The heaviest-sounding pedal in the ZVEX lineup, the BOM has a massive amount of distortion with great thump and excellent tone control, and includes a very effective noise-silencing gate feature which can be turned off and on with a footswitch. Gain adjusts from hard to harder.View full product details
This Box of Rock™ simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall® JTM45. The tone control adjusts brightness and there’s a high-headroom low-noise boost.View full product details
This pedal was originally designed for J.Mascis. He requested two Box of Rock™ pedals in one box with two stomp switches. He uses it regularly now, but we did one (or two) better with the one we’re releasing to the public... we made it so you can adjust the sub frequencies (like the Distortron), and you can convert either channel to a Super Hard-On™. In this way, you can configure the pedal to be two Distortrons cascaded, two Super Hard-Ons cascaded (like a Super Duper 2-in-1), or a Box of Rock with boost, or a Super Hard-On going into a Box of Rock. Distortion/boost heaven!View full product details
A version of the Fuzz Factory. This variation features a three position mini toggle switch. Setting 1 is a standard Fuzz Factory, settings 2 and 3 introduce “low” and “lower” frequencies to manipulate, oscillate, and mutate as you like. The Fat Fuzz Factory sounds fantastic on both guitar and bass!View full product details
Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, ripping velcro and octave-like fuzz. Now includes an on/off LED and DC power jack!
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The Fuzzolo is a raging beast of a fuzz. We managed to squeeze this wild thing into a small box to save real estate on pedal boards, and because we could. The Fuzzolo has two controls: Volume (post gain), and Pulse Width. The Fuzzolo is equally devastating on guitar and bass.
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This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky™ in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you’ve never heard anything quite like it.View full product details
The Sonar™ is a “tremolo” pedal, but this one’s different. This unit has the ability to chop up any signal you send into or out of it. Unlike most other tremolos, it can cut down your high gain signal to silence. It can also sound gorgeously transparent like a traditional tremolo. It does other fun stuff like increase or decrease tempo, duty cycle (amount of time the trem is ON in a given cycle), or both simultaneously on the fly. It also has tap tempo and a slew of advanced features (attack, release, and depth controls). Lastly, and perhaps most importantly, it has aZVEX Machine™ circuit built right into the box.View full product details
ZVEX Effects proudly announces the release of the TB-2 handmade microphone, designed for special effects through a guitar amplifier and guitar accessories. What makes the TB-2 different from other microphones? Most professional microphones are designed to connect to a mixing console, so they have balanced outputs terminating in an XLR connector. Their outputs are very low level as well as being low-impedance, which makes them incompatible with guitar gear in three ways, with the additional problem of having terrifying feedback problems when placed in front of a raging guitar amplifier.
The TB-2 has the following features that define its specialty nature:
1. Its output is high-impedance like a guitar.
2. Its output connector is 1/4" and is designed to connect directly to effects or an amp.
3. It features extremely high rejection of signals located more than 1 inch away, so it literally cannot hear your amplifier if it's more than a few feet away from it, so it doesn't feed back on stage!
4. It's hand made from an actual tea ball, with a removable magnetic pop screen and filter, with a hand-bent copper hoop and springs that make it look like something from the 20s.
5. IT HAS A WAH-WAH BUILT IN! This lets you set a filtered tone for telephone effects or honking tones to exaggerate instruments like harmonica, or you can actively wah your own voice!
6. The TB-2 is limited to a run of less than 100 pieces, and if you miss out on this one, you'll have to wait until 2019 for our next microphone offering!
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Designed for bass, a favorite for guitar, this incredibly sub-frequency-preserving unit will hold on to the lowest lows like no fuzz ever heard before. It features a gentle gate for silencing your instrument between notes or phrases, and has an EQ control that smoothly selects between more bass and more treble.View full product details