz shelf.
Gain 2 is activated by the Gain 2 footswitch - if it's off, it does nothing. If the knob is all the way down, it does nothing. But turn the switch on and the knob up and you'll find increasingly heavy distortion in a pedal you thought was only an overdrive.
9VDC - 2.1mm negative center pin adapter.
31 mA draw.