Pre-owned EBS The Drive Overdrive. In excellent condition with the original box included.
THE DRIVE IS A LOVELY ANALOG BOOST/OVERDRIVE PEDAL IN THE NEW 'BLUE LABEL' PEDALS SERIE THAT YOU CAN USE WITH BASS AS WELL AS GUITAR.
A boost like The Drive is a really useful tool. Whether you need your amp to come alive, to increase the overall volume for a solo or just a subtle nice overdrive, The Drive makes all the difference. It will add richness and nice harmonics to your guitar sound. Used with a bass, it can also give you that nice slightly saturated sound of a vintage tube amp - even when you play a solid state amp.
The Drive is the kind of device you might leave on without thinking about it, but miss dearly when you turn it off.
Controls for Drive, Tone and Volume
Brand new compact housing design with recessed jacks to reduce space on your pedalboard
Runs on 9V DC
The Drive is developed by EBS with input from several Swedish top session guitarists and part of the new 'Blue Label' series of EBS effects.
Pre-owned JHS Andy Timmons +. In like new condition, includes original box and paperwork.
The JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. Through going back and forth and tailoring it to Andy’s tastes, the “@“ was born and eventually released into production in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig. So pay ATtention and we’ll see what makes the AT rock.
Does the AT+ sound the same as the original AT?
Yes! The drive channel of the AT+ is identical to our original AT pedal. No changes were made whatsoever and the controls remain the same. They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different wattage amplifiers. The up position is the 25-watt setting with the most compression and saturation with the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused.
Two channels are better than one!
New to the AT+ is an independent foot-switchable Boost...essentially creating a second channel and gain stage for the pedal. The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.
This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2"x4.8"x1.6".
Pre-owned Morgan Overdrive. In excellent condition. The bottom has very light scratches, no velcro attached. Box is included.
Morgan's OD pedal is designed to be an extension of your amp's tone. Think of this pedal as an additional gain stage or a second channel to your amplifier. The Morgan OD has been carefully designed to give as flat a tone response as possible - adding extra gain without extra coloration. The Morgan OD is a discrete component device that behaves much like a tube amp does, making it extremely touch sensitive and responsive to your guitars volume's control and picking attack. The gain control modifies the amount of forward bias available on the transistor, actually changing the DC voltage at the transistor to increase gain!
• Hand selected discrete components • Crackle OK, gain control • Transparent gain that does not mess with your tone • True bypass • Hand Built in Los Angeles, CA
Pre-owned TC Helicon Voicetone Correct. In very good condition, with only light scratches from normal use. Includes original box, paperwork and power supply.
Auto-chromatic pitch correction improves your pitch
Adjustable auto-smooth compression
Multi-band auto-shape EQ dynamically sweetens raw mic sound
Sibilance-smoothing de-ess algorithm
Add rich lows on deep voices with the Warmth button
Accurate input pitch and correction display
XLR mic level I/O: Correction can go to monitors, mains or both
Clean, studio quality mic preamp with phantom power
Studio-precision vocals on stage and at your feet.
You've worked hard to create a vocal sound that's all your own, but leaving your live sound in the hands of others is hit and miss. Now you can make your sound engineer, your audience and your band smile with high-quality vocal processing that starts at the stage and is exclusively under your control with TC-Helicon VoiceTone pedals for singers.
The VoiceTone Correct pedal's studio-quality sound, ready-for-action construction, and unobtrusive size let you carry it along with your favorite mic to the gig, whether it's a club or a concert hall. And operation couldn't be easier. You'll get the sound you want in seconds, instantly boosting your performance the very first night you use a VoiceTone pedal. Up to now, only the most successful singers have taken their producer, live engineer and vocal coach on the road, but now it's your turn to bring your vocal posse with you and ensure that your message--your sound--is heard.
Take control of your live sound Feel like you're wrestling with others over your sound? From the moment you plug your mic into a VoiceTone vocal processing pedal, you're in control of the tone and effects on your voice. When you sing through VoiceTone Create and Correct pedals you're saying, "This is my sound, don't mess with it!"
Enjoy Complete Quality Quality can be witnessed in every aspect of the VoiceTone design. Studio caliber audio algorithms, transparent converters and fastidious analog audio design lead to a smooth sound that makes you want to sing your best while your fans get, well, fanatic. It just wouldn't be enough to make products that sound this good without making sure they stand up to the rough treatment they're going to get onstage or kicking around a rehearsal room floor.
Live Engineer and Correction-in-a-pedal The nicest and most simpatico sound engineer you will ever meet is inside VoiceTone Correct. It combines pitch correction with tone and dynamic shaping that put a recorded gloss on live singing. Sensing algorithms developed at TC-Helicon automatically adjust the recording industry techniques of multiband EQ, compression and de-essing for you, so you get the best sound with the least amount of effort.
Partner your new sound with auto-chromatic pitch correction which helps you sing more in tune, much like a metronome helps for playing in time. The miniaturization of sound engineers and vocal coaches was a challenge, but the results will surely impress you and your audience!
Connectors: Balanced XLR
Input Impedance: 1 kOhm
Mic Input Sensitivity @ 0 dBFS: -44 dBu to +2 dBu
Mic Input Sensitivity @ 12 dB headroom: -56 dBu to -10 dBu