A collaboration between Old Blood Noise Endeavors and Datachoir, the Rêver provides reverb, delay, and reverse effects that combine into a unique blend of trailing, bizarre ambience. The delay and reverb sections offer typical controls: the delay offers variable level, time, and feedback while the reverb provides wet/dry mix, decay time, and a control for otherworldly modulation. The reverse section provides an option for latching or momentary operation and wet/dry blend; moreover, the reverse can be placed at the beginning of the signal chain or at the end, providing access to everything from layered, drifting ambience to glitchy washes and beyond. Rêver is far more than the typical delay or reverb: it is a textural space machine unlike anything else available.
An update on the popular modulation noisemaker pedal. Reflector V3 is a densely lush chorus coupled with three modes of modulation. This is a chorus with a bent, an ephemeral voice floating between aural dimensions.
Controls include Rate and Depth for the Chorus/Flanger/Vibrato speed, Mix for a balance between unaffected and affected signal and Modulate to add Pitch selection, Reverb wash amount or Flanger depth, depending on the mode. A three-way toggle switch allows the player to choose between Wrinkle Mode (A Vibrato-esque warble chorus with the added option of pitch selection, meaning the Modulate knob goes from one octave down to one octave up, with noon being close to pitch unity), Washed Mode (a simple lush chorus, Modulate control adds in a wash of Reverb pre Chorus effect) or Mirrors Mode (Detuned Chorus meets Flanger in which the Modulate knob controls the depth of the Flanger, while Rate corresponds to both the Flanger speed and the detuned Chorus speed).
The Reflector V3 features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.
9VDC - 2.1mm negative center pin adapter.
60 mA draw.
- Toggle switch to select between three modes: Wrinkle (pitch shifted signal into
chorus), Washed (reverb into chorus), and Mirrors (resonant filter and chorus
- Mix control to go from fully dry (no affected signal) to fully wet (for true pitch
vibrato), with chorus sounds in between
- Rate and Depth control for the chorus, from slow and subtle to wildly wobbly
- Modulate control for pitch shift amount (octave down to octave up), reverb
blend (no reverb to full reverb), or filter depth
- Expression jack for external control of the Rate or Modulate parameter
- Internal trimpot to control output level
- Relay bypass switching and standard 9VDC center negative powerView full product details
Designed with our friend Brian Hamilton from smallsound/bigsound for OBNE demo boards, we thought it a reasonable idea to offer every bedroom player a way to not annoy those around them. Simply plug in the output of your pedalboard to the headphone amp, plug in headphones and blast your volume. Play whatever you like, you're the only one who can hear. Or a buddy can plug into the additional Headphone output. Headphone output is mono out.
Two 1/4 Headphone Output jacks allow two users to simultaneously listen.
***Not to be used as a normal amplifier pushing cabinets. Outputs are only intended for Headphone use.***
We call this our Preamp because it is! The circuit is based on the our Chimera 30 watt guitar amplifier, but substitutes FET transistors for the vacuum tubes. The result is an extremely amp-like and versatile clean boost/overdrive/fuzz pedal that imparts rich harmonics and a very musical EQ to your signal chain…truly a Chimera in a box!
9VDC Boss style adapter or battery 50ma
Controls: Gain, Volume, Treble, Bass.View full product details
Building effects around a foundation of flanging, the Flat Light is the latest in the Old Blood Noise Endeavors pedal line. From pitch shifting flanger to highly resonant metallic sounds to reverb-like delays and recognizable swooshes, the Flat Light will induce motion to your sound no matter where it sits in your signal path.
The Flat Light features:
Three modes of flanger: Detune (shimmering pitch shift), Resonate (highly resonant multiflange), and Echo (reverb-like delay)
Four controls to shape the sound: Rate to set rate, Depth to set depth, Shift to affect the something extra, and Mix to go from 100% dry to 100% wet
A Tilt footswitch to momentarily maximize Rate or Shift controls
Expression jack for external control of Rate or Shift parameters
Internal trimpot to control output level
Relay bypass switching and standard 9VDC center negative power
Something is pushing through you to get somewhere else. Zero in. Find it. What is it? Where is it going? Is it here for good, for bad, or for nothing at all? I can't tell you. I'm still trying to communicate with it myself. You can feel it though, right? Some something that may not even be matter, a charge without center, rushing through you. Asking only to get to the center of it all. Taking you with it.
The Fault Overdrive/Distortion is the drive you didn't even know you needed. It can push your amp over the edge, provide a sensitive drive for a clean signal, or act as an all out distortion for your chugging rhythms or singing leads or noise experiments. A Bypass switch turns it on and off. Volume makes it louder. Gain 1 sets the intensity of the first gain stage, and can go from light and sparkly to tight and crunchy.
Low, Mid, and High each cut or boost their respective frequencies - scoop it, hump it, flatten it, whatever your heart desires. Low is a 100 Hz shelf filter, Mid is 500 Hz bell, and High is 3 kHz shelf.
Gain 2 is activated by the Gain 2 footswitch - if it's off, it does nothing. If the knob is all the way down, it does nothing. But turn the switch on and the knob up and you'll find increasingly heavy distortion in a pedal you thought was only an overdrive.
9VDC - 2.1mm negative center pin adapter.
31 mA draw.
Power your pedals with Ojai—the highest horsepower, most technologically advanced effects pedal power supply of its size. Ojai delivers clean, rock-steady power to your effects pedals in a lightweight and expandable package, giving you flexibility and room to grow.
You get five high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Each output provides a massive 500mA of current.
Ojai’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.
Ojai’s all analog circuitry offers two stages of isolation, completely eliminating ground loop and AC line noise issues, allowing your pedals to sound like they were designed to sound.
With automatic international power compatibility built-in, Ojai delivers clean, reliable power to all your pedals, on any stage anywhere you play in the world.
Have a growing rig? Ojai is part of an expandable system. Gain more outputs by connecting additional Ojai units to the 24V Thru jack.
Ins & Outs
How many times have you sat in front of your favorite ambient pedal and felt like you need weeks of training at NASA to use it? Knobs, switches, sliders…It’s often SO hard and frustrating to find a usable tone on those things quickly... Keeping that firmly in mind, when we first considered making an ambient pedal, ease of use was a top priority, right up there with top tier quality tone on par with pedals at twice the price.
How do you describe a pedal like the Wampler Ethereal? Does ambient heaven cover it? Is it the gateway between real life and the astral plane? Or is it just gorgeous? It’s hard to know which phrase to use when talking about it, because they all match it perfectly… plus, of course, so easy to use you’ll be getting those perfectly Ethereal tones instantly.
When designing the Ethereal these were the EXACT thoughts running through the mind of Brian Wampler. He wanted to make a delay that is as pure as you could want, with a time of up to 1s, a reverb that is thick and then have the option to mix them all up and put them together in one glorious effect that will send you away… all the way away while making it as easy to use and easy to find those perfect tones as possible.
Oh, and did we tell you – it’s been a bit of a secret, there isn’t one delay lurking within the Ethereal, there are two! The first delay constantly sits there like a heartbeat, coming back at you at quarter notes, we then layer another over the top – that one can be put into a triplet pattern, or a dotted 8th (so you can get that beautiful quarter + dotted 8th mix) and even a self-oscillating dotted eighth pattern that just takes you away and leads you over the edge and down the rabbit hole into perfect ambience… Things can get a little crazy when that one is selected, so you know, knock yourself out – it’s there to make some incredibly strange yet beautiful sounds… See that little switch down there? Yep, that’s the one, just to the right of the stomp - that’s a trails button. When this is used the delay patterns and reverbs sing out after the pedal has been deactivated, so you can even control what you want to come back at you.
While you are enjoying the delay patterns, sitting underneath is that beautifully cavernous plate style reverb that is alive with character and shape, that can be brought in to exactly the right level (whether that be under your guitar, the same level - unity, or even considerably louder) to compliment the delay.
As you can imagine, this has been some feat of engineering (definitely worth waiting for) as we wanted all this to happen from a regular sized box, with the purity of tone and response you would expect from a Wampler. So, as with our other time pedals, we split the signal going in, the effected signal is then laid back on top of the original base tone, making sure that YOUR guitar sounds exactly how it does going in.
The Wampler Ethereal. Not only can it be used a stand alone reverb or delay pedal, it can be combined for you to worship, to get lost in, to even help you inspect your shoes… but most of all, it was designed to inspire.
Built in the U.S.A
High grade components picked for their superior sound and response
Relay true bypass with soft switch (buffered bypass in trails mode)
Top mounted input and output jacks
9v power jack Power draw: 64mA (at 9v) and 68mA (at 18v)
Allows for you to use reverb and two delays simultaneously
Maximum 1 second delay
Second delay can be layered on top in 3 different patterns
2.50″ x 4.50″ x 1.5″ (63.5mm x 114.3mm x 38.1mm) – height excludes knobs and switches
The Archer Ikon is sort of a 2 in one guitar pedal. It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but there is a magical blend in between that you will find. Please experiment!!View full product details