The Monarch amp in convenient combo form with Tall Bird-style reverb.
The Monarch Reverb features a unique British-American switch, simple yet highly versatile controls, and perfect range of power to be used both cleanly and pushed on the stage and studio without wearing out its welcome, and incorporates tube driven spring reverb in a completely transparent no-compromises fashion into the classic Monarch circuitry.
The circuit design is 100% original, or actually maybe just a combination of 30 different amps Chris likes plus a few ideas of his own. Either way, the resulting amplifier could be, and often is, the end of your search for perfect guitar tone.
The Monarch was designed to make you consider ditching your drive pedals (though it takes pedals like a winner). It was designed to have harmonics when clean, and clarity when it’s pushed. It is designed to transition from clean to compressed to distortion with a complete lack of harsh harmonics or weird resonances. The cabinet is open backed and pine to project sound in all directions like an acoustic guitar…a true tone wood that lends it’s own musicality to the guitar’s sound. The build and finish quality is second to none.
We get asked constantly "What is the Monarch based on?". Translation: "Which 60s/70s amplifier did you clone and tweak when you developed your product?". It's a fair question...most builders do this, and that is fine. We did something new, so there isn't a simple answer. However, we can tell you where the Monarch falls in terms of sound and feel compared to existing amplifiers.
The Monarch was designed to fulfill the needs of players who:
Enjoy a Tweed Deluxe but find it could be lacking in punch and versatility
Enjoy a Top Boost AC15 or 30 but find the upper frequencies a little quacky and grating
Enjoy a Supro Thunderbolt but want more clarity and better harmonics
Think some boutique amps they have tried are too bright and/or lacking a certain something…what is it called…tone that satisfies.
2 x JJ 6V6 power tubes, 2 x JJ 12AX7 preamp tubes, 5AR4 rectifier
12-15 watts (depending on rectifier)
Speaker outputs: 1 x 8 ohm, 1 x 16 ohm
23.5”W 17.5”H 10”D 39 lbs
Point to point construction on terminal strips - no circuit, eyelet or turret board
>> the feedback looper of your dreams vv ^^ sǝɹɐɯʇɥƃᴉu ɹnoʎ ɟo ɹǝdool ʞɔɐqpǝǝɟ ǝɥʇ <<
Death by Audio was conceived in 2002 with the most insane pedal of all time: the Total Sonic Annihilation. Here was a pedal that literally transformed all of your pedals into different effects by force feeding them back into themselves. Fast forward to present day - through painstaking redesign and improvements, the original circuit has been reborn as the Total Sonic Annihilation 2. Totally new functionality and additional controls create even more wildly warped alien space sounds than the original. Go get some!
The TSA2, like its predecessor, works on a simple premise: what if effect pedals were patched back into themselves? What does it sound like for a filter to be multiplied by infinity? Or if your modulator was modulating its own modulations? The TSA2 creates a controllable feedback loop, causing your pedals to cycle back on themselves, feeding the output back into the input as much or as little as you want. Experience true sonic exploration: every unique pedal array will produce a vast world of textures and possibilities.
FEEDBACK: The big knob. This controls the amount the SEND (external effect input) is forced back into the RECEIVE (external effect output). This creates feedback within the circuit to create new unbridled and experimental effects and results. The more this knob is turned up the more intense and explosive the effects are. The ACTIVE BOOST is also in this loop and (if engaged) will be forced back into itself to create its own wild and interesting sounds if nothing is plugged into the loop.
ON: This toggle switch when in the ON position turns on the ACTIVE BOOST circuit.
PHASE: Flips the phase of the effects loop, only when the ACTIVE BOOST is on.
GAIN:Controls the amount of gain of the ACTIVE BOOST circuit.
LIMIT:Limits the output volume of the entire pedal only when the ACTIVE BOOST is engaged.
STOMP SWITCH: Bypasses the effect.
NOTE: When the TSA2 is turned off the TSA2 is bypassed but every pedal in the loop is still part of your signal chain. Any effect(s) in the loop works as usual.
THE NEW FEATURES OF VERSION 2
If you've used a feedback loop pedal before like the 1st edition of the Total Sonic Annihilation then you know the vast world of insane and wild sounds that you can get. With this new updated version of the original the ACTIVE BOOST really makes this usable for so many more applications where the original fell short. For example if the effect in the feedback loop is out of phase with itself, the loop would turn the pedal just into a volume or blend pedal and not be that interesting. With the TSA2, just flip the PHASE switch and all of a sudden those once dormant possibilities are awakened! The BOOST also has a boatload of gain to awaken even the faintest effect into an unearthly behemoth and a LIMITER to tame the most unruly beast into a purring kitten. Experiment with as many different pedals in the FEEDBACK loop for unique and incredible results!
Dimensions: 4.7" x 2.7" x 2.5" (includes knobs and jacks)
Weight: 11.1 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).
This handy reference for beginning students clearly shows the note names and the note positions on the treble and bass clefs. The front of the guide fits behind all 88 keys of any piano, and the back of the guide is a practice keyboard.