Input and output buffers. Two types of summing. Master mute. Tuner send.
Summing The TX Interfacer has two types of summing: Stereo Sum and Split Sum. To access these two modes, use the internal DIP switch to select which mode is best for you.
Stereo Sum – This is the default mode The TX Interfacer ships with. In this mode use stereo effects as normal. When summed, the left and right inputs are merged and the exact same signal is sent to the left and right outputs.
Split sum – Still use stereo effects as normal. When summed, the right input is ignored and the left input is split to both left and right outputs.
The TX Interfacer comes with ground lift and phase correction for players that want to run more than one amp.
Ground Lift – There are times when two amps are being used that an audible hum/buzz can be heard coming out of your amps. When plugged into one amp only, the hum/buzz is not present. This is commonly referred to as a ground loop. This happens when there is more than one path to earth. To safely fix this common problem, a transformer is needed to isolate your second amp and create one path to ground. Push the red ground lift button to isolate your right amp from your left.
Phase Correction – Another common issue when running two amps is phase cancellation. Some amps are in phase in relation to each other and other amps are not. When amps are out of phase with each other they are cancelling each other out. This is most noticeable in the lower frequencies. Normally this would mean you can’t use those amps together. With the black phase correction button you can now put two amps that were out of phase, back in phase and working together. To access this, turn on the transformer (red button) and flip the phase (black button).
Master Mute Hit the foot switch on The TX Interfacer to mute your signal before it reaches your amps. No matter what craziness is happening on your board, the master mute has the final say on what does or doesn’t get sent to your amp.
There are two inputs on The TX Interfacer; a moveable buffered input and a passive input.
Passive Input – Best to use if you have effects on your board such as a vintage wah or fuzz that don’t quite sound the same with a buffer before them. After your last fuzz or wah pedal you can then plug into the buffered input of The Interfacer to make use of the buffer and dedicated tuner output. The passive input can also be used for off-board expression pedals and tap tempo. Permanently connect either a TS or TRS cable from the passive send to a pedal that can receive expression or tap control and then patch an expression or tap pedal into the passive input.
Moveable Buffered Input – The buffered input can be moved anywhere in your mono signal chain. Simply plug into the passive input, put all the pedals want you want before your buffer here. After the last pre-buffer pedal, plug into the buffered input to make use of the buffer and always on tuner output.
All Interfacers are made with high quality, durable components.
IMPORTANT – Use only 9vDC centre negative plug to power! 100mA Dimensions including all jacks and switches are: 127mm long x 77mm wide x 73mm high.
Gretsch G5232T Electromatic Double Jet FT W/ Bigsby Tahiti Red
G5232T ELECTROMATIC® DOUBLE JET™ FT WITH BIGSBY
Pure Jet™ Power The all-new G5232T Electromatic® Double Jet™ FT with Bigsby® captures essential Jet power and fidelity at a great price.
Chambered Mahogany Bodies — Loud and Clear Classic Jet tone begins with a chambered mahogany body with arched maple top that produces full lows and mids with a well-defined, yet smooth high end. The result is a strong and balanced acoustic foundation fit for a variety of tones.
Black Top Filter'Tron™ Pickups – Quintessential Power and Clarity Black Top Filter'Tron pickups amplify and accentuate the Electromatic Double Jet FT's chambered body to produce a wide, balanced and transparent tone. Loud and punchy, this Jet sounds out with remarkable definition at any level of gain.
Total Tonal Control The combination of individual pickup volume controls, master tone and master volume with treble bleed circuit provides intuitive global control over your pickup and tone settings.
G5232T Electromatic® Double Jet™ FT with Bigsby®, Laurel Fingerboard, Tahiti Red
Pre-owned Amptweaker, with light signs of wear. Light scratches from normal use. No velcro, no box or power supply.
The TightDrive was the first Amptweaker product, and introduced our popular Tight attack control.
The TightDrive™ overdrive pedal is the first Amptweaker product, a gain pedal that features the TIGHT control. This tweaks the amp’s attack, and when combined with the Gain, Tone, and Volume controls, a lot of different distortion sounds are possible. It has the ability to dial in varying amounts of crunch, from barely clean singing blues tones, to crunchy rhythm sounds, all the way up to seriously overdriving your tube amp for tight chunky lead solos. Whether you’re using it with a clean amp or to beat up your heavy amp, this pedal has the range to handle the job….it can even reduce the gain and tighten the attack to easily convert your heavy lead tone to a chunky rhythm sound.
The biggest number of Product Idea submissions received were from people looking for overdrive and/or boost pedals that could provide tight low end. This led to the Tight Control, which allows you to adjust the amp’s attack, varying it from smooth and singing to chunky and aggressive attack. The Tone, Gain and Volume controls work pretty much like most other overdrive pedals.
Another repeating theme heard over and over was multiple pedals….so this led to the idea of adding an effects loop to the back so you can add whatever you want to this pedal. And there’s a Pre/Post button underneath the pedal so you can move that outboard effect to in front of or behind the TightDrive. When you bypass the TightDrive pedal, the other effect or effects will be bypassed as well. This feature is great if you want to further tweak the distortion tone with an EQ in front of or behind it, or to add compression, or a delay.
The TightDrive has some great features on it, but the most important thing, the only thing really, is it had to sound good. IT SOUNDS GREAT!!!” –Rich Williams-Kansas
True Bypass switch
Tight Attack Control
Gain, Tone, & Volume Controls
Effects Loop with Pre/Post switch..tracks On/Off Footswitch
LED lit knobs when using a power supply
Battery disconnect switch with red indicator
DC Adapter jack, standard 2.1mm X 5.5mm, center ground(-)